Ideas from around the world !

"KAMUY & COFFEE"
by Hiroshi"Mario"Aoki

http://soundcloud.com/hiroshimarioaoki/kamuy-coffee||http://soundcloud.com/hiroshimarioaoki/kamuy-coffee By Hiroshi"Mario"Aoki KAMUY & COFFEE

"５つの風"
by Ken the Endo

http://soundcloud.com/ken-the-end/logo||http://soundcloud.com/ken-the-end/5-1 By Ken the Endo 使用楽器
法竹、現代尺八の原型の原始的な尺八

"Grow"
by Barberianmusic

http://soundcloud.com/barberianmusic/sound-logo-grow||http://soundcloud.com/barberianmusic/grow By Barberianmusic 札幌の近代的な風景の中で、こんな感じの有機的な音楽が流れたら気持ちよいだろうと思いながら作曲しました。

"untitled"
by sonir

http://soundcloud.com/sonir/logo-sjq||http://soundcloud.com/sonir/scape By sonir SjQは、演奏者一人一人がシンプルなルールを用いて、互いにコミュニケーションをしていくことで音楽をパフォーマンスしていく。そのルールは、音によるキャッチボールのようなものから、コンピュータアニメーションを使ったものまで、様々な方法を試みている。

今回は、普段演奏に用いている独自のソフトウェア「gismo」を用いて、演奏者の音を一つ一つを細断化し、再配置/加工することで音響を作成した。gismoは、人工生命によるシンプルな生態系モデルを用いて、音楽を即興するソフトである。

実際の展示では、音のスケープはダイナミックに変化するようにすることが可能である。また、サウンドロゴは、そのスケープの中に一部を切り出すことで作成した。

"Mineral"
by 245k_245k

http://soundcloud.com/245k_245k/2014-1||http://soundcloud.com/245k_245k/mineral Licensed under a CC-BY-NC-ND by 245k_245k 都市と自然というテーマに鉱物の印象を受けて製作しました。
公共空間は現代の電子音楽でも重要なモチーフになっているように思います。
地下歩行空間は東日本大震災の翌日に開通になりました。
地震のあとはじめて行った際、非常に感銘をうけたことが記憶に残っています。
内容について書きたいことはたくさんありますが、締め切りに間に合わないので短めに。

"ぷろむなーど"
by Kotaro Terawaki

http://soundcloud.com/koh-terawaki/promenade-minimum||http://soundcloud.com/koh-terawaki/promenade Licensed under a CC-BY-NC-ND by Kotaro Terawaki テーマや電子音の使用等にあまりこだわらずに、シンプルに「芸術」と「札幌」が交わる空間に流れていてほしいと感じるイメージを形にしてみました。

"のっきんおんへぶんずどあ"
by hentecologylab

http://soundcloud.com/hentecologylab/knockin-on-heavens-door||http://soundcloud.com/hentecologylab/knockin-on-heavens-door By hentecologylab 千太と言う名前で、主にラップや歌用の
トラックを作っているものです。

思わずラップをしたくなるトラックが
普段の製作のテーマなのですが…

このトラックに乗ってみたいと思える
人との出会いが芸術を愛する人の中で
見つかれば良いかなとｗ

よりPOP&DEEPなトラックを目指して
精進します！

"宇宙地球日本札幌"
by tomoyaageishi

http://soundcloud.com/tomoyaageishi/utyuutikyuunihonsapporo||http://soundcloud.com/tomoyaageishi/waon By tomoyaageishi 札幌で開かれる国際芸術祭というところから
札幌で生まれた初音ミクをもちいて制作しました。

"north"
by reyou

http://soundcloud.com/reyou-2/lgo||http://soundcloud.com/reyou-2/north-1 Licensed under a CC-BY-NC-ND by reyou 木を植えるということなので、木の成長を
想起させる音を目指してつくりました。

"Internal Waves"
by Isseiyamagata

http://soundcloud.com/isseiyamagata/internal-waves-sound-logo||http://soundcloud.com/isseiyamagata/internal-waves By Isseiyamagata 北海道の土地の、雪で覆われた道を歩き続け、その際に体内や体から発生する音のみで構成した。
寒い土地や空間に居る際、通常よりも自身の体内の音が強く発していることに着目した。
この都市において、人々の体の中から発せられる鼓動や熱量そのものが美しい音と考える。

当音作品の展示の際、ただ音声ファイルをループし流し続ける場合、その場に居る人々にとって一つのストレッサーと成りかねない。
それを考慮し、展示時はプログラミングを用いて、人々の行動や空気、温度に合わせてインタラクティブに当音作品の音の素材が応答していくものとする。
また、鑑賞者一人一人が、そのインタラクティブな応答によって、自身がその場に居ることにより音作品に影響を及ぼしていることを認識して貰い、鑑賞者自身も作品の一部となっているかのように感じてもらう。

"Cyber Fauna"
by kohei SASAKI（not/c）

http://soundcloud.com/koheisasaki/siaf-cyber-fauna-sound-logo||http://soundcloud.com/koheisasaki/siaf-cyber-fauna Licensed under a CC-BY-NC-SA by kohei SASAKI（not/c）地域と時間における仮想上の電子動物相の概念。

アナログ植物(自然)とデジタル動物(現代の人々など)の集合的な関係性と言いますか、仮想としてのデジタル処理を施された都市と手つかずの自然との緊張感のある共存がテーマの作品です。

"Resonance of Roots"
by HirokiKawahara

http://soundcloud.com/hirokikawahara/resonance-of-roots-short||http://soundcloud.com/hirokikawahara/resonance-of-roots-long Licensed under a CC-BY-NC-ND by HirokiKawahara この作品は、フィールドレコーディングした音素材を中心に、ピアノ（含む特殊奏法）、ガムラン、シンセシス、また、SIAFサイトで得られた音などを活用し構築されています。

都市と自然というテーマから、古くはシェーファーやケージ、アジア・日本文化を伝えたパリ万博などを連想しました。インターネットによって体験が一層並列になりつつある今、ルーツに興味を持ち探ること、そしてルーツの共鳴にとても意味を感じています。同様に、都市と自然のルーツやそれを育むものたちの解体と再構築のサイクルから、共鳴していくさまを思い描き制作されました。

"Creature of earth 2"
by nogami katsuki

http://soundcloud.com/nogami-katsuki/188-2||http://soundcloud.com/nogami-katsuki/2-1-long By nogami katsuki 都市と自然というテーマはよくあるが、札幌という街においてはやはりその自然の壮大さは欠かせないだろう。長い冬に広すぎる大地と繋がる空。雪が降り積もる光景は神秘的でもある。

"ヨウコソサッポロ"
by riverman0908

http://soundcloud.com/riverman0908/rnqyqs0mlrtv||http://soundcloud.com/riverman0908/2-1 By riverman0908 こどもが気になり、なんとなく口ずさむような、耳に残るようなロゴを作りました。

言葉は「ようこそ・さっぽろ」を逆から歌い、間に「ぽ」を挟み、最後に「アート」と言っています。
受け入れる逆、世界へと発信していくという意味も込めています。

ＳＩＡＦ盛り上げて行きましょう！

"抱和"
by so-ri

http://soundcloud.com/so-ri-2/hqclouljomw6||http://soundcloud.com/so-ri-2/bp3svtm2uz3t Licensed under a CC-BY-NC-ND by so-ri 札幌には行ったことがありません。
実体験のない、イメージだけの場所です。
芸術祭というものにも参加したことがありません。
せっかくですから、実体験がない、イメージだけしかないことを逆手に、
イメージだけを飽和させてみようと思いました。
衝撃が大きくて、聞く人を驚かしてしまうような音、
熱量が大きすぎて、あまり設置するのに向いていない曲を作ろうと。
これがもしほんとうに街中に設置されたならば、
いったいどんなふうに響くのか、楽しみです。
あわよくば調和して、抱和するとよいのですが。

"ashi oto"
by 関大夏志 Seki Takashi

http://soundcloud.com/seki_takashi/ashi-oto-soundlogo||http://soundcloud.com/seki_takashi/ashi-oto Licensed under a CC-BY-NC-SA by 関大夏志 Seki Takashi サウンドロゴは、芸術祭にくる人々の音を表現しました。
反対にもう1つの作品は、じっくりゆっくりとその時間を楽しめるような音を作りました。

"Creature of earth"
by nogami katsuki

http://soundcloud.com/nogami-katsuki/2_1||http://soundcloud.com/nogami-katsuki/2-1-long By nogami katsuki 都市と自然というテーマはよくあるが、札幌という街においてはやはりその自然の壮大さは欠かせないだろう。長い冬に広すぎる大地と繋がる空。雪が降り積もる光景は神秘的でもある。

"아무래도 좋아"
by jungsang-in

http://soundcloud.com/jungsang-in/string||http://soundcloud.com/jungsang-in/i4iqhbsituhr By jungsang-in これだけがあれば、
これだけが叶うならば、
他はどうでもいい。

底辺にある不吉なメローディのストリングが
他の楽器、コードと合うことで、
一つの曲、その中から
不吉さは感じられなく
新たな意味を持つようになる。

"C.H.A.P.P.O.R.O"
by MadamMA

http://soundcloud.com/madam-ma/c-h-a-p-p-o-r-o-sound-logo||http://soundcloud.com/madam-ma/c-h-a-p-p-o-r-o Licensed under a CC-BY-NC-ND by MadamMA ある日、私の親友が札幌を「コンパクトシティー・サッポロ」と命名し、私はその「コンパクトシティー・サッポロ」という呼び方が大変気に入りました。
コンパクトシティー・サッポロの様々な音を１つの曲の中に詰め込んで、カオスなコンパクトシティー・サッポロを作り上げました。

そうです、まさしく創造都市札幌、なのです。

"Now and Then"
by Barberianmusic

http://soundcloud.com/barberianmusic/now-and-then-sound-logo||http://soundcloud.com/barberianmusic/now-and-then By Barberianmusic 様々な表情を持つ都市札幌をイメージしてみました。

"welcome to the sky"
by otties

http://soundcloud.com/otties/welcome-to-the-sky-sound-logo||http://soundcloud.com/otties/welcome-to-the-sky Licensed under a CC-BY-NC-ND by otties 上空を埋めてゆく雪をじっと見ていると逆流しているような錯覚を起こす。まるで時間が巻き戻っているような、まるで空が私たちを招いているような気さえする。
都市のすぐ隣に自然を感じる場所。
そんな札幌で感じた心地良い感覚をそのまま音にしてみました。
よろしくお願いします。

Looking up the sky occupied with snow, I feel myself flowing back.
As if the time was returning and the sky is inviting me.
Sapporo is such a place where to feel the nature just beside a big city.
I am trying to create the music from those comfortable feelings felt in
Sapporo.
Thank you.

"ピリカ"
by nobokin

http://soundcloud.com/nobokin/pirika-sound-logo||http://soundcloud.com/nobokin/pirika Licensed under a CC-BY-NC-ND by nobokin 氷点下10℃の朝、わずかに射し込んだ太陽光線が湖面に張った氷を溶かします。パリパリという瞬間の音。自然石を擦りあわせたり、水音を聴いたり。そのような微かな自然の音をフィールドレコーディングして集めます。本当は、音に寄り添ったそれだけで充分なのかもしれません。

サウンドロゴのようなものは、何か物質のような生き物のような存在感を感じさせるイメージにしました。
札幌市資料館用は、芸術祭が盛況で混雑した時、どんどん見てもらうための曲です。さすがに敢えてこれは無いだろうと怒られそうです。

先日、武邑先生にお会い出来て芸術祭のことを知りました。すばらしい機会、ぜひ子どもと行ってみたいと思います。

"Natural/Synthetic"
by Nicholas Hennell - Foley

http://soundcloud.com/nicholashennellfoley/sapporo-uban-soundscape-clip||http://soundcloud.com/nicholashennellfoley/sapporo-urban-soundscape Licensed under a CC-BY-NC-SA by Nicholas Hennell - Foley This is a piece about natural vs synthetic. What you first hear is my voice, completely unaffected - a natural means of production creating the sounds of insects. In section two, first what you hear is something totally synthetic, creating a rhythm. My aim here was to make the rhythm sound not too machine-like in tempo. Through the addition of other sounds we have something organic sounding and moving, creating rhythm, while the natural sourced sounds are mixed above, a flitting noise. Eventually the synthetic part begins to grow and take over, the beat getting stronger, music being made from noise. Just as the cacophony reaches a climax of grating texture and rhythm, it begins to break down. The insects eating away at it. The natural sounds overcoming the synthetic drive.

"hiatus"
by moskitoo

http://soundcloud.com/moskitoo/sound-o||http://soundcloud.com/moskitoo/hiatus By moskitoo たったひとつの細胞から次々と分裂し、膨大な数へと増殖して生命となるまでの微細な変化の過程を表現しています。

"unlimited sky"
by Yohei Nakatogawa

http://soundcloud.com/yohei-nakatogawa/whisper||http://soundcloud.com/yohei-nakatogawa/the-universe By Yohei Nakatogawa テーマは宇宙のような空間。
頭の中で物語が再生されるよう意識して作りました。

"《 Snow Crystal 》"
by satoshi fukushima

http://soundcloud.com/satoshi-fukushima/snowcrystal-soundlogo||http://soundcloud.com/satoshi-fukushima/snowcrystal Licensed under a CC-BY-NC-SA by satoshi fukushima 雪の結晶は生成過程における気象の変化によって様々な形状を示す。六角形を基本構造にしながらも１つとして同じ形を持たないその多様さを思うといつも静かに心が揺さぶられる。1930年より、北海道において長年雪の結晶について研究を続けた中谷宇吉郎氏は「雪は天からの手紙」と言った。素晴らしい言葉だといつも思う。
音の構成法においても同様に、確固とした構造を維持しつつ人間の可聴域の範囲をより自由に構成できないかと考えてきた。《 Snow Crystal 》は『六花（りっか）の調律』と名付けた音の構成法を用いて作曲された。平均律を歪め拡張したようなこの構成法では6音からなる構成関係を基に、相対的な関係を保ちながら互いが相似関係によって成り立つよう組織されている。

"SEMAPHORE CONDUCTUS (wind / air)"
by //BORAYOON

http://soundcloud.com/borayoon/semaphore-breathwind||http://soundcloud.com/borayoon/semaphore-conductus_soundscape By //BORAYOON /// 7 min ENTRY
SEMAPHORE CONDUCTUS is a 8 min. musical soundscape which features vocal quartet New York Polyphony. In a sound design of Morse code, heartbeats, shortwave radio transmissions, and cellphone sounds. This music imbues the idea of music as form of electrical conduction: a system of signals, transmissions, communicated and expressed over distances and time. Contains old medieval chant, and new sounds of modern technology. Sounds which activate the history, and present day of the Sapporo Appeals Court.

/// 15sec ENTRY
created using only the sound design elements of full song SEMAPHORE CONDUCTUS: breath wind, Morse code, vinyl crackles, heartbeats. Creating a refreshing soundscape for the listener, which echoes a small bit of their experience in the Sapporo Appeals Court.

NOTE: due to low frequencies, please listen on full frequency spectrum speakers.

"ゆたかなそうげんとあおいそら"
by Reel-to-Reel りーるとぅりーる

http://soundcloud.com/tomoko-suzuki-4/7zv2nxqcwqwa||http://soundcloud.com/tomoko-suzuki-4/gv4h1utlmonf By Reel-to-Reel りーるとぅりーる Creator R-yota and T-omo.Mother and child's unit ☆ Electronic music ☆ We use a Reel-to-Reel. The Sapporo International Art Festival 2014.For the first time, the contest works in our life!
SIAF2014 都市空間のサウンドコンペティションに、私達は生まれてはじめて応募しました♬作品は９歳の息子が中心に行い、母の私が手助けしました。曲の頭の部分がサウンドロゴで、そのサウンドロゴを組み合わせて日常の音をオープンリールデッキで入れて曲にしました。札幌のまちの音を録音したワークショップの「まちのおと探検隊」の音も曲の中にいれています。前半がゆたかなそうげん。後半があおいそらです。

"Abstr.Imprvs. & Clear Sky 4 Competition"
by T.Okuyama

http://soundcloud.com/takayuki-okuyama/compe-soundlogo||http://soundcloud.com/takayuki-okuyama/abstr-imprvs-clear-sky-4-compe By T.Okuyama サウンドコンペティションご担当者様

お世話になります。

奥山貴之と申します。
締め切り間際の応募で申し訳ございません。

芸術祭の雰囲気に合えば幸いだと思い応募させて頂きました。

以下、応募作品の概要となります。

前半は「地下歩行空間にクールな感じと妖しさをもたらしてみたい」という思いから、仄暗い空間に揺らぐ灯火のような何か、抽象的な情景を表現したく、アブストラクト・ヒップホップの手法を自分なりに咀嚼・解釈して作曲しました。
後半は「切なさと前向きな感じ」の心の微妙さを、恋愛に破れた友人のために作った曲です。冬の澄んだ空を想いながら、昨年末に発案したアイデアです。
札幌の空にも合うかと思い、上記の曲とMIXさせて頂きました。

共通のテーマは空間のゆとり／ラグジュアリーです。

サウンドロゴについては、今回の曲の中で一番アブストラクトな雰囲気を出せた、私自身のお気に入りフレーズです。

お手数ですが、作品の確認をお願い致します。
宜しくお願い致します。

"HAVE A GOOD TIME / Good Feeling"
by Kotaro Terawaki

http://soundcloud.com/koh-terawaki/good-feeling||http://soundcloud.com/koh-terawaki/have-a-good-time Licensed under a CC-BY-NC-ND by Kotaro Terawaki 電車内で交わされる会話から、今回のサブテーマのひとつである「都市」の風景を切り取ったような楽曲になっています。芸術祭を通して、札幌に住んでいる人々、札幌を訪れる人々が楽しいひと時を過ごせることを願っています。

"IN PARADISUM (visceral / haunted)"
by //BORAYOON

http://soundcloud.com/borayoon/heartbeats-vinyl-crackle||http://soundcloud.com/borayoon/in-paradisum_novox By //BORAYOON /// SAPPORO MUSEUM
"In Paradisum" soundscape: juxtaposition of strong ominous bass beat, and peaceful upper melody, creates a compound sense of time, and paradoxical emotions existing simultaneously for the listener -- a rich sonic liminal space. Designed so the frequencies are visceral, and gut-hitting, to create bodily response.

/// 3-15 ENTRY
A visceral soundscape, using embryonic heartbeats, crackling of record vinyl, and distant breath wind. A soundscape to imbue the idea of the the architecture of the city to be akin to the architecture of one's body. Walkway is a vein of the city, and the Museum is amplifying the "rooms" in the museum / architectural body of its structure.

"Occupancy"
by Mashu Haya

http://soundcloud.com/mekaanikko/soundlogo-for-siaf-14-1||http://soundcloud.com/mekaanikko/occupancy Licensed under a CC-BY-NC-SA by Mashu Haya 春先に、長い避寒旅行から在住している札幌の街に帰ってきたときの安心感をイメージしてつくりましたが、札幌に住む人もそうでない人もそれぞれの発想で聞いてほしいです。

"La vie est belle!"
by BISSECTA de KINSÂME

http://soundcloud.com/bissecta/la-vie-est-belle-logo-sound||http://soundcloud.com/bissecta/la-vie-est-belle Licensed under a CC-BY-NC-ND by BISSECTA de KINSÂME La vie est belle,
belle libation des veines répandant leur sang sur la peau des étangs qui vibrent sous les caresses équinoxiales d'une nitescence absolue dérobée aux nuées en chasse perlières sempiternellement ravies.
La vie est belle,
belle détonation du troupeau en vagues bipèdes provenant des ténèbres intimes voici venir leur couloir carcéral, ce métro globulaire rythmique de la grande panique soufflant cette fumée d'anti-dieux au creux de leurs envies.
La vie est belle,
belle, belle, belle, Bellissama, larmes belliqueuses, l'âme rebelle, lame réverbérant ces iris certains d'infiltrer la mémoire vive du bitume ensorcelé de quelques belvédères exhortant les mille yeux de la nuit de les conduire au plus profond des forêts émotionnelles, totalement libres du devis d'intelligence sans ciel, bissecté ainsi d'un syntonique, algésique, hyperesthésique petit, petit, tout petit pont-levis.
La vie est belle,
belle ivresse, liesse en esses, lèvres en messe harmonisée au non des quelques sages chasseurs de nuages qu'évapore l'age virginal épris d'esprits du vertige croisant les lettres en chaleur sur le grand ordinateur serpentin carrefour de l'argile originelle et de la silice apocalyptique, bisous d'une ultime survie.

"ハルニレ_ calling / invitation"
by KIMIYA.S

http://soundcloud.com/kimiya-s/calling||http://soundcloud.com/kimiya-s/invitation By KIMIYA.S 芸術祭テーマ「都市と自然」を受けて、アイヌ民族の神話、生活に重要なハルニレの樹をイメージの拠り所とした。

サウンドロゴは人口と自然が呼びかけ合うような、短い２つのパートのコール&レスポンスとなっている。
木の共鳴胴を持つ弦楽器(ビオラ)でフレーズを奏でつつ、金属音と肉声を対比させた。

資料館の音楽では落ち着いた重厚な時間、歴史性の中に「迎えられる」、あるいは神秘的なものを「迎え入れる」ような空間を目指した。
アイヌの民族楽器「トンコリ」をイメージしたビオラのピチカートと、電子的な変調を加えた笙の音色がゆっくりとたゆたう。ところどころにまばたくような金属音も配置した。

"地球の声～絆～2014"
by TATSUNOKO

http://soundcloud.com/tatsunoko/2014-2||http://soundcloud.com/tatsunoko/2014-1 Licensed under a CC-BY-NC-ND by TATSUNOKO 環境問題やecoを推奨するために、自分にも何かできることがあるのではないか？
そんな思いがこみ上げて2008年＜地球の声～絆～＞を発表いたしました。
今回制作した、<地球の声～絆～2014>は前回に引き続き、地域、国、宗教などを超えて、
エコとういう小さな芽をみんなで少しずつ育て、音楽を通じて喜びを共有できたらという思いがこめられています。

アイヌの伝統楽器トンコリをイメージしたサウンドを核に、神秘的でもどこか懐かしい、地球
の魅力を存分に表現する作品を目指しました。

"N is for Never Again one"
by needlessart/gavinmoffat

http://soundcloud.com/needlessart/n-is-for-never-again-one-sound||http://soundcloud.com/needlessart/n-is-for-never-again-one Licensed under a CC-BY-NC-ND by needlessart/gavinmoffat The piece is inspired by the life of Nelson Mandela. A man who came to us like a light from the darkness of apartheid and led our country to freedom, violence-free. His many speeches form the cornerstone of understanding how we treat each other and the excerpts used in this piece are merely those that jump out for me. His memory leaves a powerful golden light for us all to view in times of hope, and darkness.
The title refers to one of his most powerful statements:
“Let there be justice for all.
Let there be peace for all.
Let there be work, bread, water and salt for all.
Let each know that for each the body, the mind and the soul have been freed to fulfill themselves.
Never, never and never again shall it be that this beautiful land will again experience the oppression of one by another and suffer the indignity of being the skunk of the world.
Let freedom reign.
The sun shall never set on so glorious a human achievement!
God bless Africa!”

"JANSORI PANSORI (playful / curious)"
by //BORAYOON

http://soundcloud.com/borayoon/sapporo-audio-manipulation||http://soundcloud.com/borayoon/soundwalk-meiji-temple-wishes By //BORAYOON /// 4min ENTRY
Soundwalk features soundscape created from: record turntable metal percussion, voice, aluminum cans, handclaps, water percussion inside ancient Tibetan bowl, snares, and field recording of prayers, coin tosses, and wishes at Meiji Temple

/// 7sec ENTRY
created in collaboration with Bora Yoon and Brian McKenna. Features same found metal percussion, electronics, and found sounds.

"Unbound"
by Khyle Fryer

http://soundcloud.com/khyle-fryer/unbound-logo||http://soundcloud.com/khyle-fryer/unbound Licensed under a CC-BY-NC-ND by Khyle Fryer Minimal, Ambient Soundscape, unbound by musical time. The piece however is bound by a musical key, as I did want the space/soundscape to have a feeling to it which the minor key represents.

I wanted to incorporate the urban feel by implementing the sounds of people, blending into this space I have created. Although they are blended in, they also are distinguishable from the rest of the elements of the track.

"existences"
by sonir

http://soundcloud.com/sonir/logo||http://soundcloud.com/sonir/scape By sonir 本作品はサウンドアート作品を用いて、ロゴやスケープの生成を行った。
 この作品では３つの装置が鑑賞者を囲むように配置されている。
この装置は生命のメタファーとして制作され、それぞれがサーマルプリンタとソレノイドを用いた振動子という単純な部品から構成されている。

この３つの単純な装置は、コンピュータ内に構成された独自のエージェントモデルと直結されており、単細胞生物をイメージしたシンプルな捕食・被捕食の関係で結ばれ、互いに相互作用を行う。各装置には、それぞれ、反応の敏感さや速度、強靭さなどの個性が設定され、その関係性の中からゆらぎをもったサウンドスケープを形成する。例えば、ある装置とある装置が密接に関わり呼応を繰り返す、均衡状態に至り静寂をもたらすなど。

 各装置の状況が一定の条件を満たすと、ドローンが生成され、時折空間を満たすように設計されている。この仕組みにより、作品は長い時間軸で、時間毎、一日毎といった尺度で音による変化が訪れる。

  details: http://sonir.jp/siaf/existences_notes.pdf

"枯山水"
by 大久保雅基 Motoki Ohkubo

http://soundcloud.com/motokiohkubo/karesansui_soundlogo||http://soundcloud.com/motokiohkubo/karesansui Licensed under a CC-BY-NC-ND by 大久保雅基 Motoki Ohkubo 札幌国際芸術祭2014のテーマは「都市と自然」であることから、都市空間に自然を配置する作品を制作した。都市は、数々の自然のものを分解し、人工的に組み立て作られている。この作品も、自然の音を使用し、現実ではありえない組み合わせだが、音楽を創り上げる素材として配置している。
　札幌国際芸術祭から生まれていくアート文化、街で暮らす人々の流れ、文明の発展などに水の流れをイメージし、作品のメインの音素材として選んだ。北海道は原野から街が作られている様子が記録されている土地であり、展示場所の一つである札幌駅前通地下歩行空間（チ・カ・ホ）は湧水のあった場所であることから、少しずつ水が湧き出て水の音が形成されていくような様子を表した。各セクションでは数々の水にまつわる音風景を構成している。そのことから、水を使わずに小石などから水の流れを表現する日本庭園の「枯山水」をイメージし作品のタイトルにした。
これからも「都市と自然」が共存し、アートと共に発展していくことを願いこの作品を制作した。

"さんぽろ"
by nanagagatata

http://soundcloud.com/nanagagatata/sound-of-sapporo-1||http://soundcloud.com/nanagagatata/sound-of-sapporo By nanagagatata 「さんぽろ」は、サウンドを通じて札幌を旅する音作品である。

札幌とその近郊は、過去から現在へ連綿と続く豊かな自然と、それを切り拓くことで栄える都市とが調和しており、訪れた人々を魅了している。

「さんぽろ」では、その自然と都市の調和を、ふたつのレイヤーから構成した。ひとつは「札幌」を生んだ自然としての背景音。北海道＝札幌の雄大な自然を、特徴的で力強いドローンサウンドで表現し、サウンドロゴ、音作品の骨格を成している。もうひとつは都市としての札幌を示す多様な音色たち。さまざまな観光地や歴史的なスポット、それぞれに「その場所らしい」短い音色をつくり、それらを配することで、作品に札幌を「渡り歩く」＝「旅する」イメージを与えている。

以上のことから、「さんぽろ」では、札幌の都市としての多様な側面、見所を巡るかのような、にぎやかな音色と、絶えずわれわれを包みこむ大自然のようなドローンサウンドとが調和することで、SIAF2014のテーマである「都市と自然」、あるいは「札幌」らしさを表現している。

"eisei"
by Misato Hyuga

http://soundcloud.com/misato-hyuga/jinnguruguru||http://soundcloud.com/misato-hyuga/qkhyyfldqgjm By Misato Hyuga そらの上にある
地球はどんな風に見えるのだろう。
無数に飛んでいる
衛星からは
きれいなもの、きたないもの
色んなものが見えるのでしょう。
自然、進化を遂げる都市。

見た事の無い、
そらからの自然や、
都市空間、
計り知れない程のたくさんのものを
想像して、
楽曲にしてみました。

"Hello Museum"
by user539632956

http://soundcloud.com/user539632956/hello-museum-logo||http://soundcloud.com/user539632956/hello-museum Licensed under a CC-BY-NC-ND by user539632956 都市と自然(0:00~)
Incomplete(3:24~)
Stream(7:14~)
デストピア(8:23~)
Hello Museum(10:20~)

サウンドロゴのような作品の備考:ムックリの音は、同コンペティション応募者西池拓哉による演奏を使用（使用許可受諾済み）。

"insect dance (baile de bichos)"
by x-21 Records

http://soundcloud.com/x-21-records/insect-dance-prayer||http://soundcloud.com/x-21-records/insect-dance-invocation Licensed under a CC-BY-NC-ND by x-21 Records baile de bichos, or insect dance, is an invocation of an insect symphony (which turns into a lively dance, because bugs are lively creatures). the "prayer" uses the african instrument mbira (or kalimba or thumb piano) to call on a full fledged choir of bugs, which appear accompanied by a bass. its sentiment is somewhere between meditation and carnival. the music was created by x-21 records and the bugs were recorded off the magdalena river, in colombia, in 2013.

"House"
by user728243288

http://soundcloud.com/user728243288/house||http://soundcloud.com/user728243288/lost-theme Licensed under a CC-BY-NC-ND by user728243288 教授のサウンドトラックから、「Lost theme」をエレピで弾いて、歌詞をつけて歌いました。
サウンドロゴに使う方は、上記作品のイントロにも使え、「家」をテーマにしつつ、この国際芸術祭
のテーマにも沿うように、住空間と自然との融合をテーマに作りました。

"SUNKEN CATHEDRAL (soundscape)"
by //BORAYOON

http://soundcloud.com/borayoon/breath-wind-morse||http://soundcloud.com/borayoon/sunken-cathedral_soundscape_o By //BORAYOON ///3min ENTRY
Created with organ subtones, churchbells, sound design of water, ark creaking, chuchbells, timer, and train. Used in performance to sing live, a 11th century chant by Hildegard von Bingen.

Evocative soundscape to bring out the tones of the Sapporo Court of Appeals memory, that can be both modern day, and historical. its history, and invoke a Dali-esque, surreal approach to making it a dream space. Lighting recommended.

///3-15sec ENTRY
Breath wind, and Morse code -- to create a sense of circulation for the underpass, and the idea of traffic as wind pattern, and also create a refreshing moment for the civilians, as they go about the city.

"nival"
by reboot reboot

http://soundcloud.com/reboot_reboot/nival-soundlogo||http://soundcloud.com/reboot_reboot/nival Licensed under a CC-BY-NC-ND by reboot reboot “nival”
cyclosis (drone): niveous flats
anabasis (ascending sound): stirring
sine: burgeon

"ナチュラルシティ"
by Mikio Nagao

http://soundcloud.com/mikio-nagao/lucky-sparrow||http://soundcloud.com/mikio-nagao/natural-city By Mikio Nagao 利便性の追求から原発エネルギー神話の崩壊へ、未来は不透明ベールに包まれ、新たな希望が必要だと考えます。再生可能な都市、再生可能な人間、不可能ではないが時間とお金がかかります。もし、都市(エネルギー)や自然(人間)の再生能力が高ければと、理想未来をイメージ致しました。
　１年も前ですが、カラスに襲われブルブルと震えていた野性の雀、いけないのかも知れませんが、見てはいられず少しだけ手を差し伸べました。飛べるようになるには少し時間がかかりましたが、野性に返しました。翌日玄関前に出ると、木枝から勢いよく飛んで来た１羽の雀が私の肩に停まり、飛び去って行きました。一瞬ですが、理解し合えた気が致しました。今も、ラッキー雀のサウンドロゴが聴こえています。

"Time Lines City"
by ONO Kengo

http://soundcloud.com/ono-kengo/timelines-theme||http://soundcloud.com/ono-kengo/time-lines-city Licensed under a CC-BY by ONO Kengo 「都市と自然」のテーマを自分なりにイメージしました。
自然について思うことは、綺麗な森や空気や水とか、そうゆうものだけじゃなくて、
人間が素のままで生きている様、社会、生活活動、色々なこと全部含めたそのものが
自然であって、都市と自然は本来、同じものだと思っております。
都市そのものは、たくさんの人々の生活の時間軸によって構成されているので、
人それぞれ複数の時間軸から成り立っている都市をイメージしてみました。

楽曲はピアノをドラムンベースに見立てたリズムの他、異なるリズムを中心にして、
シンプルなメロディを入れ、あと曲中に札幌市資料館で録音した廊下、空間の音なども
使用してみました。

"SOUNDSCAPE IMMATEREALITY"
by Spiralsounds

http://soundcloud.com/spiralsounds-1/sound-logo-immatereality||http://soundcloud.com/spiralsounds-1/soundscape-immatereality Licensed under a CC-BY by Spiralsounds Soundscape Immatereality is about being present in the moment, the sound around us and intrinsic sound within us.
The essence of immateriality and reality is brought together to express that the immaterial is creation of reality
and that reality is creation of the immaterial.

The titel expresses T’ai Chi: opposites come from unity and merge as one,
something of the one is hidden in the other.
Therefore the rotation symmetry and the dynamic interaction of polarities
implies continous cyclic movement and transformation.

Soundscape Immatereality is made by working with ‘real’ environmental sounds to create a new acoustic ‘virtual’ world.
The concept of movement and transformation is expressed through the use of motion related and transit related sounds.

By taking environmental sounds from the natural and the mechanical world out of their context,
a new unique space that exists only in sound is created.

Soundscape Immatereality is about the stages, motions and transformations in the realization of creation.

"ashir uepeker"
by Yooda

http://soundcloud.com/yooda/ashir-uepeker-sound-logo||http://soundcloud.com/yooda/ashir-uepeker Licensed under a CC-BY-NC-SA by Yooda テーマである「都市と自然」サブテーマである「自然」「都市」「経済・地域・ライフ」を意識し、ただひたすら、札幌の歴史、文化、自然をイメージしながら創りました。
キャッチーで心地良い音になるよう心掛けました。

"Trip To The Ethnic World / 日本の近代と伝統の美 (SIAF 2014) Part 02"
by GoDFaMily (SIAF 2014)

http://soundcloud.com/godfamily-2014/trip-to-the-ethnic-world-sound-logo-02||http://soundcloud.com/godfamily-2014/trip-to-the-ethnic-world Licensed under a CC-BY-NC-ND by GoDFaMily (SIAF 2014) 第五楽章からなる約20分に及ぶクラシカルな楽曲。
ドラマティックにストーリーが変化していき『日本の近代と伝統の美』を飾る、衝撃のクライマックスが色を奏でる...

"Trip To The Ethnic World / 日本の近代と伝統の美 (SIAF 2014) Part 01"
by GoDFaMily (SIAF 2014)

http://soundcloud.com/godfamily-2014/trip-to-the-ethnic-world-sound-logo-01||http://soundcloud.com/godfamily-2014/trip-to-the-ethnic-world Licensed under a CC-BY-NC-ND by GoDFaMily (SIAF 2014) 第五楽章からなる約20分に及ぶクラシカルな楽曲。
ドラマティックにストーリーが変化していき『日本の近代と伝統の美』を飾る、衝撃のクライマックスが色を奏でる...。

"Curiosity"
by reev

http://soundcloud.com/reev/curiosity-short-version||http://soundcloud.com/reev/curiosity-full-version Licensed under a CC-BY by reev Curiosity. From the moment we are born, we look upon the world with eyes that wander, ears that tune in, hands that want to feel the beauty of our surroundings.

In this piece, the music box portrays our forever childlike inquisitiveness and the piano sings of life's constant rhythm. The strings binds them all, in our natural desire to experience beauty.

"四季"
by mie625

http://soundcloud.com/mie625/soundlogo-1||http://soundcloud.com/mie625/sapporo By mie625 わたしが生まれ育った街さっぽろ、雪国の静けさと四季を表現しました。

"窓の外"
by EverlastingM

http://soundcloud.com/everlastingm/qz6eoredyewi||http://soundcloud.com/everlastingm/yphqhmkq89s0 Licensed under a CC-BY-NC-ND by EverlastingM 昔ながらの重みのある芸術と、そんな窓枠から抜け出そうと新しい芸術を模索する若い芸術の表現者を音にしました。
忘れてはいけない、けれども、新しい可能性を表現したい。
たくさんの葛藤の末に彼が何を描くのかは、私にもまだわかりません。
彼はまだ生きていて、これからも歩き続けるのですから。

"Pulse"
by Dsk128

http://soundcloud.com/dsk128/pulse-8s||http://soundcloud.com/dsk128/pulse Licensed under a CC-BY-NC-ND by Dsk128 With this composition I tried to reflect technology and nature. As it can be heard, through the composition, I used the sound of a "heartbeat" as the link between melody part and glitch part. The heartbeat means time and life, the melody reflects the nature and the glitch sounds the technology, for me this elements must coexist in balance but evolving at the same time. The things that I used to compose this were: ableton live, supercollider and a sample of the rain by me.

"Nature × Human (SIAF 2014 HQ Ver.)"
by GoDFaMily (SIAF 2014)

http://soundcloud.com/godfamily-2014/nature-x-human-sound-logo||http://soundcloud.com/godfamily-2014/nature-human Licensed under a CC-BY-NC-ND by GoDFaMily (SIAF 2014) 自然 × 人間＝ XXX
Nature × Human ＝ XXX

"森の脈拍"
by Yoshifusa Haraguchi

http://soundcloud.com/didjerid-1/11sec||http://soundcloud.com/didjerid-1/jmuj9ah9g8x4/s-CxLkD By Yoshifusa Haraguchi 都市で暮らす、アウトドア好きな家族が自生の森を散策。
その森の奥から、普段の生活では聞いたことのない不思議な音が聞こえ始めてくる。
それは森の脈拍。その音に興味をそそられて、その音が鳴り響いている場所を探しにもっと奥へ。。。どこから鳴り響いているのかはわからないが、森全体と呼応しているかのような一体感、心地よさを感じた。つかの間の時間だった。夕陽が沈み、辺りは暗くなり始め、キャンプをすることにした。森の脈拍は続いている。

"Submission for SIAF 2014 Urban Soundscape Competition by Niclas Kristiansson & Kirill Lorech"
by 1-0-8 / Conceptual

http://soundcloud.com/1-0-8-helsinki/siaf2014short||http://soundcloud.com/1-0-8-helsinki/siaf2014long Licensed under a CC-BY-NC-ND by 1-0-8 / Conceptual The main compositional concept is derived from the bank of ideas that have been in our collective ether of recent talks, feelings and performances.

Our work portrays urban space in a neutral way, as it is, without positive or negative emphasis. It also ambivalently describes the phenomenon of experiencing.

Yet it contains a statement: man-made environments are as natural as anything else in existence. Concrete is a part in the evolution of reality i.e. nature.

Urban environments are rhizome-like. A human experience reduces it to a series of observations, with rhizome-like attributes, illogical and organic, yet complete in itself. What we observe is limited and fragmented, yet every individual experience is a cosmos that is born, and will die.

"Nature is an endless combination and repetition of very few laws." – Ralph Emerson

We incorporated new motives of contemporary optimism in viewing man-made environments, and wanted to give the listener a transcendent feeling of meaningful existence. Our work attempts to merge with the existing soundscape of the location, it is composed to encourage external sounds to enter and blend in, to evolve, and to create new mutation.

"…if any of those earlier experiments in optimism had succeeded, our species would be exploring the stars by now, and you and I would be immortal" – David Deutsch

Our work also references euclidean rhythm structures, to create a flagrant surface that is modern and scientific, yet part of the music represented by old cultures.

With respect,

Niclas Kristiansson & Kirill Lorech

"Almetje"
by danielrosenqvist

http://soundcloud.com/danielrosenqvist/almetje-short||http://soundcloud.com/danielrosenqvist/soru Licensed under a CC-BY-NC by danielrosenqvist I´ve never been to Sapporo though I really want to go. I have lived in Tokyo now for almost a year so I imagine other cities so simple and not so stressfull, this is inspired by that nature and the title means "Human" in Sapmi language.

"The Walk"
by Tom Blankenberg

http://soundcloud.com/tom-blankenberg/the-walk-logo||http://soundcloud.com/tom-blankenberg/the-walk Licensed under a CC-BY-NC-ND by Tom Blankenberg Let´s take a walk. From the woods and the park into the city and finally to the riverside.
This is a acoustically fingerprint for my hometown and even of my emotions walking thru it. I tried to capture the spirit... and catch the musical elements and the beauty in both city and nature.

"SOUNDSCAPE JINHUI"
by Spiralsounds

http://soundcloud.com/spiralsounds-1/soundscape-jinhui-sound-logo||http://soundcloud.com/spiralsounds-1/soundscape-jinhui-annemarie Licensed under a CC-BY by Spiralsounds A soundscape composition inspired by urban ‘work-in’-progress’.

Jinhui is the Chinese word for music and Soundscape Jinhui is a tribute to certain composers of film-music and a tribute to the Changchun dream to become Sculpture City of the world.

The composition Jinhui is made of fieldrecordings, film related and work-in-progress related sounds.

Jinhui is about the creation of dreams.

"Adèle H."
by U/N.a

http://soundcloud.com/u-na/siaf2014-logo||http://soundcloud.com/u-na/adele-h Licensed under a CC-BY-NC-ND by U/N.a [Adèle H.]

テーマが「都市と自然」という事で、
「電子音と生楽器」
「追う女性と去る男性」
といったテーマで制作しました。
都市と自然..幾度と私たちは共存を望んできましたが、多くが失敗しています。
新しい場所を作るというより、過去の失敗をみつめ、
あるいは覚悟を持って踏みつけ、踏みださなければなりません。
それは幾度と私たち音楽家が失敗を重ね挑戦してきた電子音と生楽器の融合、
それと女性と男性といった普遍的なテーマを使う..という事で、
音楽を通して札幌の皆様にテーマを感じて頂ければと思います。

"sym-scene"
by user410155385

http://soundcloud.com/oktasepia/sym-scene-short||http://soundcloud.com/oktasepia/sym-scene Licensed under a CC-BY-NC-ND by user410155385 no scales no beats & slightly rhythmic in public areas

"AQUA"
by KANJI DURHA

http://soundcloud.com/kanji-durha/aqua-1||http://soundcloud.com/kanji-durha/aqua By KANJI DURHA 様々に変化していく未来都市
透明感があり隅々まで新鮮な音が響き渡る

美しい音から心地よい空間を
心地よい空間から美しい色を

"Mizu 水"
by fabiloko

http://soundcloud.com/fabiloko/mizu-soundlogo||http://soundcloud.com/fabiloko/mizu Licensed under a CC-BY-NC-ND by fabiloko Mizu 水
The river takes us to a journey through a soundscape in the middle of the constant but always changing water flow.

Composed by Fabian Romero, 2014.
(created for SIAF 2014 Urban Soundscape Competition)

"The beginning of interplanetary travel"
by Marta Garcia

http://soundcloud.com/marta-garcia/the-begining-of-interplanetary||http://soundcloud.com/marta-garcia/the-beginning-of Licensed under a CC-BY-NC-SA by Marta Garcia It's a meditative environment travel made through sounds and harmonics reaching the vibrational goal on out-space

"DALI"
by DJEMPjapan

http://soundcloud.com/djempjapan/dali-soundlogo||http://soundcloud.com/djempjapan/dali-full Licensed under a CC-BY-NC-SA by DJEMPjapan 地中海を望むダリのアトリエで着想を得て制作しました。
サウンドロゴは北海道で作られた縄文太鼓と、ピアノを使用しています。

"Trudge"
by Ryo Nagato

http://soundcloud.com/ryo-nagato/1-1||http://soundcloud.com/ryo-nagato/2-1 By Ryo Nagato よろしくお願いします。

"ホシノコトバ"
by jirohashimoto

http://soundcloud.com/jirohashimoto/word1-logo||http://soundcloud.com/jirohashimoto/word1-full Licensed under a CC-BY-NC-SA by jirohashimoto これはあるプロセスで音を「凝縮」させる事から始まっている。メロディー／ハーモニー／リズムといった情報（要素）を時間的に凝縮する事で、また新しい音色が生まれる。それは何処か不可思議な、そして密度ある「豊かな響き」に聴こえる。そうして出来た音を断片化し、再構築していく。この作品はリコンポジションであると同時に新しいコンポジションであり、そしてまた新しいひとつの発見でもある。

タイトルは音の持つイメージから「ホシノコトバ（words of star）」とした。ここで聴くひとつひとつの音には、フィールド・レコーディングされた川のせせらぎ、鳥の鳴き声等の音も多く含まれている。それは北海道の持つ大地、自然というイメージに通じる。

"All these things"
by Jun Kimata

http://soundcloud.com/jun-kimata/all-these-things-sound-logo||http://soundcloud.com/jun-kimata/all-these-things Licensed under a CC-BY-NC-SA by Jun Kimata 以前札幌に住んでいたことがあり、札幌で感じた『音』を音楽の空間の中で表現してみました。

"First Contradictions"
by Marta Garcia

http://soundcloud.com/marta-garcia/first-contradicction-sapporo||http://soundcloud.com/marta-garcia/first-contradicction Licensed under a CC-BY-NC-SA by Marta Garcia This song represents the internal fight When you live a contradiction .

"seed of an urban tree"
by krimskrams

http://soundcloud.com/krimskrams/urban-tree-siaf-2014-short||http://soundcloud.com/krimskrams/urban-tree-siaf-2014-long Licensed under a CC-BY-NC-ND by krimskrams We made sound art based upon the idea of the music being the voice of a tree born and grown up in the city.
都市に種をまかれ、生まれ、育っていく木の声を、音の作品にしました。

"breathing / suspire"
by poetz

http://soundcloud.com/poetz-3/suspire||http://soundcloud.com/poetz-3/breathing By poetz The basis for this Sound-Space-Intervention is a playing mode for transverse flute in contemporary classical music. An air current blown through this flute is breathing into space. So called ‘jet-whistles’ are circulating in glissandi, ruptured by a sharp staccato-rythm of the claps moving and a hardly noticeable everyday noise.

The sound material is shifted minimally in every loop, consistently creating different states. In doing so, the physics of space articulates itselfs, starts to pulse, opens up and closes, is breathing in and out.

In collaboration with Eva Furrer (flutist, ‘Klangforum Vienna’)

"walk, walk, walk"
by IAMNOWHERE

http://soundcloud.com/iamnowhere/stop-and-listen||http://soundcloud.com/iamnowhere/walk-walk-walk Licensed under a CC-BY-NC-ND by IAMNOWHERE Aucklandという都市でうるささやしずけさに塗れて、歩いたり止まったりしながら忙しなく過ごす日常

Collection of sounds in our mundanity of urban life recorded in the City of Sails where busyness and calmness coexist.

"Komorebi"
by Athenagoras

http://soundcloud.com/athenagoras/sound-logo||http://soundcloud.com/athenagoras/komorebi Licensed under a CC-BY-NC-ND by Athenagoras It is a soundscape exploring the concept, image and feeling of light that filters through the trees (komorebi).

"common"
by shoyano

http://soundcloud.com/shoyano/common-logo||http://soundcloud.com/shoyano/common By shoyano テーマ：空間を演出する道しるべ

作品を鑑賞する際に対立しない様に耳なじみのあるピアノの反芻を軸に
ときどきハッとする違和感を取り入れ、鑑賞する者の意識を刺激する。

アートを含めほとんどの事象は普遍的で身近な存在である

芸術祭を楽しんで頂ける様な、親しみのある楽曲を制作致しました。

"Hyvät Matkustajat"
by James Andean

http://soundcloud.com/j_andean/hyv-t-matkustajat-sound-logo||http://soundcloud.com/j_andean/andean-hyvatmatkustajat Licensed under a CC-BY-NC-ND by James Andean Hyvät matkustajat ("The Good Travellers") began life as a 'sonic postcard from Finland'. This turned out to be only the first stop on its journey, however. The original material was later further developed as material for sonic exploration and spectral transformations, with the external spaces of the original version taking a sharp turn inwards, to chart internal spectral landscapes, together with the soundmarks and soundscapes of its first incarnation. And, like the travellers of the title, it is likely that the work will continue on, before eventually reaching its final destination.

"Music for SIAF2014"
by keikurahashi

http://soundcloud.com/keikurahashi/siaf2014-logo||http://soundcloud.com/keikurahashi/music-for-siaf Licensed under a CC-BY-NC-ND by keikurahashi 制作にあたっては、作品設置場所に自分自身がいた時にどのような音を聴きたいか、また客観的に考えてどのような音があると良いだろうか、ということを一番の念頭においております。
そのため札幌に帰省した際に、チ・カ・ホを実際に何度か歩いてみたり、過去に芸術の森美術館や札幌市資料館へ行った時の記憶をよく思い出して慎重に音を選び制作を進め、作品の中に出てくる雑踏なども以前から録りためていた札幌市内で私自身が録音した音を素材として使用しております。
サウンドロゴと音作品の連動に関しましては、サウンドロゴにあるトップの音の音程（短三度上行）を音作品では音価を拡大したり逆行させるなどして使用する他、メインとなる和音や音色を設けて相互の関連性を持たせました。
曲を聴いて札幌の街並みや風の匂いなどを感じて頂けたら幸いです。

"The presence of north"
by Alaya field

http://soundcloud.com/alaya-field/the-presence-of-north_logo||http://soundcloud.com/alaya-field/the-presence-of-north_long Licensed under a CC-BY-NC-ND by Alaya field まず最初に曲作りにあたって、思い浮かべたのは北海
道の広い大地や、濃緑の森、紺青の空といった、自然景
観でした。使う楽器の音色もそれにあわせたアトモスフ
ィアックなシンセ音を中心的に選んで作業を進めていき
ました。
　しかし、ある日の深夜、ふと札幌の夜景をヘリコプタ
ーから映した俯瞰映像をＴＶで観、札幌が大都市であり、
そこに暮らすたくさんの人々が日々切々と営為を積み重
ねて生きているであろうことに気づき、自然と人間が都
市を介して交差し、絡み合い、溶け合っていく、そんな
曲に上げようと決心しました。そこで用いたのはマレッ
ト系の打楽器でした。こうした打楽器の音色の存在感は、
自然的なものと人工的なもの、原初的なものと先進的な
ものを両方表現できると思ったからです。
　そうした音達のあいだから、グレングールドさんの演
奏や武満徹さんの曲から感じ取れる、ある種冷厳ともい
える音を響かせ、それでいて人間味のある包容力を持っ
たサウンドスケープ（音の景色という意味で）を表現で
きれば、と意図して作曲しました。
　よろしくお願いします。

"Cycles"
by Jetkick

http://soundcloud.com/jetkick/cycles-sound-logo||http://soundcloud.com/jetkick/cycles Licensed under a CC-BY-NC-ND by Jetkick “Cycles” is a short piece that reflects upon the modern-day coexistence of people and nature, and is influenced by sounds from both the urban and the organic. The piece as a whole is ornamented with numerous theme-based samples, intricate countermelodies and polyrhythms, and neat, crisp percussion. Above all, this piece aims to be catchy, and provide easy-listening atmosphere in a meaningful way.
The first half of the piece is marked by simple piano melodies arranged polyrhythmically and a flowing string quartet section, played over an upbeat synth chord progression. Sounds of life, from a restless outdoors to a bustling city crowd, can be heard in the background.
This is followed by a short buildup to the second section, which exposits the second section’s driving chord progression. One minute and twenty-eight seconds into the soundscape, the piano melody counts its beats and takes its pitches according to the sequence {1, 1, 2, 3, 5, 8, 13, 21} (the first eight naturally-occurring Fibonacci numbers, with “1” = one eighth note = scale degree 1). This oddly syncopated melody conforms well to the vi – IV – I – V chord progression.
The last section brings back the “bustling city crowd” section and represents it with comfortingly jazzy piano chords offering closure. The soundscape ends cyclically with a callback to the simple melody from the beginning of the piece.
The sound logo paired with this piece harmonizes the bustling crowd and forest samples to signify the theme, and ties it together with the beginning piano melodies.

"礼"
by hajimefukuda

http://soundcloud.com/hajimefukuda/sound-logo||http://soundcloud.com/hajimefukuda/full Licensed under a CC-BY-NC-SA by hajimefukuda ピアノと龍笛の即興演奏です。
音が流れるだけで、ここは特別な空間であることを感じてもらえるような
作品を目指しました。

"iLL"
by Taiko0628

http://soundcloud.com/taiko0628/illdemo||http://soundcloud.com/taiko0628/ill By Taiko0628 資料館用の作品はエレクトロニカでかわいらしい、けど幻想的な雰囲気のあるものをと思い制作しました。サウンドロゴの作品も同じようにエレクトロ系の作品です。

全てCubase7とHALion5、内蔵の音源のみで制作をし、ディレイ、パンを細かく調整して音作りをしました。また打ち込んだものを一度バウンスし、そのオーディオデータを細かくスライスしてそれらをまた再構築して新たなフレーズ作りなども行っています。

"outing"
by paolaL

http://soundcloud.com/paolal-2/ou||http://soundcloud.com/paolal-2/outing Licensed under a CC-BY by paolaL Violin solo on virtual sound of piano and cello.

"Kraków to Venice in 12 hours - Midday"
by my POV soundscapes

http://soundcloud.com/my-pov-soundscapes/bell||http://soundcloud.com/my-pov-soundscapes/krak-w-to-venice-in-12-hours By my POV soundscapes "Kraków to Venice in 12 hours" maps a journey across Poland, the Czech Republic, Slovakia, Austria and Slovenia to Italy, visiting Krakow, Katowice, Bielsko-Biala, Ostrava, Brno, Bratislava, Vienna, Graz, Maribor, Ljubljana, Trieste and Venice. The project attempts to captures the unique sonic identities of the 12 cities travelled through, searching for similarities and differences. It acts as a personal and subjective audio travel guide and a clock for the journey, mapping the movement through geographical locations over the passage of time.

The focal point of “Kraków to Venice in 12 Hours – Midday” composition are the recordings of the bells made at 12 o’clock at different geographical locations. The piece starts with the morning recordings slowly moving to a midday crescendo and finishing with the evening sounds at the end of the journey (Venice). The urban sounds are interwoven with the natural sounds of birds and water.

“Kraków to Venice in 12 Hours – Midday” could be played in stereo or as 6-channel audio.
This multichannel audio piece is designed to change perspectives on the architectural structure of the location where the piece is presented. Ideally the piece should be played at midday.

"transmigration"
by yuuNishimura

http://soundcloud.com/yuunishimura/naa6rmrzk3or||http://soundcloud.com/yuunishimura/w2xhcjyvswfq By yuuNishimura 札幌市は、明治期に開発が進んだ比較的新しい人工的な都市である。この都市は人工的な開発、溢れる自然、そしてそこに住む人間が複雑に絡み合いながら相互作用しつつ発展を遂げてきた。電子音は人工的な開発、水音は自然、鼓動音は人間を表し、それらがそれぞれバラバラに、しかし時折綺麗な調和を持ちながら繰り返す都市と自然と人間の有り様を描いている。

"虹の道"
by KUNAi (苦無)

http://soundcloud.com/ninja-kunai/rainbow-road-logo||http://soundcloud.com/ninja-kunai/rainbow-road Licensed under a CC-BY-NC-ND by KUNAi (苦無) この作品の音は一つの音を複数のトラックに送信し
その各トラックにかけたエフェクトをDAWの
オートメーションを用いてて出来ています
急な高音域や低音域の変化、
徐々に変化をつけることによって
都会的で、自然な音を作りました

元となる音は、京都人なのでイメージでしか
想像ができない北海道を
あえて外の人間から見た時の視点で
SIAF2014のテーマの補助に
「夏でも寒い様な、自然が多そうな、広大な土地、」
をイメージし作りました

"道"は曲がりくねっても結局は真っ直ぐなものなので
開始から終了まで一切元の音程を変えず繋がっている
真っ直ぐな３つの音(コード)を
オートメーションでピッチを操作し
メロディを作り上げました
そしてその音を元に他の音を作るので
元の音のピッチが上下するたびに
当然他のトラックに送信にしたエフェクトにも影響がでます。
それが粗さではなく
"自然なこと"であり、"人間っぽさ"
として捉えさせていただきました

その一つの音が様々な音に変わる様を
"Rainbow Road (虹の道)"として名づけました。

"失言"
by tetratycho

http://soundcloud.com/tetratycho/15sec||http://soundcloud.com/tetratycho/48fdfa4hvt8l By tetratycho それぞれの頭の中で言葉は絶えず生まれている。
意識せずとも、何かに触れたことでつい生成される断片的な言葉は、
頭の中、頭の外へと行き交ううちに、
変形、変質し、なにかと繋がりあって、
元々とは異なる言葉や音へと変化する。

たくさんの人が行き交う都市空間に於いて、
繋がりあっていく言葉の景色を想像すると楽しい。

"When I Get Out Again"
by Grady Hunziker

http://soundcloud.com/parasloid-gerzy/when-i-get-out-again||http://soundcloud.com/parasloid-gerzy/another-wet-season-abbrev Licensed under a CC-BY-NC-ND by Grady Hunziker My recordings are intended to evoke the tender reflection that's often inspired when traveling back and forth between nature and the city

"Thinking of you"
by ChangDaza

http://soundcloud.com/changdaza/thinking-of-you-preview||http://soundcloud.com/changdaza/thinking-of-you Licensed under a CC-BY-NC-SA by ChangDaza This soundscape composition is dedicated to my late father and cousins who passed away in 2012 and 2013.This piece was inspired by the little moments I remember spending with them (An example-accompanying my dad on his evening walks everyday to a local temple nearby.We would never miss it,even when it rained!I remember enjoying the slow pace after a busy day at work-The temple bells jingling in the wind,the low murmur of people doing rounds as they prayed,the sound of shuffling feet,the little drizzle of rain on some days flowing slowly down our cheeks, and, the look of happiness on my dad's face.)
I did a blend of modern and traditional music in memory of the two generations of people who inspired this.I tried to acoustically incorporate the feeling of the warmth of their presence and the wave of emotions I felt after their departure.

"Thrown Thrones"
by LuisMarques

http://soundcloud.com/luismarques/sapporo-sound-logo-luis||http://soundcloud.com/luismarques/thrown-thrones Licensed under a CC-BY-NC-ND by LuisMarques An immersive incursion into microtonal sounds and vocalisations.

"Omegas Unworn"
by Sceptre Fretpen

http://soundcloud.com/sceptre-fretpen/omegas-unworn-tag||http://soundcloud.com/sceptre-fretpen/omegas-unworn Licensed under a CC-BY-NC-ND by Sceptre Fretpen Sceptre Fretpen's unique generative process yields harmonic movements that invent themselves at the moment of performance. Organic, naturalistic forms emerge and coalesce to form complex musical organisms whose evolutionary behaviors influence one another as the piece progresses.

Asynchronous loops create long-form waves in an aleatoric environment that evokes the rhythms of the ocean - never perfectly even, never static, but always coherent. Linear arpeggiations reflect the human rhythms that emerge in an urban environment. Melodies move throughout the soundscape, announcing themselves and departing, leaving behind echoes which new melodies unknowingly support. Dissonances emerge and resolve to stable states as the supporting context evolves.

Human efforts to establish order and create recognizable, repeatable patterns from geons contrast with the unpredictable, complex forms and cycles-within-cycles of the natural environment.

Sceptre Fretpen's soundscape will permit the listeners to form new, meaningful and lasting impressions based around their experiences at the Sapporo International Art Festival.

"WE LOVE SAPPORO"
by Yuki Kusakawa

http://soundcloud.com/yukikusakawa/introduction||http://soundcloud.com/yukikusakawa/we-love-sapporo Licensed under a CC-BY-NC-ND by Yuki Kusakawa ”We Love 札幌！”

訪れてくださった皆さまに、
そう思ってほしいという想いをこめて
制作させていただきました。

サウンドロゴ（INTRODUCTION）では、
”はじまるよ”という合図を。

音作品（WE LOVE SAPPORO）では、
自然と都市を、国際色のあるダンスミュージックで
表現させていただきました。

ぜひ、ご視聴お願いします。

"Cleansing Showers"
by PockettBrown

http://soundcloud.com/pockettbrown/cleansing-showers-saif-sound||http://soundcloud.com/pockettbrown/cleansing-showers-full-siaf By PockettBrown The purpose of this soundscape is to convey the sounds of peaceful change. The cleansing rain provides clean energy for the trees and the people of Sapporo.

"Ancient Voices"
by dtkstrDEMO

http://soundcloud.com/dtkstrdemo/ancient-voices_logo||http://soundcloud.com/dtkstrdemo/ancient-voices Licensed under a CC-BY-NC-SA by dtkstrDEMO アイヌの楽器、口琴（ムックリ）をモチーフとした音を、テクノロジーを使って拡張することで、過去から現在へと繋がる北海道の人々の息吹を表現しました。

"BrokenKeyBirds"
by PockettBrown

http://soundcloud.com/pockettbrown/brokenkeybirds-siaf-soundcape||http://soundcloud.com/pockettbrown/brokenkeybirds-siaf-soundscape By PockettBrown This sound art piece was created from me opening my blinds and window to allow the song of the birds to freely enter. The keyboard tone is from a Wurlitzer Music Learning Module. The key of B stands out from the rest, literally, because it's broken. Using the broken key represents a problem that is creatively used which is a analogy that can be used to possibly fix the noise pollution problem by creating music with the pollution at specified times of the day. Open the blinds for all creatives to see a possible solution.

"A lily of the valley(スズラン)"
by FLYDIAN

http://soundcloud.com/flydian/sound-logo-ver-2-for-siaf2014||http://soundcloud.com/flydian/a-lily-of-the-valley-for Licensed under a CC-BY-NC-ND by FLYDIAN This work was inspired by a lily of the valley(sapporo's symbol) to match the theme(city and nature) of SIAF2014.
The appearance of Lily of the valley, shaking in the wind was represented by melody of the piano. And, the appearance of falling petals were expressed through the glitch sound. Also, I was Shiryokan's imagined the inside. Then, I created a restrained and coherent sound. Sound logo has been represented harmony of city and nature by synthesized sine wave.

"Cuckoo(カッコウ)"
by FLYDIAN

http://soundcloud.com/flydian/sound-logo-ver-2-for-siaf2014||http://soundcloud.com/flydian/cuckoo-for-siaf2014-urban Licensed under a CC-BY-NC-ND by FLYDIAN This work was inspired by a lily of the valley(sapporo's symbol) to match the theme(city and nature) of SIAF2014.
The appearance of Lily of the valley, shaking in the wind was represented by melody of the piano. And, the appearance of falling petals were expressed through the glitch sound. Also, I was Shiryokan's imagined the inside. Then, I created a restrained and coherent sound. Sound logo has been represented harmony of city and nature by synthesized sine wave.

"A lily of the valley(スズラン)"
by FLYDIAN

http://soundcloud.com/flydian/sound-logo-ver-1-for-siaf2014||http://soundcloud.com/flydian/a-lily-of-the-valley-for Licensed under a CC-BY-NC-ND by FLYDIAN This work was inspired by a lily of the valley(sapporo's symbol) to match the theme(city and nature) of SIAF2014.
The appearance of Lily of the valley, shaking in the wind was represented by melody of the piano. And, the appearance of falling petals were expressed through the glitch sound. Also, I was Shiryokan's imagined the inside. Then, I created a restrained and coherent sound. Sound logo has been represented harmony of city and nature by synthesized sine wave.

"Cuckoo(カッコウ)"
by FLYDIAN

http://soundcloud.com/flydian/sound-logo-ver-1-for-siaf2014||http://soundcloud.com/flydian/cuckoo-for-siaf2014-urban Licensed under a CC-BY-NC-ND by FLYDIAN This work was inspired by a lily of the valley(sapporo's symbol) to match the theme(city and nature) of SIAF2014.
The appearance of Lily of the valley, shaking in the wind was represented by melody of the piano. And, the appearance of falling petals were expressed through the glitch sound. Also, I was Shiryokan's imagined the inside. Then, I created a restrained and coherent sound. Sound logo has been represented harmony of city and nature by synthesized sine wave.

"Merveille"
by BISSECTA de KINSÂME

http://soundcloud.com/bissecta/merveille-logo-sound||http://soundcloud.com/bissecta/merveille-for-siaf-2014 Licensed under a CC-BY-NC-ND by BISSECTA de KINSÂME Wonders vermilion sea
Wonders vermilion sea
Wonders vermilion sea

Merveilles des mers vermeilles
Merveilles des mers vermeilles
Merveilles des mers vermeilles

S'éveille le ciel qui bégaye sa groseille,
baiser vermeil sur la merveille,
miel à la mer en sommeil.
Le soleil appareille les merveilles des mers vermeilles
et baillent les corneilles en plein conseil.

Dans la bouteille, chérie par les flots, sommeille une clé,
clé éternelle, clé pour les oreilles, clé de l'éveil.

Les sirènes égayent cette bouteille enceinte de clé d'un chant sans pareil.
Clé sur merveilles des mers vermeilles.

Some cerulean mermaids sing the celestial atlas
Some cerulean mermaids sing the celestial atlas
Some cerulean mermaids sing the celestial atlas
Some cerulean mermaids sing the celestial atlas
Follow the wonderful soul clouds on wonders vermilion sea

Les vagues matricielles balayent la bouteille féconde de clé,
clé arc-en-ciel, clé éternelle, clé mémorielle, clé pour les oreilles, clé spatio-temporelle, clé de l'éveil sur l'aquarelle des mers vermeilles.

Puis la bouteille raye le sable et les corneilles éveillent une autre merveille : toi.
Et de tes mains en soleil, tu saisis la bouteille,
et de tes lèvres groseille, tu défrayes le bouchon en sommeil,
la clé des merveilles des mers vermeilles est pareille, pareille à toi.
Fusion sur cartographie cosmique.

And some cerulean mermaids sing the celestial atlas
Some cerulean mermaids sing the celestial atlas
Some cerulean mermaids sing the celestial atlas
Some cerulean mermaids sing the celestial atlas

清人雲の地図を次
Kumo no chizu o tsugi

"Repairing Yubari"
by PockettBrown

http://soundcloud.com/pockettbrown/repairing-yubari-siaf-logo||http://soundcloud.com/pockettbrown/repairing-yubari By PockettBrown The purpose of this soundscape is to convey that the sounds of workers improving the buildings that are key to the foundation of Japan's modernization.

"Kotan Nitai"
by Sander Saarmets

http://soundcloud.com/sandersaarmets/kotan-nitai-logo||http://soundcloud.com/sandersaarmets/kotan-nitai Licensed under a CC-BY-NC-ND by Sander Saarmets Cities are a vast collection of sonic information seemingly chaotic and dissonant, but once you start focusing on the details, a beautiful and intelligible system might appear, thus noise becomes music.

The initial impulse for Kotan Nitai came from sounds of Sapporo Subway. Resonating frequencies of a stopping train formulate the main harmonic material.

At times, working with sound objects in a musical context feels like freezing the time, re-arranging the molecules and making them vibrate again in a different manner. Having said that, in this context, it really isn't implausible for a subway to turn into a forrest and vice versa.

"Interior Space"
by Liy-Wagner

http://soundcloud.com/liywagner/liy-wagner-interior-space||http://soundcloud.com/liywagner/wagner-interior-space Licensed under a CC-BY-NC-ND by Liy-Wagner The composition “Interior Space” was created with the purpose of recalling the visual feelings evoked by the metro transportation system of Montreal. Interior Space offers an innovative re-imagining of the artwork and architecture contained within this over-looked area of everyday life.

The piece seeks to construct a fragmented mind space inspired by the real-life architecture of the metro. I decided to draw my sonic material entirely within the metro of Montreal, from different sources such as artificially produced (machine activity), modified human activity and natural. This provided me the potential to convey the interactivity of the metro as both a human construct and as a quasi-automated system itself. All the sounds were further manipulated in the digital domain at a latter stage.

Perceived through the sound composition and camera lens and re-constructed through montage, the metro reveals fantastical prehistoric ruins and alien constructions : the viewer enters a kind of dreamscape at once impossible yet strikingly real. In sum, Interior Space is an homage to the details and features that have regularly inspired the composer and filmmaker simply through their daily commute, and the film strives to convey that sense of fascination to others.

"静けさの向こう"
by moontracks

http://soundcloud.com/moontracks/vemupigoa9dx||http://soundcloud.com/moontracks/9ngei0llazai Licensed under a CC-BY-NC-ND by moontracks サウンドロゴは、「創造都市さっぽろ」が「きこえるみえる」
「都市と自然」の担い手「こどもたち」
「こどもたち」と一緒に、未来が「きこえるみえる」

札幌市資料館に設置される作品は、三音のみで構成した小さい音量で聴いて頂く作品です。少し立ち止まって自分のなかの静けさと向き合い、「都市と自然」について思いを馳せていただけたらと思います。

昨今、この世界は少々騒がしすぎるように思います。
音を使ってこの世界を少しでも静かに出来たらと考えています。

"Graphics Speak"
by WengNamYap

http://soundcloud.com/wengnamyap/graphicsspeak-sound-logo||http://soundcloud.com/wengnamyap/graphicsspeak Licensed under a CC-BY-NC-SA by WengNamYap Sapporo Shiryokan strikes me a notion of making a sound about concrete information, therefore I came out with an idea to make sound by chance in a systematic approach. Sound from different sizes and length from the stationery tools which gives a sense of concrete information such as paper, pencil, ruler, tape, keyboard, mouse, and printer are recorded and a composition by chance is made out of it.

Video: https://vimeo.com/36135713

"City in the Piano"
by Electric Planet Five

http://soundcloud.com/electric-planet-5/city-second||http://soundcloud.com/electric-planet-5/city-1 Licensed under a CC-BY-NC-ND by Electric Planet Five The Station , Park,Children's Sound ,Subway,Writing something(Sound of pen) construction site,a recorder performing (Market on the Street) At the Seoul
Ending -Drum(Street Performing at Nice)Bell (Street of London )
And the Piano in my ROOM :)
Thank you.

"Depth Perception"
by Liy M

http://soundcloud.com/liym/liy-depth-perception-soundlogo||http://soundcloud.com/liym/liy-depth-perception Licensed under a CC-BY-NC-ND by Liy M “Depth Perception” is a piece which utilizes as sources a combination of modular analog synthesis, field recordings of different environments and digital editing.

This composition is inspired by the friction of realities created by the interaction of nature and humans, as it affects tangible and unique elements such as cities, landscapes and mindscapes. I was interested in conveying both the "traveling" of physical and mental experiences but also to prompt the listener to re-evaluate how his/her current reality has been shaped and transformed by such interactions.

"Kind Of City"
by naoto kimura

http://soundcloud.com/naoto-kimura-5/kind-of-city||http://soundcloud.com/naoto-kimura-5/kind-of-city-1 By naoto kimura 札幌在住です。この街は北海道の中でも最も都会でありながら、都会らしくない穏やかな部分もあり、四季の移り変わりを強く感じます。区によって多様な顔を持つ街だと思っています。そんな札幌の都市っぽさ・田舎っぽさ・クールっぽさ・熱っぽさといった部分を自分なりのメロディーで表現してみました。

"The Day The Birds Committed Suicide"
by Nostalgia Migranta

http://soundcloud.com/nostalgia-migranta/siaf-14-logo||http://soundcloud.com/nostalgia-migranta/siaf-14-the-day-the-birds Licensed under a CC-BY-NC-SA by Nostalgia Migranta The Word and the Sound as a whole.

"Sine Qua Non"
by srokasonic

http://soundcloud.com/srokasonic/sqn-byte||http://soundcloud.com/srokasonic/sine-qua-non Licensed under a CC-BY-NC-ND by srokasonic These work samples come from a generative, multi-channel sound installation that electronically abstracts and
reconstitutes a live performance. The work, entitled, "Sine Qua Non," was recently premiered at Roulette Intermedium in Brooklyn, New York.

This piece has two components, a sound installation using a Max/MSP software instrument that generatively processes samples of a music or sound performance, in this case an improvising pianist. Eight outputs from Max/MSP each create a unique part, each mapped to a separate speaker, surrounding the room in an ever-changing abstraction of the performance. Each listener has a unique experience of the whole through their own engagement with the space.

The other component of the piece is a performance in which I play the Max/MSP instrument and interact with a musician live. However, this is intended to be a modular piece that can be adapted to various types of performers or sound sources, and can also be realized as either component, an electro-acoustic performance, a surround sound installation, or both.

"Om"
by krampon

http://soundcloud.com/adrock-4/om||http://soundcloud.com/adrock-4/noise-v-refuge By krampon This the same primary long piece with a different sound logo connected to it.

It’s very common these days, at least in the west, for city-dwellers to “retreat” from or try to shut out the urban chaos inside the solitude of a yoga class. This logo is a recording of my class chanting the peaceful mantra, Om.

"Shred Of Noise"
by Andrea Baroni

http://soundcloud.com/bluegestalt/siaf-logo||http://soundcloud.com/bluegestalt/shred-of-noise-soundscape Licensed under a CC-BY-NC-ND by Andrea Baroni The song intent is to depict a modern urban area soundscape.
Using field recordings, synths and an acoustic piano the track is an imaginary journey through the city, through its living veins, and the sound of the rain reflecting on its shapes. Towards something far away this shred of noise: a wood lightened up just by the stars; and a small radio, still echoing the voices of the city, and the deep solitude of men.

"Gold"
by Rúben Páscoa

http://soundcloud.com/ruben-pascoa/golad-sapporo-sound-logo||http://soundcloud.com/ruben-pascoa/gold Licensed under a CC-BY-NC-SA by Rúben Páscoa This song is the search for things and the feeling of being lost finding beauty and fear all over.

"SIBERIAN SLEEP"
by rewot::wint

http://soundcloud.com/rewot-wint/logoloopss||http://soundcloud.com/rewot-wint/siberian-sleep By rewot::wint Siberian Sleep, 2013. 13' 33'' stereo sound. Loop.
Siberian Sleep is a rendering of dream awareness. Speech strings and modulations of everyday life regurgitated into the openness of an infinitely white surface. Collecting audio samples from personal recordings and films, we search for a rhythmic dislocation of focus between randomized mantric listening and hypnotic dissolving sights. Body. Blank. Absent.
Dream is an area of undefinable perception... a space of blank and a whirlpool of voices and sounds that speak to us from somewhere.... where is that? in our minds? in a collective mind to which we seldom have access? we travel through what our bodies collect... Jubilee line, sirens, everyday sounds, magic tricks, time machines, a cosmic smudge... "I'm not sure"
Sound design and master in collaboration with Hugo Santos aka YLS.

"Noise vs. Refuge"
by krampon

http://soundcloud.com/adrock-4/rickshaw-horn||http://soundcloud.com/adrock-4/noise-v-refuge By krampon A city is a constant, thrumming collage of sound. I wanted to capture—and contrast—the underlying noise pollution (namely traffic and construction) with the sounds of urban relaxation (city parks, backyards, yoga, cycling). I’ve included field recordings from where I live in Washington, DC (planes, bulldozers, etc), with the sounds of rickshaws in Mumbai, India and the metro and the call to prayer in Istanbul, Turkey. A kind of east-meets-west cacophony, or arguably a symphony, of jack-hammering, alarms, and car horns up against wind chimes, chanting, and a babbling stream, among other strident sounds like shoveling snow and walking on ice. It became clear that it's nearly impossible to escape the urban soundtrack.

"lifecycle"
by timbijnen

http://soundcloud.com/timbijnen/siaf-2014-lifecycle-sound-1||http://soundcloud.com/timbijnen/siaf-2014-lifecycle Licensed under a CC-BY-NC-ND by timbijnen this soundscape symblizes the cycle of life. you hear a man walking in a sonic jungle that gets overpowered by industrial sounds. when the mechanical interference dies out, the jungle comes back to life and the cycle can start over.

"Lethe"
by Gregory Kramer

http://soundcloud.com/gregkramer/lethe-sound-logo||http://soundcloud.com/gregkramer/lethe Licensed under a CC-BY-NC-ND by Gregory Kramer While walking near my uncle’s house in the snow covered mountains, I discovered a brook which had refused to freeze. As I listened to the shimmering water, a trance emerged. The dogs became alarmed, but the trance consumed them.

"Dual Interface"
by khoran

http://soundcloud.com/khoran-2/dual-interface-sound-logo-1||http://soundcloud.com/khoran-2/dual-interface Licensed under a CC-BY-NC-ND by khoran Dual Interface is a sonic exploration of the balance between city and nature. It was inspired by expeditions around the city, where I noticed how many birds had made the city their home. I decided to make this the focus of the piece. It incorporates field recordings, musical phrasings inspired by the work of Steve Reich, and minor digital effects. The goal of this composition is to express the combination of nature and humanity that represent the landscape of the modern city. Staccato sounds of birds, bicycles, and minimalist pulses from man-made instruments are layered over recordings and phased in and out. As the sounds of the city - people, construction, bells - are pitted against and combined with bird song, it mirrors the way cities are built on the foundations of nature, and the way nature weaves itself back into our cities. The overall effect is an aural slice of the modern city, expressing the delicate balance between where we come from, and what we've built.

"endless"
by Yukari Sawaki

http://soundcloud.com/yukari-sawaki/siaf-soundlogo||http://soundcloud.com/yukari-sawaki/siaf-long-version Licensed under a CC-BY-NC-ND by Yukari Sawaki 常に変化し続ける都市。そしてその都市となくてはならない自然との共存をイメージして作りました。

"Earth Resonances"
by RAGSmusica

http://soundcloud.com/ragsmusica/earthresonances-logo||http://soundcloud.com/ragsmusica/earthresonances Licensed under a CC-BY-NC-ND by RAGSmusica As being Sapporo in the norther island of Hokkaido in Japan, its lansdcape, its Ainu people's traditional culture, music and crafts remind me of a southern territory in Chile, land of the Mapuche people, whose music and art craft are similar, as well as the landscape. My intuition tells me Ainu and Mapuche people have a similar cosmogony.
The sounds for this pieces are taken from a Jaw Harp, a common instrument in both cultures, processed in a way to create a choir, and a Kultrun, a sacred Mapuche drum.

"SomeInfluences"
by Marta Garcia

http://soundcloud.com/marta-garcia/some-influences-sapporo-sound||http://soundcloud.com/marta-garcia/someinfluences Licensed under a CC-BY-NC-SA by Marta Garcia This song is a set of examples of different actions, moments, social events and how they affect / influence us physically, mentally and emotionally

"Sound Diffusion"
by K.O.T.

http://soundcloud.com/k-o-t/sound-diffusion-theme||http://soundcloud.com/k-o-t/sound-diffusion Licensed under a CC-BY-NC-ND by K.O.T. The main idea behind the composition was to create the spatial sonic imaginary world of diffused sound energy by creating broad and enveloping sound images which spread out in space in different patterns, ways and directions. Explorations of those aspects directed me to design the sonic piece which is enveloping, growing and dynamic in its shape and form. Another important aspect of the space in this piece was to create moving sounds which transport the listeners to other listening spaces, to parallel listening universes, in other worlds, the sounds start to be seen as events that create their own space. Also the movement of the sounds take important role in creating the space in this composition, many sounds sources are sharp, fast and decay in time and sonic combination of those timbers influence and shape the spatial form of the composition, which can be described as growing, evolving sound energy, exploding in various direction and travel in chaotic patterns until "sonic exhaustion". The choice and arrangement of sound material in terms of spatial characteristics and associations are fundamental to the creation of the acousmatic work. To achieve that I decided to use various of sound sources. All those sounds used for composition was modulated and synthesized electronically. The whole project is based on the pre recoded samples such as human voice(beat box), fire, clock, crash bottle and sounds from the kitchen. Moreover in composition you can hear sounds of "Sarod" which is a lutelike stringed instrument of India.

"GIA"
by ugarkoppantók

http://soundcloud.com/ugarkoppant-k/ugarsignal-siaf2014-logo||http://soundcloud.com/ugarkoppant-k/gia_siaf2014_scape Licensed under a CC-BY-NC-ND by ugarkoppantók The aim of the logo is to draw attention to any following announcement.

The aim of the soundscape is to lock the attention to your surroundings. Is there any difference between how the drones interfere with each other depending on your listening position? Is there any dialogue between the field recording and the scattered sounds of your actual environment?

"少年よ大地を抱け"
by Ken the Endo

http://soundcloud.com/ken-the-end/s-logo-1||http://soundcloud.com/ken-the-end/clkp1idzeugd By Ken the Endo 使用楽器
竹楽器（打楽器類）
竹笛
カリンバ

"水からの祈り"
by Ken the Endo

http://soundcloud.com/ken-the-end/s-logo||http://soundcloud.com/ken-the-end/ymiw8ghfmsjv Licensed under a CC-BY-NC-SA by Ken the Endo 使用楽器
水琴竹（すいきんちく）竹で作った水琴窟
竹笛
カリンバ

"Urban Flowing"
by Leung Chung Kay

http://soundcloud.com/leung-chung-kay/urban-flowing-sound-logo||http://soundcloud.com/leung-chung-kay/urban-flowing-full-version Licensed under a CC-BY-NC-ND by Leung Chung Kay "Urban Flowing" is a soundscape about movements from a natural scene to an urban traffic flow. It is describing a streaming of an integrated city's tempo and image. The ambient contains elements of birds, streams, vehicles, streets, machinery, etc. It presents an urban scenery in harmony with nature.
This arrangement is a mixture of synthesizer midi programming, sound samples, field recordings & electronic loops.
Composed by Leung Chung Kay, 2014.
(created for SIAF 2014 Urban Soundscape Competition)

"The Arborist"
by Skyler Kruger

http://soundcloud.com/skyler-kruger/olivia||http://soundcloud.com/skyler-kruger/the-arborist By Skyler Kruger This song is one I wrote a year ago in California on my great-grandmother's piano. It has many movements and, I feel, encompasses many moods and emotions. Again recorded in the Old Stone Church with Michael Hodecker playing violin.

"Winters End"
by Skyler Kruger

http://soundcloud.com/skyler-kruger/shadows||http://soundcloud.com/skyler-kruger/winters-end-1 By Skyler Kruger This is a new song I wrote in the spirit of moving out of a cruel winter and into spring. It was recorded in the Old Stone Church, where we record much of our music, with my good friend Michael playing violin. Ryuichi Sakamoto and his compositions have been a major musical influence and inspiration to me throughout my life and I feel that elements of that are demonstrated in this song.

"Fuurin"
by Joanne Lam

http://soundcloud.com/varkanslor/fuurin-sound-logo||http://soundcloud.com/varkanslor/fuurin-soundscape Licensed under a CC-BY by Joanne Lam The sound of wind is often indistinguishable from the wind itself. With this in mind, Robin and I began to imagine how wind can 'exist', particularly in urban spaces like Chi-Ka-Ho and the Shiryokan, where wind does not naturally occur.

Both versions of "Fuurin" evoke the thought of moving air using wind chimes. It's a simple trick on the listener's ears: there is no wind indoors, but the mere sound of familiar chimes will signify otherwise.

"Electric City Shadows and Light"
by elektronika poetika

http://soundcloud.com/elektronika-poetika/electric-city-shadows-and-1||http://soundcloud.com/elektronika-poetika/electric-city-shadows-and By elektronika poetika The sounds of the city, a rhythmic play, like shadows and light.
This soundscape is electro-acoustic, no [soft] synths are used,
no edits, pure sound.

"Electric City Garden"
by elektronika poetika

http://soundcloud.com/elektronika-poetika/electric-city-garden-logo||http://soundcloud.com/elektronika-poetika/electric-city-garden By elektronika poetika The city garden full of sound, abstract and in a way a place of harmony.This soundscape is electro-acoustic, no [soft] synths
are used and no edits, pure sound.

"sunny day"
by J. Ragnarsson

http://soundcloud.com/j-ragnarsson/crystal-clear-audio-logo||http://soundcloud.com/j-ragnarsson/sunny-day-soundscape Licensed under a CC-BY-NC-ND by J. Ragnarsson Soundscape:
You're sitting on a bench next to a fountain close to a playground. You hear children playing in the distance. You close your eyes and hear a melody. You lose yourself in it for a while before it fades away and you come back to reality.

Audio logo:
A short melody I threw together with 3 synthesizers.

"electric city echo"
by elektronika poetika

http://soundcloud.com/elektronika-poetika/electric-city-logo||http://soundcloud.com/elektronika-poetika/electric-city-echo By elektronika poetika when the city sleeps her sound lingers on like an echo,
this soundscape is electro-acoustic, it uses no [soft] synths
and is free of edits.

"Y-Shaped Channel"
by lacosapreziosa

http://soundcloud.com/lacosapreziosa/y-shaped-channel-sound-logo-1||http://soundcloud.com/lacosapreziosa/shaped-channel-full-track Licensed under a CC-BY-NC-ND by lacosapreziosa The role of the humble zipper is to bring about a connection.
This small, everyday Y-shaped channel aligns, brings separate elements together, binds and interlocks. Depending on the direction of the slider's movement, it either meshes together or separates, but always represents communication between separate entities.

I have chosen to compose using the sonic symbol of the zipper to represent the nature of the Sapporo sites as these, too, connect and separate: the Underground walkway connecting two stations, the court of appeals a site of divergence, the museum as a site of meeting and exchange.

I went about this task by first of all recording zippers found all around my home (in clothes, bags, purses, sports items, etc.), and then arranging them in a rhythmical pattern led by a simple melody on an African kalimba. In the composition I have chosen to deliberately highlight false starts, mistakes and off moments, to replicate the attempts we often make when zipping items together- it rarely works at the first try!

The final entry is made up of two acoustically connected pieces: one full-length (03:03) and its related sound logo (00:13).

I very much enjoyed working with small, personal objects from my home in Dublin, with a view to sending them out all the way to a different continent in a gesture of playful long-range communication, through the medium of a sound we are all familiar with.

"white city"
by Ricco Label

http://soundcloud.com/ricco-label/white-city-short||http://soundcloud.com/ricco-label/white-city Licensed under a CC-BY-NC-ND by Ricco Label グランドピアノと、その音から制作した電子音のみを使用しています。広い大地や人と最先端テクノロジーを取り入れた都市との融合を意味しています。

"Dead Poets"
by we.act.with.angry.love

http://soundcloud.com/we-act-with-angry-love/siaf-2014-urban-soundscape||http://soundcloud.com/sam-salem/dead-poets-2010 Licensed under a CC-BY-NC-ND by we.act.with.angry.love Dead Poets:

1. Central Park (A Conversation with Adam)
2. Last Stop
3. Coney Island, Baby
4. Phone Home / We Were Champions

100% of the sounds used in Dead Poets are field recordings made in New York during April 2010 and April 2009.

"Dérive"
by we.act.with.angry.love

http://soundcloud.com/we-act-with-angry-love/siaf-2014-urban-soundscape||http://soundcloud.com/sam-salem/d-rive-2013 Licensed under a CC-BY-NC-ND by we.act.with.angry.love Dérive was commissioned by La Muse En Circuit.

I crisscrossed the city of Paris in search of sounds... My itinerary was built from walks, all having as their point of departure the official centre of Paris, the square in front of Notre-Dame Cathedral.

I don't wish to explain too much about this piece: instead, I prefer for the listener to be led through the work by their ear and imagination, much as I was led around the streets of Paris. Dérive seeks to explore the connections between environments... But Dérive is not only a documentary work: above all, it is poetic and mythological, a reading of the city at the present time, an exploration of the sounds, spaces, histories and cultures that shape Paris.

I walked over 100 kilometers in order to gather the materials for Dérive. I walked the full length of both banks of the Seine within the boundary of Boulevard Périphérique, recording the sounds of boats, gulls, the constant fluctuations of the river, it's voice rushing and changing, reverberating in tunnels and under bridges, merging with the sounds of traffic in the open air.

At the conclusion of this work, it seems to me that Paris is a city of flow and friction, of movement and interruption. But perhaps more than this, it is a place of saturation and juxtaposition. I could walk 100 kilometers more, following the flow and haltering rhythms of the city, in silent reverie.

"northern ground"
by Takahiro Kido

http://soundcloud.com/takahiro-kido/northern-ground-short||http://soundcloud.com/takahiro-kido/northern-ground Licensed under a CC-BY-NC-ND by Takahiro Kido 北海道の幻想的な空気感。

"De l'air"
by zenondelay

http://soundcloud.com/zenondelay/de-lair-sound-logo||http://soundcloud.com/zenondelay/de-lair By zenondelay A track to explore the air from the inside.

"Landscape"
by Youichi Okano

http://soundcloud.com/youichi-okano/sound-logo||http://soundcloud.com/youichi-okano/landscape By Youichi Okano 都市と自然というテーマから私が感じたものは、日々流動的な私たちの感情と似ているということでした。
毎秒いろいろな感情が揺れ動く中でも、特に切なさと懐かしさというものが私が都市と自然に対してナチュラルに感じることができる感情でした。

それはきっと私の実家が自然の多い場所だったことや、現在私が都市で暮らしているからなどの理由もあると考えられます。

今回の楽曲は、屋上のドアを開ける音からベルの旋律に繋がり、リコーダーや鼓などの楽器が入り曲が進んでいきます。小学校の屋上から街を眺めている風景をイメージしています。
屋上から見える景色は、街を流れる川や遠くに見える山や昔からある商店街だったり、夕焼けや青い海や空だったり流れ星や友達だったりします。

今回の都市と自然というテーマは相反したり融合したり様々な視点から考えるこが出来る面白くもとても難しいテーマでした。
たくさんの方に聴いていただけたら幸いです。
ありがとうございました。

"A DAY IN YOUR LIFE"
by user779022912

http://soundcloud.com/user779022912/nasty-brass-band||http://soundcloud.com/user779022912/a-day-in-your-life-1 By user779022912 あわただしい日常の中の、一瞬「白昼夢」のような世界。聞こえていない音も聞こえてきます。

"原生林"
by Kenji Kojima 1

http://soundcloud.com/kenji-kojima-2/forestsndlogo2||http://soundcloud.com/kenji-kojima-2/foresthall2 Licensed under a CC-BY-NC-ND by Kenji Kojima 1 作品は原生林の画像データをバイナリ・レベルで２分割し、そのデータから作られた2曲の「Forest1」と「Forest2」から成り立っています。従って2曲のデータを融合させる事で、再び元のイメージが構成されます（補足資料 https://vimeo.com/89039963 をご覧下さい）。

原生林の画像は、0と1を扱うビットワイズXORを用いた暗号技術で、255までのランダムな数字から作られる鍵と、暗号化された色彩画面の2つに分けられます。画面は左上から右下に向かって色彩のRGB値（赤、緑、青）が読み取られ、それぞれRGB値120を中央のドとする音階に変換して楽譜にされます。楽器のMIDI音源とテンポは作者が選んだものです。「Forest1」に森林の水の滴りや精霊をイメージさせる「ピチカート、テンボ46」、「Forest2」には吹き抜ける風や生き物の息づかいの「ホイッスル、テンポ40」を割当て、以上のデータから２つのMIDIファイルが作られます。作品は2曲が同時に演奏されることで、聴覚だけでない視覚の連想をも、実験的に扱った作品です。

"olo & beziehungsweise"
by unterlala

http://soundcloud.com/unterlala/olo||http://soundcloud.com/unterlala/beziehungsweise-im-sportlichen Licensed under a CC-BY-NC-ND by unterlala playing the cello since i'm a kid, i'm looking for ways to developp connections between my inner world and my surrounding.
Playing with many bands and different people is a huge part of my life and work besides pushing my own boudaries of expression with the instrument.
not into composing, i define my music as improvised music, trying to give real-time feeling and closeness.

"Sapporing"
by UTAEMON

http://soundcloud.com/utaemon/sapporing-sound-logo||http://soundcloud.com/utaemon/sapporing Licensed under a CC-BY-NC-ND by UTAEMON 「都市空間」ということで、都市のような音を盛り込みつつも、葉っぱの音や木にひっついて鳴くセミの音、自然ぽさも隣り合わせにしてみました。そして非現実、フィクションさが出過ぎるよりも、日常により近くしました。移り変わる日々、移り変わるシーン、移り変わる時間。北海道はたしか、いとこの嫁さんが住んでいた場所です。

"Sides&Sights"
by TeamRP_Dsa_Sapporo

http://soundcloud.com/dsa-sapporo/sound-logo||http://soundcloud.com/dsa-sapporo/sapporo-soundscape Licensed under a CC-BY-NC-SA by TeamRP_Dsa_Sapporo Our soundscape consists two regions; the nature and scenery of Sapporo and the city scene of Sapporo.

For the nature region, the track is a mix of gentle soothing music and recorded sounds of the forest. Amidst this, there is also the sound of a bicycle moving, the sound of flowing water and a call of a cuckoo bird. For the music, it was a mixed of simple chord progressions with a guitar swelling layered on top of it.

For the city scene of Sapporo, there is the sound of a church bell which signified the transition in the scene followed by the sound of traffic and people busy in the crowd. Admist all these, there is also the sound of a beer can opening and people “kanpai-ing”. The music for these scene was slightly more upbeat with the drums being added to suit the change in the atmosphere. For the ending, there was the sound of fireworks. For these scene, the adding of the beer sounds and the fireworks sound are both iconic of celebrating in Sapporo. The beer; an integral part of the Sapporo culture and the fireworks, representing the Sapporo fireworks festival both which are significant towards it culture.

The Sides and Sights of Sapporo

"Cuckoo(カッコウ)"
by FLYDIAN

http://soundcloud.com/flydian/balance-sound-logo-ver-2||http://soundcloud.com/flydian/cuckoo-for-siaf2014-urban Licensed under a CC-BY-NC-ND by FLYDIAN This work was inspired by cuckoo(sapporo's symbol) to match the theme(city and nature) of SIAF2014.
Sound of cuckoo was represented by synthesised percussion's modulating and percussive pad. Also, I was Shiryokan's imagined the inside. Then, I created a restrained and coherent sound. Sound logo has been represented harmony of city and nature by way of field recordings and piano piece.

"A lily of the valley(スズラン)"
by FLYDIAN

http://soundcloud.com/flydian/balance-sound-logo-ver-2||http://soundcloud.com/flydian/a-lily-of-the-valley-for Licensed under a CC-BY-NC-ND by FLYDIAN This work was inspired by a lily of the valley(sapporo's symbol) to match the theme(city and nature) of SIAF2014.
The appearance of Lily of the valley, shaking in the wind was represented by melody of the piano. And, the appearance of falling petals were expressed through the glitch sound. Also, I was Shiryokan's imagined the inside. Then, I created a restrained and coherent sound. Sound logo has been represented harmony of city and nature by way of field recordings and piano piece.

"Distant"
by kohei SASAKI（not/c）

http://soundcloud.com/koheisasaki/siaf-distant-sound-logo||http://soundcloud.com/koheisasaki/siaf-distant Licensed under a CC-BY-NC-SA by kohei SASAKI（not/c）自然と都市の両方充実した札幌で生きているといろんな事を感じます。

近いようでいて、とても距離が遠く、けれど黙視や、感じる事の出来る事への喜び。
遠くに行ってしまった人への敬意。
例えば、芸術作品を鑑賞している時の作品と作家、そして鑑賞者などの距離感や、飲食店での顧客と店員、窓ガラスから見える人々、もしくは外を歩いていてその店内の様子を流し見るような、そんな様々な距離感を大切なテーマとしてDistantにしました。

同じピアノのフレーズがミニマルに続きますが、その中での展開をピアノの高音や、2本のフルート、その他木管楽器などで表現しました。メランコリックな中に、人々の温かみが伝わると幸いです。

"Planter"
by kohei SASAKI（not/c）

http://soundcloud.com/koheisasaki/siaf-planter-logo||http://soundcloud.com/koheisasaki/siaf-planter Licensed under a CC-BY-NC-SA by kohei SASAKI（not/c）朽ちたものから、新たな生命が生まれるテーマで書きました。

例えば、倒れた木々からは植物などがまた生まれます。
自然のものが、朽ちて、そしてまた自然に返ると、新たなものが誕生します。

大自然と都市とが共存する札幌に居るからこそ、輪廻的なものを表現したくなるのも自然の摂理なのかもしれません。

"city noise"
by Ami INOUE

http://soundcloud.com/ami-inoue-1/i||http://soundcloud.com/ami-inoue-1/citynoise Licensed under a CC-BY-NC-SA by Ami INOUE Identifying with city noise, thinking back Sapporo and whiteout, green lawn, natural light coming through windows of a building deserted, I wrote these short pieces.

"Photogenic"
by kohei SASAKI（not/c）

http://soundcloud.com/koheisasaki/siaf-photogenic-logo||http://soundcloud.com/koheisasaki/siaf-photogenic Licensed under a CC-BY-NC-SA by kohei SASAKI（not/c）美しい写真や、美術作品を観たときにハッとします。

力強く、繊細なタッチをピアノと付随する音で表現しました。
緩やかで、感情的で、悲観的なものだったり、言葉では表せないものを意識しました。

"1 to 12"
by Siwat Homkham

http://soundcloud.com/siwat-homkham/1to12soundlogo||http://soundcloud.com/siwat-homkham/1to12 By Siwat Homkham 1 to 12 is a soundscape about a person who leads a normal life. His life consists of the mundane ritual of living out his daily routines. Year after year he wakes up and goes to work taking the familiar bus ride through the same roads, the same city, and to the same locations. The only change noticeable in his life is the change in seasons and what it brings with it.
1 to 12 tells the story of the happiness obtained from routine life. While some of us may see routine as repetitive and uninspiring, others find that routine enables them to appreciate the simple things in life. The little changes that make one happy and excited. The changes that sometimes goes unnoticed, like the change is seasons.

1 to 12 Sound Logo symbolizes the chaotic and fast pace nature of life and the overwhelming information we have to process in a day. At the end of each day we experience the solitude in sleep.

"Back and Forth"
by WengNamYap

http://soundcloud.com/wengnamyap/back-and-forth-sound-logo||http://soundcloud.com/wengnamyap/back-and-forth Licensed under a CC-BY-NC-SA by WengNamYap 'Back And Forth' is an experimental ambience sound for public space. The concept is to create an eligible ambience sound for Sapporo Shiryokan (札幌市資料館). It's challenging for a foreigner who've never been to Sapporo to compose, therefore we came out the idea of creating a scenario for a visitor on 'How to get to Sapporo Shiryokan' based on the collected information (資料) we could get via Google Map. A back and forth route is created from Sapporo Station (札幌駅) to the final destination, Sapporo Shiryokan.

The composition of the piece is derived from the coordinate of the traffic light (信号) the visitor will pass by. For instance, the first coordinate of the traffic light (北5西3, 北4西4), '北' is translated into beat, and '西' signifies the note, in other words, every 5 beats (北5), note E (西3) will be played, and next followed by note F (西4) every 4 beats (北4). The piece will end at last traffic light coordination (大通西13, 大通西12) with a different sound, which represents the visitor have reached the destination. Reversed audio is added as ornament, representing the concept of back and forth.

Kindly check out the created route (composition) via this link: http://wengnamyap.blogspot.com/

"yuragi3"
by notiku

http://soundcloud.com/notiku/logo3||http://soundcloud.com/notiku/yuragi3 Licensed under a CC-BY-NC-ND by notiku 「都市と自然」ということから、人間とテクノロジーと自然の関係を意識しました。
硬質さと柔らかさ、伝統と革新といったものの間で生きるしなやかな強さ、ゆらぎをイメージしました。

"Terminal3"
by kohei SASAKI（not/c）

http://soundcloud.com/koheisasaki/siaf-terminal3-sound-logo||http://soundcloud.com/koheisasaki/siaf-terminal3 Licensed under a CC-BY-NC-SA by kohei SASAKI（not/c）例えば空港の非日常感が好きです。

空港でなくても、日常内で初めて体感することなどの非日常の空間が好きです。

美術館や、電車の降りた事のない駅、近所でも初めて通る散歩道など、新鮮な心で過ごせる時間をテーマに表現しました。

"This Town"
by .MFF.

http://soundcloud.com/mffcollective/this-town-soundlogo||http://soundcloud.com/mffcollective/this-town Licensed under a CC-BY-NC-ND by .MFF. MFF is a Belgian music collective: creating both alternative, experimental, post-rock, ambient music and atmospheric soundscapes for theater, performances, installations & films.

"This Town"
by .MFF.

http://soundcloud.com/mffcollective/this-town-soundlogo||http://soundcloud.com/mffcollective/this-town Licensed under a CC-BY-NC-ND by .MFF. MFF is a Belgian music collective: creating both alternative, experimental, post-rock, ambient music and atmospheric soundscapes for theater, performances, installations & films.

"Uncetain Morning"
by kohei SASAKI（not/c）

http://soundcloud.com/koheisasaki/siaf-uncetain-morning-sound||http://soundcloud.com/koheisasaki/siaf-uncetain-morning Licensed under a CC-BY-NC-SA by kohei SASAKI（not/c）誰にでも起こる不確定な目覚め。
目を開けた瞬間にわかる、その日の天気や気温、空気感。

どんな一日が始まるのか予想も出来ない不確定さを、左右中央に配置されたピアノの掛け合いがメインになってます。

ワクワクやドキドキ、ソワソワやフワフワ
オノマトペでも数えきれないくらいの気持ちの揺れを表現しました。

"地球の体音"
by Way to the flowery field

http://soundcloud.com/floweryfield/logo-of-global-temperature||http://soundcloud.com/floweryfield/melody-of-global-temperature Licensed under a CC-BY-NC-ND by Way to the flowery field この曲は1860年から2005年までの毎年の地球の平均気温（1961〜1990年の平均気温との差）のデータを、ハ短調の音階に置き換えたものをメロディーとしています（チェレスタの音、１音＝１年）。ですので、この曲の作曲者は私ではなく、ゴーストライターでもなく、地球が作曲者ということになるでしょうか。あるいは、地球と人間の共作と言った方が良いかもしれません。しかし、とても残念なことに、明るい希望が持てる曲にはなっていません。これまで人間は戦争に明け暮れ、核爆弾を使用し、自然を破壊し、資源を大量消費して、地球を温室にし、自分たちが住めない場所にしようとしています。この曲のメロディーは徐々に高い音になっています。
ただ、陰鬱な曲になってもいけませんので、芸術祭が行われる時期に合わせて、涼しげな音に聴こえるように工夫したつもりです。
曲中で使われている効果音（SLの音など）はその時代その時代を象徴する出来事をイメージした音です。すべて自分で録音、もしくは作成したものです。CDからのサンプリングや素材集の使用はしておりません。

"Upopo"
by Takafumi Ohyama

http://soundcloud.com/takafumi-ohyama/bell||http://soundcloud.com/takafumi-ohyama/upopo Licensed under a CC-BY-NC-ND by Takafumi Ohyama 北海道の民族音楽と，先日北海道に訪れた際に感じた，広大な自然をイメージしました。単調なフレーズの繰り返しは，現地でウポポと呼ばれる音楽の輪唱を表しています。また，この左右に振られたメロディの呼応は，人間と自然の共鳴をイメージしました。国際芸術祭を通じて，自然の事をより深く考えるきっかけになるような，そんな曲です。

"glossy."
by d3 diablero

http://soundcloud.com/d3-diablero/glossy-logo||http://soundcloud.com/d3-diablero/glossy By d3 diablero 街の雑踏

"yuragi"
by notiku

http://soundcloud.com/notiku/logo1||http://soundcloud.com/notiku/yuragi Licensed under a CC-BY-NC-ND by notiku 「都市と自然」ということから、人間とテクノロジーと自然の関係を意識しました。
硬質さと柔らかさ、伝統と革新といったものの間で生きるしなやかな強さ、ゆらぎをイメージしました。

"yuragi2"
by notiku

http://soundcloud.com/notiku/logo2||http://soundcloud.com/notiku/yuragi2-1 Licensed under a CC-BY-NC-ND by notiku 「都市と自然」ということから、人間とテクノロジーと自然の関係を意識しました。
硬質さと柔らかさ、伝統と革新といったものの間で生きるしなやかな強さ、ゆらぎをイメージしました。

"Sapporo Flying Shadows"
by Al Balghradi

http://soundcloud.com/al-balghradi/saporo-flying-shadows-15||http://soundcloud.com/al-balghradi/sapporo-flying-shadows-180 By Al Balghradi Dreamy pattern of acoustical and electric sounds woven in timeless moment.

"雪の音　水の音　（ゆきのおと　みずのおと）"
by Sasaki Takashi 1

http://soundcloud.com/sasaki-takashi-1/note-of-the-snow-note-of-the-1||http://soundcloud.com/sasaki-takashi-1/note-of-the-snow-note-of-the Licensed under a CC-BY-NC-ND by Sasaki Takashi 1 札幌とは切っても切れない関係にある雪、
冬の間、毎日踏みしめる雪の音。
長い冬が終わり、春の訪れとともに響く雪解け水のしずくの音。
それらが集まり、太古の昔からこの地を潤してきた豊平川の流れる音。
これら3つの音をフィールドレコーディング、
それらをリズム、グルーヴとして使用しました。
札幌の自然が作り出す音を使うことで、この土地の持つ
エネルギーを表現出来るのではないかと考えました。

また、夏に聴く雪の音。
札幌に生まれ育った方にも、
新鮮な音として響くのではないでしょうか？

雪を踏む音は1月の深夜に、雪解け水のしずくの音は
春先の北海道神宮の境内で、豊平川の水流の音は、
水中にレコーダーを沈めることで録音しました。

フィールドレコーディングに力を入れるようになったきっかけは、
実は坂本龍一さんなのです。
2012年5月放送のRADIO SAKAMOTOにて、
私がトイレでフィールドレコーディングした音源が放送され、
トイレ空間の音響について話が盛り上がり、うれしく拝聴させていただきました。
この場をお借りして、お礼申し上げます。

"happy smile"
by Takako Ichinomiya

http://soundcloud.com/takako-ichinomiya/snow-crystal-wav||http://soundcloud.com/takako-ichinomiya/happy-smile-wav By Takako Ichinomiya 札幌に旅行に行った時にとても楽しかったので、その場所にいけば、みんなが楽しくて笑顔になったらいいなと思い、明るい日差しや、様々なアートの中でいろいろな世代の人で賑わう感じを表現してみました。

サウンドロゴは雪の結晶の様に可愛く作ってみました。

"sunrain (for SIAF 2014)"
by akko

http://soundcloud.com/akko_exp/sunrain-logo-for-siaf-2014||http://soundcloud.com/akko_exp/sunrain-for-siaf-2014 Licensed under a CC-BY-NC-ND by akko hills, winds, and sun rain.
it's the place we've met, the promised land where the full of toughness & tenderness.

"Spray"
by Simone Caronno

http://soundcloud.com/simone-caronno/spray-siaf-logo||http://soundcloud.com/simone-caronno/spray-1 Licensed under a CC-BY-NC-ND by Simone Caronno This is a solo effort built on manipulations of short celesta samples taken from John Williams' Hedwig Theme from Harry Potter. I was trying to work on a cover of "The rhythm is magic" by Marie Claire D'Ubaldo at the time, but then, as the play on word between "Harry Potter" and "magic" was not funny anymore, the original idea was discarded, and I started working to make it an instrumental.
I will sing anyway.
Someday.

"Still"
by Simone Caronno

http://soundcloud.com/simone-caronno/still-siaf-logo||http://soundcloud.com/simone-caronno/still Licensed under a CC-BY-NC-ND by Simone Caronno "Still" is a manipulation work begun with a web exchange between me and Federico Fanelli who shared his bass guitar recordings. It was finished just after Alessandro Profera played piano at my house and we decided to incorporate. I felt like doing something that could concentrate on the relationship between nature ( their recordings, lively and organic, merged with field recordings taken in Australia ) and culture ( my manipulations and deconstruction, more technical and analytical ).

"shiryokan"
by user649908518

http://soundcloud.com/user649908518/soundlogo||http://soundcloud.com/user649908518/shiryokan Licensed under a CC-BY-NC-ND by user649908518 資料館の中にいることをイメージして作りました。

"朝もや"
by Takuma0126

http://soundcloud.com/takuma0126/short-ver/s-lpYHw||http://soundcloud.com/takuma0126/qvud8qbymzzc/s-dyIAd Licensed under a CC-BY-NC-ND by Takuma0126 この作品は、昨年1年間の自分自身を表している楽曲だと思っています。高校に入学して大きな環境の変動の中、自分の力の小ささを思い知らされてもやもやした心の中で、自分同士の葛藤などがたくさんありました。そんな中、外の空気を吸ったり真っ青な空の中を流れてゆく雲をぼんやり眺めていると、自分が悩んでいることがとてつもなく小さいことであることにも気づかされ、自分に向かって少しぼやけた光が射し込んで来たような気がしました。自分はまだたった16年という短い間しか生きていませんが、これまでも行き詰まった時、悩んでいる時は四季折々たくさんの表情を見せてくれるあたたかな北海道の自然に包まれ、たくさん励まされて来ました。
そんな北海道の大地に対する感謝の気持ちや自分も前向きに生きていこうという気持ちが心から溢れ出てきた時に、大好きなピアノの繊細な音色で表現して出来上がった作品です。
今回は、自分が生まれ育った札幌で国際芸術祭が開催されるということで、本当に嬉しく思っています。

"North City"
by pal.

http://soundcloud.com/haruf/introduction-to-north-city||http://soundcloud.com/haruf/north-city Licensed under a CC-BY-NC-ND by pal. 故郷・札幌によせて。

サウンドスケープを提唱したシェーファーは、環境音を３つのレベルに分類した。第１に、ある社会で絶えず鳴り響くKeynote Sound。第２に、間欠的に現れ特定の意味を伝えるSound Signal。第３に、社会を統合し共同体のアイデンティティとなるSoundmarkである。芸術祭を想起させるSound Signal、ひいては札幌の都市空間の新たなSoundmarkとして機能しうる音の構築を目指す本作品のサウンドロゴでは、繰り返し聴いても心地いい音を追究し、札幌の街を彩る涼やかな自然を表現する。

資料館用の音作品では、空間調和を考慮しつつ、現代的な都市としての札幌を想起させる空間創造の音楽を提案する。また、作品の随所にちりばめた環境音は、いずれも作者が札幌にてフィールドレコーディングを行ったものである。

"Memory Lane"
by Susumu Nagatomo

http://soundcloud.com/susumu-nagatomo/chasing-clouds||http://soundcloud.com/susumu-nagatomo/memory-lane Licensed under a CC-BY-NC-ND by Susumu Nagatomo 2000年後の私たちから見た景色を描きました。どうかそれが今より平和でありますように。

"Route Not Available"
by China Blue Art

http://soundcloud.com/china-blue-art/route-not-available-audio-logo||http://soundcloud.com/china-blue-art/route-not-available By China Blue Art This work explores the activity of walking without a particular destination in soundscapes recorded in New York, the Eiffel Tower in Paris, the Bridge of Sighs in Venice and finally to the subway and Meiji Shrine Park in Tokyo. The title is from the Google Earth response to searching for a route mapped over a long distance and refers to the idea of a walking meditation while being mindful of the sounds around us.

The audio logo captures the Japanese crow flying by and cawing to announce the Sapporo International Art Festival. Because the Japanese crow is very adaptable and is able to survive on a wide range of foods it is an appropriate symbol for the festival as it suggests the festival's mission of a harmonious blend of city and nature as well as perpetuating the concept continuity of the event.

"SIAF2014 stormopdemaansoundlogo2"
by Storm op de Maan

http://soundcloud.com/storm-op-de-maan/siafstormopdemaansoundlogo2||http://soundcloud.com/storm-op-de-maan/siafstormopdemaan6minsoundlogo Licensed under a CC-BY-NC-ND by Storm op de Maan alternative version of storm op de maan soundlogo 2 welcome tune

and a remixed and extended new version with the sound being,
the time between small projects and rebuilding the sapporro court of appeal a presentation of the working man with tools and different acoustics echoeing thru the buildings in a synthesis form, try to imagine all the machines used or going to be used +extended blend of future performances resonating in the spaces.
Tjebbe van der Kooij 2014

"Syntonic Waves(music For SIAF2014)"
by KINSÂME

http://soundcloud.com/kins-me/syntonic-waves-soundlogo-for||http://soundcloud.com/kins-me/syntonic-waves-music-for Licensed under a CC-BY-NC-ND by KINSÂME 都市空間に、通常の生活ではあまり聞かない音楽や音（違和感）を置きたいと思いました。違和感は、何かを取込む最初の混乱。切っ掛け。この曲が、そんな切っ掛けや窓口の役割を果たしてくれたらうれしいです。

"4色の試薬"
by Takuto Kudo

http://soundcloud.com/takuto-kudo/4-sound-logo||http://soundcloud.com/takuto-kudo/4-1 By Takuto Kudo 札幌に住む私たちが思う「世界に向けて発信すべき札幌の魅力」の一つに、四季の美しさがある。都市空間がより近代的になっていく中で、そこに在り続ける自然の多様性。
それがこの楽曲の最大のテーマである。

厳しく絶え間ない寒さの中に人々の温もりを感じる冬
冬と入り乱れ、さわやかに通り抜ける春
緑が芽生え、清々しさがつつむ
蝦夷梅雨が通り過ぎ、熱量の多い夏
かつては感じなかった不快感と加速する熱気
瞬く間に広がる色彩豊かな秋
共生を強いられた木々の紅葉、郊外に散りばめられた原風景
そしてまた冬
街は多国籍文化を形成し、除雪車の威圧感が深夜に響き渡る

札幌在住だからこそ感じる、自然の生々しくもたくましい様相を飾ることなく表現した。
札幌の四季や歴史に触れながら、第二の故郷として迎え入れる。
そんなシーンを彩るイメージの曲。

Cubase,KAOSSILATOR使用
各々が思う”札幌の四季”を元に、コンセプトを固め
アンビエントから拡がるセクション(冬、春)を黒田　泰平
コードやスケールから拡がるセクション(夏、秋)を工藤　拓人
が担当した。

"風"
by Mitsuaki Kai

http://soundcloud.com/mitsuaki-kai/v8ma4vrocarx||http://soundcloud.com/mitsuaki-kai/kaze Licensed under a CC-BY-NC-ND by Mitsuaki Kai 今回の作品は都市と自然がテーマとなっておりますが、そこにいるのはやはり人間だと私は見えてきまして、一つのドラマとして仕上げました。
この作品は大きく分けて５つのセクションの組曲にしました。
初めにサウンドロゴにも使っている音の始まりは風をイメージしていて、新しい息吹や誕生を感じさせたい思いと、北海道の自然を表現しております。
序盤に出てくるテーマのメロディと不安定な変拍子の旋律は人の暖かさと、また、誰もが持っている悩みや不安との対比をイメージしてます。
次のセクションは停止からの躍動。クラシカルな旋律に変化し次の展開へ誘って行きます。
３番目のセクションは非常にシリアスで、しかし希望を持ち始めます。
４番目のセクションは安定からの突然の別れ。
最後のセクションは様々に生きて来た思い出を振り返り、家族との語らいや愛情で幕を閉じます。

色々な楽器でアレンジをしようと思いましたが、資料館で鳴らすとシンプルなものの方が心地よく空間とマッチしていると思いましたので、ピアノのみにしました。人の温もりやドラマ、自然との調和が見えて来ると思い決めました。

"BKK Shut Down 2014"
by everycatsound

http://soundcloud.com/everycatsound/bkk-shut-down-2014-logo||http://soundcloud.com/everycatsound/bkk-shut-down-2014 By everycatsound Krissaka Tankritwong (Thai Music Composer) collaboration with Manson Wong (Hongkong Photographer) in a project "BKK Shut Down 2014" which is a amoung the chaos of protest mob in Thailand political movement. Combining sound-scape with some impression music in order to reflect the unique urban environment of Bangkok Metropolis in 2014. The conflict of government and protest mob is now still going on. For those who understand Thai language, there is some ironic gimmick dialogue in the piece. Hope you enjoy.

"White Memories"
by tn-3738

http://soundcloud.com/tn-3738/white-memories-sound-logo||http://soundcloud.com/tn-3738/white-memories-sound-siaf2014 Licensed under a CC-BY-NC-ND by tn-3738 音作品の作曲と言うことで、自然界の音や、楽器音の重ね合わせを音作品とするのか、曲としてメロディーや一定のリズムを持つ曲を音作品にするのか悩んだ末、今回は後者にしました。また、都市空間をイメージする音とは何か、近未来的なサウンド表現だけではなく、古さと新しさを融合させた時の流れを感じる音作品にしました。そして、札幌らしさ、北海道らしさ、日本らしさを取り入れ、今回のsound LogoとSoundを作曲させていただきました。どうぞお聞きください。宜しくお願いいたします。

"Eat Not, Drink Not"
by moody alien

http://soundcloud.com/moody-alien/siaf14-sound-logo||http://soundcloud.com/moody-alien/eat-not-drink-not Licensed under a CC-BY-NC-ND by moody alien the main piece is an improvisation on (processed) vibraphone, glockenspiel and field recordings. I think of it as a lament for living conditions in the modern urban environment, the lack of (contact with) nature and the sonic brutality humans are facing every day. the accompaning sound logo proposal was made using (processed) vibraphone and it was meant to have a brighter note and represent the circle of life and the hope that events such as this festival may help in building something better for our future.

"Secret Aria On The Piano"
by midori hirano / MimiCof

http://soundcloud.com/midorihirano/aria-chord||http://soundcloud.com/midorihirano/midori-hirano-secret-aria-on-1 By midori hirano / MimiCof 以前札幌に訪れたあるドイツ人の音楽家の友人が、北国特有の透明感のあるぴりっとした空気と街の趣きがベルリンに似ていて親近感を持ったと話していた事があり、興味を持っていた事がありました。また今回札幌市資料館のウェブサイトで、実際に私が今住んでいるベルリンにもありそうなその建物の外観を見た時に、自分にとってはまだ未踏の地である札幌という街に対する不思議な既視感を覚えたことから、自分なりにベルリンから札幌へ向かって音の橋渡しをするような気持ちで作品を作りました。
札幌市資料館に訪れた人々が過去の歴史へと思いを馳せるほんのひと時の間だけ時間を忘れる事ができますように、出来るだけシンプルなピアノのメロディと水に浮かぶような儚いサウンドスケープを基調としています。

"Film Drive"
by Joonil Bae

http://soundcloud.com/joonil-bae/film-drive-soundlogo-for-siaf||http://soundcloud.com/joonil-bae/film-drive-music-for-siaf-2014 Licensed under a CC-BY-NC-ND by Joonil Bae 子供のころ、理科の時間に観た映像で、種を植えてから芽が出て最初の葉が開きどんどん成長する様子をコマ送りでわかりやすくしたものがありました。
 ほかにも、いままでに夜空の星が動く様子や空の雲の流れる様子、または建築物が出来あがっていく様子をコマ送りで観たことがあります。
 そのような長い時間をかけて少しずつ成長したり移り変わる変化の様子を、コマ送りというイメージで制作しました。

"Kampala"
by Ichiro Ice Owa

http://soundcloud.com/ichiro-ice-owa/kampala-sound-logo||http://soundcloud.com/ichiro-ice-owa/kampala Licensed under a CC-BY-NC-ND by Ichiro Ice Owa Kampala, this capital city of an East African country has both side, modern life and nature, happiness and chaos.
Despite of those development, quite a few trees are still there, although there is no guarantee for us whether if we could see those trees still here in about 20 years. All the recordings in this song have been done in here Uganda.

"U-Turn"
by educomelles

http://soundcloud.com/educomelles/u-turn-short-sound||http://soundcloud.com/educomelles/u-turn-long-sound Licensed under a CC-BY-NC-ND by educomelles "U-Turn" is a series of soundscape compositions based on the sound of the rails of the tramway passing by a U-turn in downtown Valencia (Spain). After many years of abandonment and miss-use of public infrastructures, rustiness and friction take over the soundscape of this public mean of transport.

This series of works are a personal approach to the need of finding in soundscapes, gestures and "musical phrases" susceptible of being used on a live performance.

"U-Turn" is also a part of an ongoing series of works based on sounds and soundscapes created after the outcome of the Global Crisis and its effects on society, public infrastructures and urbanism, focused in the Spanish case.

"A Conversation ( between Lilies and Cuckoos )"
by loalue

http://soundcloud.com/i_gloo/a-conversation-between||http://soundcloud.com/i_gloo/a-conversation-between-lilies Licensed under a CC-BY-NC-ND by loalue Thinking about a conversation between plants and birds.....

"Orangedoor"
by totani hajime

http://soundcloud.com/totani-hajime/orangedoor-mini||http://soundcloud.com/totani-hajime/orangedoor-long Licensed under a CC-BY-NC-ND by totani hajime 札幌市内にてソロ・ベース演奏をしています。札幌の秋の夕陽をイメージして作りました。

"Rio"
by The Sound Of Unemployment

http://soundcloud.com/the-sound-of-unemployment/it-was-onnly-a-matter-of-time||http://soundcloud.com/the-sound-of-unemployment/rio By The Sound Of Unemployment Visceral, sawtooth wave inspired amalgam of Rock, Spanish castle magic, guitar music. Power trio format, low-fi, boarding on experimental.

"Spiritech - SIAF2014"
by Komenczi

http://soundcloud.com/komenczi/spiritech-siaf2014-sound-logo||http://soundcloud.com/komenczi/spiritech-siaf2014-surround Licensed under a CC-BY-NC-ND by Komenczi Sapporo. Where spirit meets tech.
I tried to make something which is extroverted and intimate simultaneously.
Digitally effected field recordings & digital and analogue synthesizers.

"PROXIMITY"
by Rita Ip

http://soundcloud.com/rita-ip/proximity-i||http://soundcloud.com/rita-ip/proximity-ii Licensed under a CC-BY-NC-ND by Rita Ip They echo each other
They transform each other
They weave into the world we live in

City and Nature
In close proximity

"Syntonic Waves For SIAF2014"
by KINSÂME

http://soundcloud.com/kins-me/syntonic-waves-soundlogo-for||http://soundcloud.com/kins-me/syntonic-waves-music-for Licensed under a CC-BY-NC-ND by KINSÂME KINSÂMEは二人。BISSECTAとKYT。BISSECTAはモンペリエに住む詩人。KYT（わたし）は東京在住。KINSÂMEは、日記のように、毎日音楽を楽しんでいます。わたしは3年前、札幌の円山に住んでおり、毎日大倉山を眺めながら、大通りやすすきの、小樽や富良野、函館、旭川、釧路などに足をのばしました。

Syntonic Waves(music For 2014)では、都市空間に、通常の生活ではあまり聞かない音楽や音（違和感）を置きたいと思いました。違和感は、何かを取込む最初の混乱。切っ掛け。この曲が、そんな切っ掛けや窓口の役割を果たしてくれたらうれしいです。例えば、過去から続く長い時や、地球全体のような広い空間。それと地続きである今を感じるための。

"Watching The City"
by Ghostbeemusic

http://soundcloud.com/ghostbeemusic/watching-the-city-logo||http://soundcloud.com/ghostbeemusic/watching-the-city Licensed under a CC-BY-NC-ND by Ghostbeemusic Just as the city of Sapporo takes its name from the original Ainu name for the river Toyohira, this piece reflects on the way that the urban soundscape mirrors and builds on the natural flow of a river.

It imagines an observer on the hills outside Sapporo, and the ways in which his senses would encounter both the natural and the urban during the course of a day in the life of the city. At the start and end of the day nature can be clearly heard, but through the course of the day we have to listen more carefully to stay in touch with the natural world.

The natural flow of a river is juxtaposed with the flows of the city: the electricity which is the lifeblood of the city, the flow of data, and the flow of people through transportation. The natural conversations of birdcall and dogs barking contrast with the buzz and tap of electronic communications.

The first words of a baby bring us back in touch with the sub-theme of the festival, as a new life begins. As the urban life of Sapporo grew from the nature of the river, we are reminded that within the urban landscape nature continues to perform its greatest miracle, the creation of life in all its forms.

"ジョッピン"
by karuta.music

http://soundcloud.com/karuta-music/karankoron||http://soundcloud.com/karuta-music/joppin By karuta.music 上京して十数年経過その間札幌は札幌駅-大通駅が地下でつながり
駅はより近代的になり　変わったのだなぁとおもう驚きと喜びと
少し寂しいのといろいろブレンドされてゆく
都市空間のサウンドコンペ
自分のふるさとにどんな音が響いていたらよいだろう
おもいを馳せて作りました

"Vögel"
by Me Yu 2

http://soundcloud.com/me-yu-3/brille00||http://soundcloud.com/me-yu-3/v-gel By Me Yu 2 さわやかな夏に似合いそうな曲にしてみました。
鳥と電車と風の音を聞きながら、北海道を旅してみたい。

"water-glass 〜水は氷にならずにガラスになった〜"
by moon-moscow

http://soundcloud.com/moon-moscow/water-glass-sound-logo||http://soundcloud.com/moon-moscow/water-glass Licensed under a CC-BY-NC-ND by moon-moscow 背景の音楽というのを意識すると同時に一つの音楽としても独立しているような音創りを心がけました。また、町や人、全てのものは移り変わっていくということを、水のイメージを使って、音を微妙に変化させていくことで表現して見ました。それと、個人個人の移り変わっていった様々な想い出等が映る隙間を与えるために、少しながらストーリー性の感じられる曲を意識しました。

タイトルは変化という、無限の可能性を表現しております。

"不断光"
by Masato Kimura

http://soundcloud.com/masato-kimura-3/binrsyaayjym||http://soundcloud.com/masato-kimura-3/lssusgy4kw5b Licensed under a CC-BY-NC-ND by Masato Kimura 満ちゆく光。
消えゆく光。
持続する光。

都市と自然は、絶え間ない光の中にある。

不断光。

都市が生み出す光と、自然が生み出す光の世界。
満ち、消え、持続する三つの光は、単音の増幅音、減衰する点描音、背景の持続音として紡がれる。
「不断光」とは阿弥陀仏の絶え間ない光明の意。光の音象化を母体とする作品である為、標題とした。

この世界は万象の光に満ちている。都市と自然、そして願わくば、生けるもの全てに光の恩恵がありますように。

"Conversation"
by WordsInTheForeignLanguage

http://soundcloud.com/wordsintheforeignlanguage/conversation-sound-logo||http://soundcloud.com/wordsintheforeignlanguage/conversation Licensed under a CC-BY-NC-ND by WordsInTheForeignLanguage I used sounds of traditional instruments combined with electronic effects, to suggest the "modern" environment of the city interacting with the "traditional" environment of nature-- and the traditional remaining alive today in new, current forms. The 3-minute piece gradually gets more exciting as it progresses, suggesting new opportunities that we can create when we combine nature and urban space, or when we find new uses for historic spaces. The instruments (koto, marimba, piano) are also associated with different cultural backgrounds, which come together in this music to represent the international element of the Sapporo International Art Festival.

"雪化粧"
by Masato Kimura

http://soundcloud.com/masato-kimura-3/khmkzxnz9iwj||http://soundcloud.com/masato-kimura-3/qq6z7ouxmzbo Licensed under a CC-BY-NC-ND by Masato Kimura 雪化粧。

雪に覆われた大地を雪の化粧と例える言葉。
札幌といえば雪を想起する人も多い。それは東京に降る雪と違い、札幌の雪は都市の風景の一部として在るからだろうか。

自然の産物である雪が都市を白く染める景色は、都市が自然の中に生きていることを思い出させる。
この作品は、雪を源泉とした、ささやかな想像上の音風景として創られたものである。

作品は限られた音素材しか用いられていない。
雪の仄かな煌めきを音象化した点描音。
そして、雪の白さに思いを巡らせ、洒落ではあるがホワイトノイズを断続的に配置した。

音楽は、時空間への音による化粧ともいえる。
私の施した化粧は、数多の耳に雪の響きを降らせるだろうか。

"Urban Soundscape Competition"
by Anton Silaev

http://soundcloud.com/anton-silaev/urban-soundscape-competition21||http://soundcloud.com/anton-silaev/urban-soundscape-competition22 By Anton Silaev minimoog and prepared trumpet were used

"Tamagotchi-moi"
by BISSECTA de KINSÂME

http://soundcloud.com/bissecta/tamagotchi-moi-logo-sound||http://soundcloud.com/bissecta/tamagotchi-moi Licensed under a CC-BY-NC-ND by BISSECTA de KINSÂME Okami

"Pic Saint Loup"
by BISSECTA de KINSÂME

http://soundcloud.com/bissecta/pic-saint-loup-logo-sound||http://soundcloud.com/bissecta/pic-saint-loup Licensed under a CC-BY-NC-ND by BISSECTA de KINSÂME L'ami Ame (雨) viole le fort avec la pagaille de quelques Kumo (雲) en quinquonce clinquante des comment taire ? Watch up the natsukashii!!!

"Drink Sakura"
by BISSECTA de KINSÂME

http://soundcloud.com/bissecta/drink-sakura-logo-sound||http://soundcloud.com/bissecta/drink-sakura Licensed under a CC-BY-NC-ND by BISSECTA de KINSÂME Flowers opens their lips
and drink the sacred nectar

"風と雪の音頭"
by atsuki00

http://soundcloud.com/atsuki00/ljjfbepurhvz||http://soundcloud.com/atsuki00/gsgwhasfmxmb Licensed under a CC-BY-NC-ND by atsuki00 北海道の風や雪が自然や街の中で遊んでいる風景をイメージしながら作りました。札幌資料館に設置される方では、音楽を聴いている事を感じさせないような空間を演出できるように、箱庭を作るように色々な音をランダムに配置し、１５秒の方では風が通り抜けていくように、爽やかさや楽しさを感じさせるようなイメージで作成しました。

"Passageway - Sound Logo"
by Diego Bocanegra

http://soundcloud.com/diego-bocanegra/sound-logo||http://soundcloud.com/diego-bocanegra/soundscape Licensed under a CC-BY-NC-SA by Diego Bocanegra The first sound comes from a train I recorded in Germany and decided to chop and process it, and to turn into my personal logo for this competition. I tried to mutate it so it doesn't sound like a train anymore, and I think it doesn't, but somehow I feel it keeps that sense of movement and transportation.

The second sound is a soundscape that consists of a superposition of different synthesised sounds that play over a background of street sounds I recorded from the balcony of my flat. It's a very stable sound that transforms slowly, and I think it is quite mono-thematic but gets interesting at moments. I wanted to make a sound portrait of "onism" a word I saw on a website called The Dictionary of Obscure Sorrows which they define as "the frustration of being stuck in just one body, that inhabits only one place at a time, which is like standing in front of the departures screen at an airport, flickering over with strange place names like other people’s passwords, each representing one more thing you’ll never get to see before you die—and all because, as the arrow on the map helpfully points out, you are here."

"Memory Of A Distant City Manila"
by Pollen Rec

http://soundcloud.com/pollen-rec/memory-of-a-distant-city||http://soundcloud.com/pollen-rec/memory-of-a-distant-city-1 By Pollen Rec Track made from Manila Field recording (Highway, Street Venders, Daily Roasters ...) and a drone made from an untune piano recording in Manila. Memory of this huge and noisy city in contrast with a floating human feeling.
The sound Logo has a little different atmosphere , it represents the first time entering in this kind of scarry city , when your heart start to beat again.

"Breathless, the dawn on 0324"
by ShyCacti

http://soundcloud.com/shycacti/breathless-the-dawn-on-0324||http://soundcloud.com/shycacti/20140324-1 Licensed under a CC-BY-NC-ND by ShyCacti This audio is about SunflowerRevolution‬ in Taiwan. Recorded some shouts from people at the administrative Yuan on March 24, 2014. I used those records to Composed, to show the mood of students on the scene. Unfortunately, students sat on the ground without any weapons, were beaten by angry police. Mainstream media doesn't report any truths about this.

"ko-en"
by Asahi Uchida

http://soundcloud.com/asahi-uchida/ko-en-logo||http://soundcloud.com/asahi-uchida/ko-en Licensed under a CC-BY-NC-ND by Asahi Uchida ○　のびのびと過ごす気持ちを曲にしました

『人が集まって、思い思いに気持ちよく過ごしている。
そんなある日の公園。』

そんなイメージです

"Waiving goodbye"
by O2music

http://soundcloud.com/gagimusic/mystic||http://soundcloud.com/gagimusic/waiving-not-goodbye By O2music it is energy coming from the deep snow and the beautiful summer breeze from hokkaido ,japan where i now have been leaving for more than 20 years. and the mixture of new york vibe from the 80,s where i grew up.

"KAMUI・IRARA"
by Natsu.tabby

http://soundcloud.com/natsu-tabby/kamui-irara-short-1||http://soundcloud.com/natsu-tabby/kamui-irara-long-1 Licensed under a CC-BY-NC by Natsu.tabby アイヌ民族の中で歌い継がれた神謡(カムイ・ユーカラ)に登場する神々はいたずら者でどこか愛らしい。「KAMUI・IRARA」はアイヌ語で"神様たちのいたずら"を意味します。アイヌの神々は崇高で手の届かないものではなく、私達の世界のすぐそばにいます。まるで神様たちが近くを通り、いたずらをしているような遊び心のある音です。神々の中でも頂点にたつシマフクロウの神謡「銀の雫降る降るまわりに、金の雫降る降るまわりに」の節とリズム、民族楽器のムックリの音、様々な打楽器の音、自然音、シマフクロウの声、そして都市をイメージするシンセサイザーの音を使って、キラキラとした音の雫と北海道の豊かな自然のイメージを音にしました。マリンバを中心とした打楽器はすべて生演奏です。

"LARGO001 & CORTO002"
by The Real JMZ

http://soundcloud.com/the-real-jmz/sapp-slogo-corto002||http://soundcloud.com/the-real-jmz/sapp-sscape-largo001 By The Real JMZ LARGO001 is an ambient improvised piece, made of sounds created through a virtual synthesizer by me. CORTO002 is a soundlogo, created with the same sounds as LARGO001.

"5"
by Neural Xolotl

http://soundcloud.com/venusmoctezuma/5-mini-siaf-2014||http://soundcloud.com/venusmoctezuma/5-extended-siaf-2014 Licensed under a CC-BY-NC-ND by Neural Xolotl 5 is a piece about an encounter between tenderness and violence, and at the same time, a lullaby to express hope for a world without hate. It's a piece mixing digital music instruments, noise, soundscapes of kids and dogs playing, and also a baby singing, all of these elements wants to evoke memories in listeners about their childhood. 5 is the name of the piece because it's in 5/4. All of the melody is on F major.

"FNSZ"
by Simone Caronno

http://soundcloud.com/simone-caronno/fnsz-siaf-logo||http://soundcloud.com/simone-caronno/fnsz-1 Licensed under a CC-BY-NC-ND by Simone Caronno As the title suggests, this entry was inspired by Christian Fennesz, one of the artsits that influenced me most, during my adult age.
The sparse ambience merged with the high pitched sounds at the end remind me the flow of a river, pierced by the rain or, at least, that was the image I had in mind while composing this.

"Spiritual Connectionsl"
by SOUNOM

http://soundcloud.com/sounom/spiritual-connections-logo||http://soundcloud.com/sounom/spiritual-connections-sound Licensed under a CC-BY-NC-ND by SOUNOM The heartbeat is the start of life. After so much chaos man found structures to express himself in many forms. With planes from all over the whole world people come together to connect with other spiritual minds. ART.

In this track I tried to combine all those elements in 3 minutes. I hope you feel it too.

SOUNOM

"One spring day"
by Matteo07

http://soundcloud.com/matteo07-1/logo-siaf14-one-spring-day||http://soundcloud.com/matteo07-1/siaf14-one-spring-day By Matteo07 Description of the track

The title of the track is: "One Spring Day", written for orchestra and concrete sounds of natural and urban origin.
The ideal itinerary of this composition is from the dawn of a late Spring morning, with the gradual awakening of the city, until it naturally fades into the quiet of the night.
The language I wanted to use for the orchestration varies from Ravel to Beethoven to Bramhs, together with natural and urban sounds representing elements with which I wish to recall an imagery linked to Pierre Schaeffer's poetics and to Musique Concrète, in a more contemporary key and minimalist development.
I chose to write a development of this theme without moving away from the main tonality, but rather creating a small two-sided structure to synthesize the unity between nature and the city.
The idea of the minimal development of the melody originates from the consideration that today, near urban environments, there no longer is a clear separation between the city landscape and the natural lansdscape: there is instead a compenetration and a "conflict" between the two landscapes, that however progressively continue to melt together.
I thank you in advance for your time.

"Minanimalistic Soundscape"
by Dimitri Dimov

http://soundcloud.com/dimitri-dimov/15-sec-minanimalistic||http://soundcloud.com/dimitri-dimov/minanimalistic-soundscape-for Licensed under a CC-BY-NC-ND by Dimitri Dimov The beginning of a melody is sometimes ripped off by the single bubble of a hungry goldfish. Once again we try to begin, but the nature won't let us continue... birds, birds, birds. The storks, the drums, the storks, the drums.
Nature at its peak... beautiful ripped off melody of art.

//feeding the goldfish sounds; birds sounds; frog sounds; storks sounds; guitar//All recorded by us in France.

by Lora Azza and Dimitri Dimov

""urban Jungle""

http://soundcloud.com/pon-4||http://soundcloud.com/pon-4 Acoustic help in an urban jungle

The exploration of big cities often guides the searcher to the problems of traffic and the struggles to create a humane living space. The face of incredibly big cities changed and expanded very fast. The so called urban jungle push the nature in gaps of the closed concred surface or in arteficial floors high upon the earth. Metro stations, Airports on the skyscrapers, uncoutable technical transportationposibilities on the ground. Big cities never sleep! The city look like a huge building side, plus the daily stress of a big city and day by day through the town struggling the rush of the crowd for a modern life. Uncountable billboards, monitors and colourful poster try to pull up attention of the passengers as the potential target audience. The aim of all these media is to control the circulation of money and the daily market. Who is trustworthy? Who can support me in my daily struggle? Who helps really in the misery? In these kind of cities is every plant a invaluable hint that the nature still exist out there!

"Music For SIAF2014"
by KYT+KKC

http://soundcloud.com/kyt-kkc/soundlogo-for-siaf2014||http://soundcloud.com/kyt-kkc/music-for-siaf2014 Licensed under a CC-BY-NC-ND by KYT+KKC 北海道という大きな島で、札幌は、四方を自然に囲まれ、見守られ、または監視され、微妙な均衡を保つ現代的な都市。この、札幌というオアシスのような場と、祭の時期•時間を彩る音楽として、コンセプトは、同調、同期とした。

自然と人とが同期する都市のエモーション。楽しさ、不安、驚き、グルーブ。それらが微細に変化し、ループする（ループしない）音楽を目指した。

"ハニホヘトイロハ"
by yamu18

http://soundcloud.com/yamu18/15-1||http://soundcloud.com/yamu18/cgdjzlgtzbpb By yamu18 色々な顔がある自然を　ハニホヘトイロという　シンプルな音のパターンで表現してみました。

"For-ISAF-Sound-Competition"
by sanpo_and_tea2nd

http://soundcloud.com/sanpo_and_tea2nd/isafsoundlogo||http://soundcloud.com/sanpo_and_tea2nd/isaf Licensed under a CC-BY-NC-SA by sanpo_and_tea2nd SIAF = It’s indicate the world of the cave

SAPPORO = Es A E B

Coexistence Nature　and Urban = Forests and animals in the cave

Hope that Art with Life = the source of water in the cave

"Nature Dance"
by enayogaproject

http://soundcloud.com/enayogaproject/naturedance_soundlogo-hironakagawa||http://soundcloud.com/enayogaproject/naturedance-hironakagawa Licensed under a CC-BY-NC-SA by enayogaproject -Nature Dance-
世界でも有数の素晴らしい大自然環境を持つ北海道。
その大自然の森林・植物・山・川・海、そして大地が、次々と生命の鼓動をたてて踊り出す。
そんな素晴らしい壮大な風景をイメージし作曲。

"The Larks"
by Patricia Walsh

http://soundcloud.com/patricia-walsh/the-larks-logo||http://soundcloud.com/patricia-walsh/the-larks-2014 Licensed under a CC-BY by Patricia Walsh "And in the sky, the larks, still bravely singing, fly scarce heard amid the guns below."

"カムイ・モシリ"
by Deer Cry

http://soundcloud.com/deercry/logo-siaf||http://soundcloud.com/deercry/soundscape-siaf By Deer Cry "Kamui Moshiri" uses various sounds of the city of Sapporo as well as recordings of the Ainu. As civilization progresses, humans find themselves becoming more and more alienated from nature. We see nature from a distance, say while on a train, but we don't experience it directly. People like the Ainu, who place heavy importance on the relationship between themselves and their environment, are slowly losing their culture as the country of Japan advances into the future. As this soundscape progresses, sounds of human technology and the Ainu gradually become more intertwined both rhythmically and harmonically. It also utilizes the Ainu music scale of the instrument, "Tonkori." (トンコリ)

The Sound Logo also makes use of the, "Tonkori" musical scale.

"E-scape"
by Audiomokette

http://soundcloud.com/audiomokette/a-short-e-scape-urban||http://soundcloud.com/audiomokette/e-scape-urban-soundscape-siaf By Audiomokette An ambient to dive in, to be kept at low playing volume, the integrates with the surroundings without taking over.
Its purpose is to blend with the ambient noise of the area, to become a noise within the noise, making it more musical.

"芽吹く"
by hikitatetsuya.nil

http://soundcloud.com/hikitatetsuya-nil/sound-logo||http://soundcloud.com/hikitatetsuya-nil/j2sq1eqaadwv Licensed under a CC-BY-NC-ND by hikitatetsuya.nil 自然の中に存在する美しいサウンドを「冷たい春風の中で力強く生い茂る草原」をモチーフに表現しました。

「若芽」は成長や将来の象徴で「草原」は多様化した社会のイメージとし題材にしました。

また大人や子供、様々な世代の心に届くようにメロディのある作品を意識し、多くのアコースティック楽器を使って北海道の自然がみせる暖かさを表現しています。

たくさんの方の耳に触れ足を運んでいただけるような、国際芸術祭への入り口のような作品になればと思います。

"Sounding Waters: Tokyo Rivers (2014)"
by Chris Myhr

http://soundcloud.com/cmyhr/sounding-waters-tokyo-rivers-2||http://soundcloud.com/cmyhr/sounding-waters-tokyo-rivers Licensed under a CC-BY-NC-ND by Chris Myhr "Sounding Waters: Tokyo Rivers" is an underwater soundscape composition featuring 53 hydrophone recordings captured in the water beneath the bridges which cross Tokyo's three major river systems (Tamagawa, Sumidagawa, and Arakawa), from Tokyo Bay to where each river exits city limits. The piece was designed for 8-channel playback, but a stereo version aimed at simulating the immersive qualities of surround sound, has been remixed for the purposes of the SIAF 2014 competition.

The work deals with the interconnections between city dwellers and natural water systems, and explores the theme of water as both a source of urban life and activity, as well as an immense and unpredictable destructive force. The work makes audible the complex web of activities which come together in the city’s rivers: the shifting riverbeds themselves, subways beneath, shinkansen and automobiles overhead, boat traffic and factories, the sounds of aquatic creatures and citizens at work and play.

Each recording occupies its own space in the stereo spectrum, with the waters under Nihonbashi at the center. There is a steady drone (based on the dominant frequencies of the tracks) which underpins the hydrophone recordings. With the exception of EQ, the river recordings have not been stylized with post-production effects to allow the reverberant qualities of the architectural spaces of SIAF 2014 to play an active role in shaping the aesthetics of the work. Dynamic low/high cut filtering is deployed to reference the movement of waves and tides; submergence and surfacing; ebb and flow; condensation and evaporation.

"Sapporo by Sea"
by Johan Carøe

http://soundcloud.com/johancaroe/siaf-2014-sound-logo||http://soundcloud.com/johancaroe/sapporo-by-sea By Johan Carøe This entry-piece is first of all made from my own preferences - what audio would I want to surround me, while I was walking the SIAF sites.
Like Sapporo is on the island of Hokkaido, Copenhagen is on the island of Zealand. Even though you don't see the sea every day, you always sense it. I find calm in knowing, that even if the city's noises is depleted one night, there will always be the white noise of the surrounding sea. I want to incorporate that calm feel into this piece.
The growing intervals between the root note and the thirds, the echoing into octaves, is there to create and inspire the feeling of space and open room. I wanted to emphasize this by never closing the dyads with fifths.
- Johan Carøe

"麗（うらら）"
by OnSound

http://soundcloud.com/onsound/se||http://soundcloud.com/onsound/urara By OnSound 札幌の四季をピアノ曲で表現してみました。

雪の札幌を体感したことがなかったので今年の雪祭りに行きました。

銀世界は、無音でした・・・・初めての札幌の冬、感動しました。

粉雪が舞う街や、北風の音、春の予感、雪解け、短い夏、紅葉の秋からそしてまた雪。。。。春の歓びなどを作曲しました。

麗（うらら）とは、心の中に何も憂いがない、さわやかな状態を言います。
いつも感謝する気持ちを忘れずに、麗かな一生を送りたいです。

１９２３年のスタインウエイで演奏しています。

"Forestium"
by gonnosuke86

http://soundcloud.com/gonnosuke86/forestium-1||http://soundcloud.com/gonnosuke86/forestium By gonnosuke86 今回のテーマは「公共空間のための音楽」であることから、その場の空気を包み込むようなものを目指した。
冒頭の繰り返されるメロディを全体のテーマとし、それを繰り返しつつも段々とその背景（伴奏）が変わることで次第に世界が変わっていくことを表現した。
日常を基盤としながらも、聴いた人の心を少し浮き足立たせて、いつも見ている札幌の風景が普段とはちょっと違うものに見えたら嬉しい。

"The Hive Mind"
by ml373

http://soundcloud.com/ml373/siberian-islands-artist-the||http://soundcloud.com/ml373/the-hive-mind Licensed under a CC-BY-NC-ND by ml373 Hive Mind or collective intelligence can be found in the nature of animals (e.g. bees) just as well as in human behavior in a society. The track reflects the bond between nature and modern human life in cities through both message (hive mind) and sound. The digital sounds reflect everyday life and architecture of a high-technology 21st century city, whereas the heroic string melody and acoustic drums display the strenght and beauty of nature. Both are inextricably linked with each other - in the music and in today's world.

"札幌音　＆　４分間の四季札幌"
by HinakoFunakoshi

http://soundcloud.com/hinakofunakoshi/sapporo-onn-1||http://soundcloud.com/hinakofunakoshi/4-minutes-sapporo By HinakoFunakoshi はじめに、私のような素人にも応募の機会を与えていただき、大会企画運営スタッフの方々に感謝いたします。
　短い「SAPPORO-ON：札幌音」は、単純な音で短く、印象に残るように作りました。音は、キタラのパイプオルガンをイメージしています。
　４分間の「４Minutes SAPPORO」は、札幌を代表する音を、四季を表した環境音として生かしたつもりです。春は、【雪解けの水のせせらぎ】、【つららと氷わりの音】。夏は、世界的に珍しい【ゴムタイヤ式地下鉄とその風鈴】。残念なことに、夜になると現れる【暴走族の騒音】。そして、【豊平川の花火大会】。秋は、多くの来場者が訪れるイサムノグチ設計のモエレ沼公園。その中でも雄大なスケールの【海の噴水】。日本三大がっかりとも言われますが、荘厳な響きを持つ【札幌市時計台の鐘の音】。冬には、雪が降ると登場する【ササラ電車の音】。全て札幌でしか聞こえない音ばかりです。札幌は、自然の音、人工的な音、様々な音を聞くことができる都市です。是非多くの方に札幌国際芸術祭に足を運んでいただき、街中の音も楽しんでいただきたいです。

"INTONARUMORI WAVE"
by 藤田陽介｜Fujita Yosuke

http://soundcloud.com/fujita-yosuke/sound-logo-of-intonarumori||http://soundcloud.com/fujita-yosuke/intonarumori-wave Licensed under a CC-BY-NC-ND by 藤田陽介｜Fujita Yosuke イントナルモーリ（自作の復元機）のサウンド。
イントナルモーリは本質的に都市と自然の両方を備えていると思います。
実際に復元した際、未来派のある種暴力的な印象ではなく、その素朴さに気づかされました。

札幌市資料館設置用の作品では、２本の自作パイプを鳴らし、そのパイプ間で起こるモジュレーションを石でコントロールし、その音波とイントナルモーリで構成しました。

"feedback"
by NAo

http://soundcloud.com/otsukanao/logo||http://soundcloud.com/otsukanao/feedback Licensed under a CC-BY-NC-ND by NAo 環境音楽

"Swimming Us"
by Masashi Shiraishi

http://soundcloud.com/3-demo/swimming-us-sound-logo||http://soundcloud.com/3-demo/swimming-us Licensed under a CC-BY-NC-ND by Masashi Shiraishi 都市を水槽に例え、そこに在る過去から未来の時の流れと風景を音楽化しました。

"city town home tone"
by SIAF2014-AMunson

http://soundcloud.com/siaf2014-amunson/city-town-home-tone-short||http://soundcloud.com/siaf2014-amunson/city-town-home-tone-long Licensed under a CC-BY-NC-ND by SIAF2014-AMunson SIAF2014

"city town home tone"
warm yet careless, you are my stone.

Aaron Munson, Montreal, Qc

"Urban Samurai"
by Dariusz Mazurowski

http://soundcloud.com/dariusz-mazurowski/siaf-logo-2||http://soundcloud.com/dariusz-mazurowski/urban-samurai Licensed under a CC-BY-NC-ND by Dariusz Mazurowski Urban Samurai is a special version remixed in March 2014 for the SIAF Competition. Composed, performed and produced by Dariusz Mazurowski at the De eM Studio, 2012. However a pure electroacoustic piece, Urban Samurai is also a mix two worlds : orchestral music (overall texture and some specific sounds) with electroacoustic music (production and sonic palette). Basic version of this track is a multichannel piece (5.1 surround), file uploaded to the SoundCloud website is stereo mixdown of multichannel version (44,1 kHz, 24 bits).

"The Tail of The Heliosphere"
by Dariusz Mazurowski

http://soundcloud.com/dariusz-mazurowski/siaf-logo-1||http://soundcloud.com/dariusz-mazurowski/the-tail-of-the-heliosphere Licensed under a CC-BY-NC-ND by Dariusz Mazurowski The Tail of The Heliosphere is a special version remixed in March 2014 for the SIAF Competition. Composed, performed and produced by Dariusz Mazurowski at the De eM Studio. This remix contains several new layers, including manipulated and processed samples of traditional Japanese musical instrument – biwa. Composed, performed and produced by Dariusz Mazurowski at the De eM Studio, 2013. Basic version of this track is a multichannel piece (5.1 surround), file uploaded to the SoundCloud website is stereo mixdown of multichannel version (44,1 kHz, 24 bits).

"10sellula"
by krgk

http://soundcloud.com/krgk/10cellula-cv||http://soundcloud.com/krgk/10cellula-ls Licensed under a CC-BY-NC-ND by krgk 10sellulaは、環境にインサートすることで、その環境に関わるユーザーの活動から生成・構築されている、創造的な現象・創造性の発見に気づき、計測し明確にすることが可能になるサウンドです。創造性による自然へのアプローチは、自然の理解を求められ、人工的に構築が可能な自然、すなわち都市や建築に代表される、多くの構築が実践されています。
しかし、自然の完全な理解は到達出来ない、不安定な状態かもしれません。獲得出来ないかもしれないテーマに、人工的にアプローチする構築物は、認識する前に通り過ぎる、近くの、そして、小さく、しかし多くの環境構築を計測することが必要になると考えます。サウンド10cellulaがインサートされた環境は、連続している現象から、獲得が困難と考えられる、創造的な構築を明確にすることを可能にします、自然と作り出していると考えられている、雰囲気を構築するように。
10cellulaは、札幌の10区画を、連続するオープンエンドな再生への接続として制作しています。

"Yukidoke for SIAF"
by RobinHotta

http://soundcloud.com/robin-piano/yukidoke-for-siaf-sound-logo||http://soundcloud.com/robin-piano/yukidoke-for-siaf-long-ver Licensed under a CC-BY-NC-ND by RobinHotta 札幌では毎年、春が近づくと雪解けが始まります。
雪解けの時の雫が、色々なところから次々と落ちていく様子は独特のリズムを持ち、とても音楽的です。
地元の川、発寒川で録音した雪解けの音から着想し、ピアノがメインの楽曲を作りました。

高音域では小さな雫を表現した音が鳴り、メロディーは増水した川が力強く流れる様子を表現しています。ピアノは５重録音です。発寒川の雪解けの音も曲の中に入れました。
チカホでは人が絶えず川の流れのように移動しています。その様子からもヒントを得ました。
公共空間で流す音楽としてわかりやすさは必要だと考えています。音楽的にも、親しみやすさにおいても納得のいくものを作りたいと思いました。

デザイン系の大学に通う者として、今回の札幌国際芸術祭が札幌のアート界の「ゆきどけ」になればという願いも込めました。

"northern steps - sound of invitation -"
by innerair

http://soundcloud.com/innerair/snow-sparkle||http://soundcloud.com/innerair/northern-steps Licensed under a CC-BY-NC-ND by innerair 「札幌の公共空間の音として機能する作品」を考える上で、次の２点に着目し、制作を進めた。

・流れていることを「意識させない」作品であること。
　公共施設で恒常的に流される作品であることから、作品自体に注意を引きつけず、あくまでその環境に寄り添い、補完するような音にすることを目指した。具体的には、長く耳にしていても疲れないよう柔らかい音色を用い、シンプルなフレーズが反復・展開しながら、空間に拡散していく様をイメージしながら制作を進めた。

・自分なりの札幌のイメージを表現すること。
　以前、冬に札幌を訪れたときのイメージとして、強く印象に残っているのが『雪』である。本州では見ることの出来ない、サラサラとした粉雪に感動した。サウンドロゴとして制作したフレーズは、キラキラと輝きながら降ってくる雪の結晶をイメージしている。また、北海道という土地が持つ雄大なスケール感を、ゆったりした曲調と重厚なピアノの音を用いて表現しようと試みた。

"North Idea"
by MIZSI

http://soundcloud.com/mitsushi-hasegawa/north-idea-sound-logotype||http://soundcloud.com/mitsushi-hasegawa/north-idea-soundscape Licensed under a CC-BY-NC-SA by MIZSI 72日間にわたる国際芸術祭という札幌での特別な夏への招待状としてサウンド・ロゴはつくりました。
涼しげで浮遊感のある音。最後に2回鳴る衝撃音はひとびとの知的好奇心を呼び覚ますためのシグナルです。
サウンドスケイプはサウンド・ロゴの繰り返しですが、国際芸術祭での非日常の空間、時間を強調するため、そうしました。繰り返しが耳障りでないように音色の数は減らしてあります。途中から風の音とも小川のせせらぎとも街のざわめきともつかぬノイズを挿入したのは、以前一度だけ訪れたことのある札幌の印象を音として留めたかったからです。
そして、サウンドスケイプ、サウンド・ロゴの双方とも設置された場所の現実音とともに人々の耳にとどくことを考慮して目立ちすぎず、なおかつ印象に残るような音を心がけ制作しました。

"SIAF2014"
by kika7474

http://soundcloud.com/kika-logic/logo||http://soundcloud.com/kika-logic/urbansound Licensed under a CC-BY-NC-SA by kika7474 都会と自然のサウンド。

"Moving"
by mongoljune

http://soundcloud.com/mongolianjune/moving-logo-5||http://soundcloud.com/mongolianjune/moving-3 Licensed under a CC-BY-NC-ND by mongoljune Sapporo International Art Festival will be an event where locals and the wider community come together to experience the many resources Sapporo have to offer. “Moving” is created to be memorable and engaging, expressing the character of the event. It’s melodiously gentle and flowing tunes heightens one’s senses to be aware of the city’s constant movements, urban noises, nature sounds, conversations, etc.

The longer soundtrack is designed to be a looping track that can be played continuously at the various venues.

"SIAF SOUNDSCAPE SAPPORO"
by yokoinc

http://soundcloud.com/yokoinc/siaf-logo-sapporo||http://soundcloud.com/yokoinc/siaf-soundscape-sapporo Licensed under a CC-BY by yokoinc We fell in love with Hokkaido on a journey there some years ago , the spirit of Ainu people ,the island that sustained & nurtured them, the crystal pure air & water. We felt this spirit very strongly when in Sapporo. Like a beautiful afternoon storm electric vibrant thrilling & serene , then sun showers, a kitsune's wedding.
As a gift of celebration to Sapporo , from the island of Australia we send some crickets ,bells and mountain water, sounds & flute .Actually echos from our local neighbourhood where one may hear music from pianos drums flute & vocals drifting from houses as young musicians & students practice. Sapporo reminds us of this youthful creative energy. Thank you for affording us the opportunity to share in this wonderful experience.

"Confluence"
by MitchAllen

http://soundcloud.com/mitchallen-1/siaf-2014-confluence-sound||http://soundcloud.com/mitchallen-1/siaf-2014-confluence Licensed under a CC-BY-NC-ND by MitchAllen SIAF 2014 - ‘Confluence’

This soundscape composition uses field recordings of various urban and rural environments as the fundamental sound sources. The recordings have been taken from across Japan but are resonant of aural themes common to the rest of the world. In both the urban and natural field recordings used, examples of human activity can be found (e.g. the babble of conversations in cafes, children playing in the mountains).

The length of the soundscape composition has been specifically selected for the practical consideration of reproduction within a functional space across the length of an entire day. The gradual transitions and subtle changes in harmony are used to emphasise the blurred existence between nature and city and promote a hope for a communal harmony between the two.

The field recording samples have been processed to resonate at specific frequencies using the traditional Japanese ‘Yo’ (bright) and ‘In’ (dark) scales as the harmonic basis for natural and urban soundscapes respectively. These modes have been chosen to reflect the philosophy that both ends of the spectrum need to exist in order to provide a community of contrast for each other.

The sound logos have been created using artificial synthesizers emulating natural sounds. They each use only the modal frequencies that are common to both ‘Yo’ and ‘In’ scales employed for the soundscape.

"Locus"
by peptalk music

http://soundcloud.com/peptalk_music/locus-siaf-sound-logo||http://soundcloud.com/peptalk_music/locus Licensed under a CC-BY-NC-ND by peptalk music We are inspired by the concept that art is deeply affected by the time and place in which it is created, and thrive on the challenge of incorporating unconventional sounds to make something new. We blend acoustic instruments, synthesizers and sounds from the world around us to create music that is harmonious despite its disparate elements. Locus is defined as the central place where something occurs or is found. Although the three of us come from different places and cultures—Tokyo, LA and San Juan— the fact that we are here and now in Brooklyn adds a dimension to the music we make together that is both singular and universal.

"ECHO"
by kyos330

http://soundcloud.com/kyos330/echo-sound-font||http://soundcloud.com/kyos330/echo-full Licensed under a CC-BY-NC-SA by kyos330 冷たい空気、夜明け、エコーをアコースティックの音色だけを使って表現してみました。

"Nanseki"
by Petero1

http://soundcloud.com/petero1/sonic-logo||http://soundcloud.com/petero1/nanseki Licensed under a CC-BY-NC-ND by Petero1 Initial sounds of gravel and rock reflect the locally quarried Sapporo soft stone. Nanseki, which clothes the Shiryokan and protects it. The remaining sound elements consist of sounds that could have been heard during the birth of the building and some that can be heard today.

The main additional sound components are:
Wheels: constant meter represents progress, an optimistic element, this sound starts and ends the piece and is constant throughout.

Drone: represents nature, emitting energy from trees, rocks, a reminder of the world we inhabit, that should be preserved and respected for present and future guests.

Ticking: represents the former purpose of the Shiryokan, court of appeals, where time could be used as a reward or punishment. The present use of the building continues the timeline with the space evolving into an art museum where artistic expression reflects the shift in time.

Piano: represents the human journey, notes seeking a harmony, seeking a resolution like the court of appeal. Sometimes out of step/time/phase then finally in sync.

"Present"
by Schneider TM

http://soundcloud.com/schneider-tm/sound-logo-for-siaf2014-urban||http://soundcloud.com/schneider-tm/sound-scape-for-siaf2014-urban By Schneider TM This piece of music contains a mixture of acoustic, electric, electronic, analog & digital components which are played & controlled by human hands and symbolize different periods of human existence at the same moment. The sounds are interlocked like a clockwork which symbolizes time and the connection of past, present & future. Present is all there is. Past is an echo & future is an idea. Wrong decisions made in the present can erase past & future...never the other way around. But most wrong decisions are made by humans because of the echo of past & idea of future, so we have to learn from that. The sounds are arranged like diverse features of an interesting & lively city: old & new buildings, different plants, people, animals etc. and aspects of human culture that are based on cooperation & respect.

"let's dance we too"
by andreataroppi

http://soundcloud.com/andreataroppi/balliamo-logo||http://soundcloud.com/andreataroppi/balliamo-anche-noi Licensed under a CC-BY-NC-ND by andreataroppi The first layer is a piano "ostinato" theme, then other sounds adding more layers, lot of reverb. You can dance on it and loose yourself following the piano left hand.
If you cut the last note on the logo version, you can loop it.

"aeolian sapporo"
by hirofumi nakamura

http://soundcloud.com/hirofumi-nakamura-1/aeolian-sapporo-logo||http://soundcloud.com/hirofumi-nakamura-1/aeolian-sapporo Licensed under a CC-BY-NC-SA by hirofumi nakamura aeolian sapporo / harp, accordion, field recording by hirofumi nakamura

札幌を訪れて、まずきこえたのは「広い」音だった。

鳥やすれ違う人の声、風の音、車や工事の音、信号のサイン音、あらゆる音が広さを感じさせていた。
発せられる音源の遠さでもあり、また、受け取る音の響きでもあった。屋外だけでなく、地下の喧噪さえもそうだった。

そこに都市は感じなかった。
機能としての都市という意味ではなく、都市のイメージ＝近距離感・密度、がなかった。
どこか今を俯瞰できるような、パーソナルスペースの余裕。
札幌が思わせる都市の音はそんな印象だった。

この日は風が強かった。
想像力をもって札幌という都市をたとえば空中から、或いは時代を超えて見渡したとき、きこえる音はやはり風の音である。

吹く風を受けて音を鳴らすエオリアンハープに寄せたハープと、風をつくり出して音を発するアコーディオンによって、札幌の音を伴奏するつもりで制作した。

"惑星の歌"
by watanabe wasaburou

http://soundcloud.com/aotof/sapporo-sound||http://soundcloud.com/aotof/sapporo-sound-rogo By watanabe wasaburou 「都市と自然」と言うキーワードは世界中でも、この先何年かの大きなテーマになると思いました。そこで私がこの先の未来に残したい音を使って作曲をしました。全ての音は生楽器や環境音をそのまま使ったり、エフェクト加工、編集した物です。これは昔からある音と現代の技術の融合で、音楽での「都市と自然」と言えるでしょう。また、今回は札幌で行われるので、アイヌ民族のトンコリを使いました。
曲の流れは、宇宙のちりが徐々に結びつき、星を形成する。やがてその星は爆発して再びちりになり、また引き合って新たな星になっていくイメージです。
都市と自然とが良いバランスで結びつき、素敵な未来が想像出来るような芸術祭になってほしいです。

"sapporo city i love you"
by yoko_sawada

http://soundcloud.com/yoko_sawada/love||http://soundcloud.com/yoko_sawada/sapporo-city-i-love-you Licensed under a CC-BY-NC-ND by yoko_sawada 私の住む街の過去〜現在の時間、空気を作品に込めました。
温かく、冷たく、そして少しノイジーな街並み。大切な人達が住むこの街への
想いをタイトルに込めました。

"A butterfly's life"
by Innocenzo Genna

http://soundcloud.com/innocenzo-genna/a-butterflys-life-soundlogo||http://soundcloud.com/innocenzo-genna/a-butterflys-life Licensed under a CC-BY by Innocenzo Genna This music was created while watching my garden in Brussels in November 2012, during the incoming Autumn. A butterfly showed up, just for a few seconds, while I was experimenting the initial notes of the music, and then the entire composition materialized quickly.
This music is subject to a Creative Commons BY-NC-ND (Attribution-Non-Commercial-No Derivative Works) license

"Sweet Sweden"
by Innocenzo Genna

http://soundcloud.com/innocenzo-genna/sweet-sweden-soundlogo||http://soundcloud.com/innocenzo-genna/sweet-sweden-breakfast-at Licensed under a CC-BY by Innocenzo Genna This is the instrumental version of a piano song which was intended to be completed later with lyrics. The melody was originally created while having in mind a personal affair, while the entire works with words was deemed for the singing talent of an Italian girl living in Brussels - however I never found time and concentration to write the text, thus the composition remained uncompleted.
The title of the song is somehow linked to Swedish sweeties and desserts, some of which were available at my preferred coffee-bar in Brussels, the Blomqvist Expresso Coffee Bar, an amazing nordic café which was run for just one year by an adventurous Sicilian girl before she realized that her mission was the Commission.
This music is subject to a Creative Commons BY-NC-ND (Attribution-Non-Commercial-No Derivative Works) license

"weather of us"
by ami_yamasaki

http://soundcloud.com/ami_yamasaki/weather-of-us-sound-logo||http://soundcloud.com/ami_yamasaki/weather-of-us-song Licensed under a CC-BY-NC-ND by ami_yamasaki どこにでもあるものと、札幌にしかなさそうなものの中を一緒に歩く。車もバイクも自転車も人も、全ての動くものたちが同じ速さで動く。早く歩こうとすると取り巻くものたちが「もっとゆっくり」と促す。そんな散歩の思い出を、どんな天候の日にもぼんやり思い出せるように、都市には優しい屋根がある。声の協力：森重靖宗

"appear"
by TURGET

http://soundcloud.com/taketo-okita/appearlogo-wav||http://soundcloud.com/taketo-okita/appear-wav By TURGET 路上でパフォーマンスをする大道芸人のまわりに人がどんどん集まっていくように、今回のSIAFのことを何も知らない人々が聴いて、SIAFを知ろうと集まってくるきっかけとなるような音になれればと思い、これから開催されるSIAFとそれに集まってくる人々、資料館、チカホ、それらの未来の景色や動きを想像し、制作しました。
「都市と自然」がテーマだが、どちらも人の手が加わって維持、発展してきたと思う。多くの人々が生きてきた証がこの都市と自然であり、それらは人々の「行動」によって創られてきた。その生命感を込めたくて、今回資料館に使用される方の音はあえてパーカッシブに、また札幌は季節が象徴的ですので、その点も意識しました。

"SAIF 2014 Storm op de maan soundlogo 1"
by Storm op de Maan

http://soundcloud.com/storm-op-de-maan/stormopdemaandrysoundlogo1fors||http://soundcloud.com/storm-op-de-maan/stormopdemaan4minsoundlogo1for Licensed under a CC-BY-NC-ND by Storm op de Maan this work is made for the contest based on analog synthesis of the analog 4
I experiment with sounds and compositions. I like to experiment. in just taking the free atmosphere to see and feel what kind of energy and musical sounds I can get. driven by creative impulses, the feelings I experience in that certain time in space is always exciting because you never no what you may end up with ,
and this is one of them... sure am curious what sapporo sounds like
Thank you and have a nice day
Tjebbe van der Kooij- storm op de maan

"共生する夢達"
by Fukasawa Shigeto/Kokubo

http://soundcloud.com/fukasawa-shigeto-kokubo-m/dream-to-live-for-together-1||http://soundcloud.com/fukasawa-shigeto-kokubo-m/dream-to-live-for-together Licensed under a CC-BY-NC-ND by Fukasawa Shigeto/Kokubo 「人と人、人と自然がお互いを尊重し合いながら生きていく未来。」

を思い浮かべながらモチーフのフレーズを作りました。

フィールドワークで採取した自然の音と、そこに入り込む様々な音でバックグラウンドを構成。

札幌から北海道の空気に無理なく溶けていくサウンドを目指しました。

"Merced Sonora market"
by Amiga de Boligoma

http://soundcloud.com/mariaponce-1/mexicos-city-market-logo||http://soundcloud.com/mariaponce-1/mexico-city-market Licensed under a CC-BY by Amiga de Boligoma Public markets in Mexico have a long tradition. Vegetable, fruit, witchcraft and food vendors; meat and coconuts hit with machetes; roosters, chickens, parrots, goats and other in danger of extinction animals have been sold for many years in this market. The Merced and Sonora market has been burnt down several times, the last one was after I did the recording in 2013. Now, the government will be rebuilding the place with a new image. In this sense, the sounds that were recorded for this piece probably no longer will be heard.

"the garden"
by World is Blind

http://soundcloud.com/takayoshi-ogihara/the-garden-logo||http://soundcloud.com/takayoshi-ogihara/the-garden Licensed under a CC-BY-NC-ND by World is Blind 庭。モチーフを１つ作り、長時間ループしても耳に痛く無い物にしたかった。
イメージは札幌=雪国=静寂、そして無国籍な風景を、庭という日常的であり、非日常的な空間に重ねて曲にすることが出来ればという思いで制作。

"Elements of the city"
by Iron Kettle

http://soundcloud.com/iron-kettle/eotc-sound-logo-master||http://soundcloud.com/iron-kettle/elements-of-the-city-master Licensed under a CC-BY-NC-ND by Iron Kettle 都市と自然をテーマに、日々繰り返される日常の中にもちょっとした変化や感動があり、そこから大きな展開へと繋がっていく未来を表現した作品。

札幌市内のバス、地下鉄、ＪＲ等の交通機関の音や地下歩行空間、時計台、モエレ沼公園、滝野すずらん公園
等のさまざま環境音をレコーディング、効果音として使用。さらにその音を細かくEDITしリズムを構築。

都市の中でも感じられる、人と自然のあたたかさ、札幌らしさを表現してみました。

"Urbanscape Distort Glitch"
by Vulane Mthembu

http://soundcloud.com/vulane-mthembu/urbanscape-distort-glitch-logo||http://soundcloud.com/vulane-mthembu/urbanscape-distort-glitch Licensed under a CC-BY-NC-ND by Vulane Mthembu Urban soundscape of the night expressing the tranquil yet technological pulse of a cityscape. The glitches in the sound emphasizing the stop and go , halt and continue evening city street's traffic.

"Walk around the city"
by -Madoka-

http://soundcloud.com/mdksn/lwepgqia7ein||http://soundcloud.com/mdksn/h5s3qhrw6wdp Licensed under a CC-BY-NC-ND by -Madoka- 都市を歩いて得た様々な音を切り貼りして、体験としての都市を表現しました。
都市というと無機質で人工的というイメージを持っていましたが、
実際に向き合ってみると街・人・自然が共生しているという事に気がつきました。
楽曲の特に後半の部分では、都市における人工物と自然物の調和を意識しています。

"Parallel Worlds"
by Karolina Kapustaite

http://soundcloud.com/karolina-kapustaite/parallel-worlds-logo||http://soundcloud.com/karolina-kapustaite/parallel-worlds By Karolina Kapustaite Parallel Worlds is more or less a whole spectrum of various sounds I get to hear most often in my city - Vilnius, as I walk through the main square, as I'm having a journey on a trolleybus, as I walk my dog in a park, or try to hide myself from getting drenched because of the rain. Listening to those sounds made me realize, there are two different worlds existing in parallel: urban and natural. Therefore, this soundscape represents this coexistence and in a way reflects the face of my city.

"海の向こうで"
by unii

http://soundcloud.com/unii/over-the-sea_short||http://soundcloud.com/unii/overthesea-3min By unii Unii is a Japanese singer,songwriter,composer. (ambient/avant-pop/electronic).Born in Sapporo city - north island in Japan.
Her sensitive voice and soundscape make us dreaming.It beyonds the world and touch peoples.
1st LP "new world,sea and your eyes"released from elegantdisc japan (2011).In the album, She makes all tracks,mixing and recording by laptop herself.Now she is making new songs focused ambient/minimal.It will be released in 2014 Summer.

"Universe"
by Here There

http://soundcloud.com/filmique/univ||http://soundcloud.com/filmique/universe Licensed under a CC-BY-NC-ND by Here There 始めは「宇宙」をイメージしてベースラインから曲をつくりました。
「都市空間」というテーマに、建物の安定感、人の行き交う流れ、オートマチックの機械が順に動いていく伝わりのようなものを思い浮かべ、最初の宇宙イメージとかけ合わせ、広がりと響きの構成に編曲しています。
ギターのリフレインがひとつの流れです。
終わりのほうには「祭」も少し入っています。

"scenery"
by kajirurecords

http://soundcloud.com/kajirec/scenery-soundlogo||http://soundcloud.com/kajirec/scenery Licensed under a CC-BY-NC-ND by kajirurecords 幼少のころ初めて訪れた真冬の札幌で、ある場面に遭遇した。極寒のなかでもあたたかみのあるその場面は、美しく、見るものを虜にし、響きの余韻のように自分の心に息づいている。それは、この場所を何度訪れても変わらない。自然と人間のかかわりの中に安堵があるからだろう。心に息づいてきた余韻をサウンドにする試みにできたらとおもう。

音素材はポータブルレコーダーで収集したものを用い、高速フーリエ変換のアルゴリズムにより音を導き出し、作曲した。変化する周波数成分が層の構成を変化させて人々と自然の共存をイメージし、周波数の密度の違いにより新たな響きを導き出し、札幌の叙景と余韻の表現を試みた。

"Nature&Technology"
by Ryo Kawaguchi

http://soundcloud.com/ryo-kawaguchi/3sabujoosdcr||http://soundcloud.com/ryo-kawaguchi/koz33w16fhvs By Ryo Kawaguchi まずサウンドロゴですが、芸術祭テーマが「都市と自然」ということで、それを音で表現するにはどうするか考えた所、「テクノロジーを使って自然をどこまで表現できるか」と思いつきました。人間が作り出した音楽のテクノロジーとなるとやはり電子音だと思い、サンプリングやシミュレート音源を使わず、全てアナログシンセサイザーで作りました。札幌ということで、雪、氷を表現する音、水を表現する水滴音、風を表現する音も全てシンセサイザーです。また、短い時間で人の耳に残るという観点から、4つの音と4つの和音のみの進行で、学校のチャイムのようなものを作りました。次にテーマ曲ですが、サウンドロゴの音、和音を分解、拡張する形で作りました。マリンバとピアノとギターとチェロの四重奏で、徐々に各パートが重なり途中でパート演奏が交代し、また初めの形態に戻るという進行です。形態としてはミニマルミュージックで、人が歩きながら聴いても邪魔にならず、かつ耳に残る進行や構成を心がけました。

"Into The Field"
by Barberianmusic

http://soundcloud.com/barberianmusic/unk93uxcab91||http://soundcloud.com/barberianmusic/into-the-field Licensed under a CC-BY-NC-ND by Barberianmusic 青く高い空の下、果てしなく続く柔らかな緑の草むらを野うさぎが走り回る -　第一、及び第三楽章はそんな牧歌的風景を表現している。躍動感溢れるピアノのリズムは小動物が駆け巡る情景を、弦楽器のハーモニーは空と大地の色彩の美しさを表し、エレキギターの高音のアルペジオは、恍惚、高揚感へと聴き手を誘う。第２楽章では場面は都市へと移り、５、４、３と変則的に進行する拍子をベースにピアノと弦楽器の掛け合いによって曲はきびきび進行する。その構成は人工的に限定された平面や空間(都市）の中で行き交い、忙しく生活する人間達の動きや悲喜になぞられてる。本曲において、大地の上で生活する生きものたちのいきいきとした喜びが俯瞰視点により一貫してテーマとして描かれているといえる。またクラシック音楽にポップスの要素を取り入れたスタイルが特徴的である。レコーディングはBarberian(バーベリアン）の演奏、樫かおり編集のもとに２０１３年に完成した。

"Surroundings"
by Foggiest

http://soundcloud.com/foggiest/surroundings-logo-siaf-2014||http://soundcloud.com/foggiest/surroundings-siaf-2014 Licensed under a CC-BY-NC-ND by Foggiest Foggiest (aka Mike Ward) makes dense ambient music from improvised guitar recordings and synthesizers. The combination of spontaneous and composed elements blends the serendipitous aspects of creation with refinement, mirroring our travels through everyday life. He is based in Somerville, just outside of Boston, USA.

"2014 札幌国際芸術祭サウンドコンペティション"
by Tsushima Keiichi

http://soundcloud.com/tsushima-keiichi/2014-1||http://soundcloud.com/tsushima-keiichi/2014-2 Licensed under a CC-BY-NC-ND by Tsushima Keiichi まず曲の構成は芸術祭のテーマである『都市と自然』に沿うべく、都市役を電子音、自然役を生楽器の音色で使い分け、この二つが互いに打ち消しあうことなく調和するように作ることを心掛けました。やはり札幌は中心部はとても人がごった返して人工物も多く、まさに都市と言う印象を受けますけど、少し離れると手稲山が実に雄大だったり、自然の中にある都市と言う印象からこの曲の第一構想を思い描きました。
　そしてもう一つ、芸術祭と言う観点から、人が作り上げる『芸術』と言うものに対して考えてみたところ、人が芸術をするときってきっととてつもない集中の糸が張り詰めていてその瞬間瞬間を芸術にこめていく作業のように思うんです。そしてやっぱりそれを支えているのは数多の自然だと思うんです。なので、この曲を聞いてもらった際に澄んだ空気を吸って、おいしい水を飲んだときのような感覚を持っていただけたらという願いからの第二構想で考えています。あと芸術祭期間中にエンドレスでながす予定なのかと思いましたので、頭と終わりの繋がりが不自然に成らないように気をつけました。

"暑中"
by Wenang

http://soundcloud.com/wenang-1/little-summer||http://soundcloud.com/wenang-1/in-the-middle-of-the-summer Licensed under a CC-BY-NC-ND by Wenang Joyful music inspired by the warm Japanese summer...

"雪祭り"
by Wenang

http://soundcloud.com/wenang-1/little-yuki-matsuri||http://soundcloud.com/wenang-1/yuki-matsuri Licensed under a CC-BY-NC-ND by Wenang The famous Snow Festival of Sapporo inspired me this tingling music...

"Pinteiro Urban SoundScape Competition"
by Pinteiro (trinar dl diab)

http://soundcloud.com/trinardeldiablo/pinteiro-urban-soundscape||http://soundcloud.com/trinardeldiablo/pinteiro2-urban-sound-scape By Pinteiro (trinar dl diab) For my work I follow the Outline given by The Executive Committee, regarding the connection with the Sound Logo of the Paris Airport. The logo I like the most!

"Pachinko Mist"
by Wenang

http://soundcloud.com/wenang-1/petit-pachinko||http://soundcloud.com/wenang-1/pachinko-mist Licensed under a CC-BY-NC-ND by Wenang Pachinko is such an institution... Which inspired deviant art...

"日本が懐かしい"
by Wenang

http://soundcloud.com/wenang-1/choto-nihon-ga-natsukashii||http://soundcloud.com/wenang-1/nihon-ga-natsukashii Licensed under a CC-BY-NC-ND by Wenang For those who are going to discover Japan then go back home : there is absolutly no vaccination against the fact you will miss this country after leaving it...

"Road To Sapporo"
by Some swedish dude

http://soundcloud.com/swedishdude/sapporo-short||http://soundcloud.com/swedishdude/sapporo-long Licensed under a CC-BY-NC-ND by Some swedish dude Soundscape ambient...

"WhiteCollarCriminal"
by WcollarCriminal

http://soundcloud.com/wcollarcriminal/teaser||http://soundcloud.com/wcollarcriminal/analogique-edit By WcollarCriminal Remembering 80's

"Mayonnaise"
by jungsang-in

http://soundcloud.com/jungsang-in/i-eye||http://soundcloud.com/jungsang-in/mayonnaise By jungsang-in 永遠に反復されそうな日々。
永遠に反復されそうな音。
たまには、遅くても、早くてもいい日。

"迷路兒"
by jungsang-in

http://soundcloud.com/jungsang-in/wav||http://soundcloud.com/jungsang-in/miroa By jungsang-in ピアノ演奏をリバースさせた音を、元になる演奏と同時に再生して
そこから生まれる「ずれ」を探る。
そこから、全体をまたリバースさせた時の音は
新たな「ずれ」を生み出す。
表と裏の関係性の中で
我々は道を迷う。

"aether"
by pienri

http://soundcloud.com/pienri/ec-soundlogo-siaf-2014||http://soundcloud.com/pienri/ec-aether-siaf-2014 Licensed under a CC-BY-NC-ND by pienri “Aether” (air) is the element that has often been attributed to the properties of spirit and purity. Its importance to many traditions of thought, was to allow breathing and then allowing the life, infusing the soul.
The air is the element through which they propagate and sounds as each physical element is able to be spread, and shape them in a diversified manner and changeable in space and time.
The song is inspired by the changing vibration of urban sounds on this element, according to a nonlinear equation and fragmented by "comments" sound synthesized.

"源-Minamoto-"
by Yasko Yamada

http://soundcloud.com/yasko-yamada-1/minamoto-soundrogo||http://soundcloud.com/yasko-yamada-1/minamoto Licensed under a CC-BY by Yasko Yamada 札幌を訪れた時、感じたのは人の温かさ。
小さい頃から「観光客には親切にしなさいね」と教えられたから・・、ではない、心からの優しさだった。

”サッポロ”はアイヌの人々がつけた名と聞く。
素朴で純粋なアイヌの血と文化が”真心”を伝えたのだろうか。
広大な自然と大地が”心の豊かさ”を育てたのだろうか。

体温を感じられる都市、札幌。
自然を感じられる都市、札幌。
近代的であるのに、ぬくもりのある都市、札幌。

あの時感じた、そんなイメージが少しでも表現できればと思い作成しました。

"ending"
by user539632956

http://soundcloud.com/user539632956/ending-logo-1||http://soundcloud.com/user539632956/ending-1 Licensed under a CC-BY-NC-ND by user539632956 己の過信に対する答え。

"Point à la ligne"
by Electrored

http://soundcloud.com/electrored/region-1||http://soundcloud.com/electrored/point-a-la-ligne Licensed under a CC-BY by Electrored Point à la ligne is an attempt to compose an electroacoustic work using only its basic elements : impulse and sine, in other words, short and long sounds. Concret type sounds that have a similar behavior are also used. It is influenced by the sense of pureness which can be found in suprematist and neoplasticist paintings and also in early electronic music.

Point à la ligne was presented during the BYTE Gallery Summer International Exhibition in Transylvania and also during the Soundcrawl Festival in Nashville, Tennessee. It also received 2nd place in the SOCAN’s competition for young composer, in the Hugh Le Caine category.

"新緑"
by keyaki narusawa

http://soundcloud.com/k8k/logo||http://soundcloud.com/k8k/kyne2cenzcd6 Licensed under a CC-BY-NC-SA by keyaki narusawa 豊かな森にかこまれた街の「新しい力、創造の力」が森の緑と共に新しく芽吹いていく様子を表現した。

街は人でできている。
その街をつくる人、子供からお年寄りまでが暖かく優しく朗らかでリラックスしていたらどんなに素敵だろう。

作品「新緑」はそんな街の主人公たち誰もがどこで聞いても、ふっと優しく暖かい気持ちになれるような作品です。

"Le temps et l'espace - for glass"
by AngeloAF

http://soundcloud.com/angeloaf/angelo-air-farulla-le-temps||http://soundcloud.com/angeloaf/angelo-air-farulla-le-temps-et Licensed under a CC-BY-NC-ND by AngeloAF This is the glass version of the same-named piano piece. I made a glass-arrangement of this piece to reach a most fragile atmosphere that can evoke the frailty of our territories: Italy and Japan and, at the same time, to create a contrast between a light sound and the chaotic and noisy soundscapes of the modern cities.

Le temps et l’espace is a simply composition, based on two dates: 1868, the year of foundation of Sapporo and date of the starting of Japan modernization and 2014, today, the year of the Art Festival. The digits of this dates offer to me the outline of two musical themes in the correspondence with the relative notes in the in and yo scales: in example, I translated the 1868 into first, octave and sixth grade of the scale, as C, C8° and A flat. As the logo-piece is only made by the translation of the two dates, in the extend-piece I built a chord-melody in the intersection between the above dates and the traditional japanese tetrachords (minyō, miyako, ritsu, ryūkyu). So the piece is a kind of coding the birth and the story of the city, articulated in a easy regularity of 2/4 half-notes structure that ideally reminds to the regularity of the map of Sapporo.
I try to evoke an atmosphere, reaching the maximum musical effect with the minimum material, trying to unite the japanese essential spirit with the western practice of composers as Bach, Beethoven and Webern.

"de-SI Sapporo"
by creaturbia

http://soundcloud.com/creaturbia/sapporo-international-art-1||http://soundcloud.com/creaturbia/sapporo-international-art By creaturbia This sound piece represents an imaginary sound inventory of the Former Sapporo Court of Appeals, as we recreated the soundscape of a walk through Odori Park. We did an inventory of possible sounds that were afterwards translated with online translate software. The Google translate narrator speech was recorded and mixed with our interpretation of the words thus creating an interpretative audiollage, a collage of the different sounds. Words create associations. For each of us sounds of cars, resonation of steps and rain falling on the streets sound differently, provoke different memories and create different images. The chorus of familiar words are intended to provoke personal memories, and direct attention to city places and elements one rush past in the everyday life.

"TAKENO 03"
by Wenang

http://soundcloud.com/wenang-1/little-takeno-03||http://soundcloud.com/wenang-1/takeno-03 Licensed under a CC-BY-NC-ND by Wenang There can be joy after the pain.

"Rive Centre"
by Wenang

http://soundcloud.com/wenang-1/rive-centre-short||http://soundcloud.com/wenang-1/rive-centre Licensed under a CC-BY-NC-ND by Wenang This music has been inspired by the long walks in subway corridors when I lived in Japan. You can spend hours or your day in an underground city without seeing the sky...

"Saporo one"
by Anand Deepen

http://soundcloud.com/ananddeepen/jingado||http://soundcloud.com/ananddeepen/saporo-one Licensed under a CC-BY-NC-ND by Anand Deepen A piece that uses classical instruments (strings, oboe) a jazzy saxophone, synths and a lot of percussions, with a trance tempo

"Loop life"
by HAPPYSAD(Hiroaki kusano)

http://soundcloud.com/happysad-hiroaki-kusano/2014-1||http://soundcloud.com/happysad-hiroaki-kusano/loop-life By HAPPYSAD(Hiroaki kusano) 都市の空間で生活する人々の日常、
繰り返される日々を楽曲で表現しました。

何の変哲もなく、
素朴に繰り返される普通の生活、
そこで暮らす人々、
それがとても愛おしい。

"Soundscape For The SIAF 2014"
by naotko

http://soundcloud.com/naotko/sound-logo-for-the-siaf-2014||http://soundcloud.com/naotko/soundscape-for-the-siaf-2014 Licensed under a CC-BY-NC-SA by naotko I'm a former Hokkaido-ite resides in tokyo. so i'd like to contribute to the awesome art festival.
If you (myself too ) arrived at the new Chitose Airport, you'll find the northern land has original colors. dull blue, pale blue and the　various gradations. i imagined such nostalgic "nordic-japanese" land.
Thank you for the opportunity to be part of it.
regards

"Linking String"
by SuJeong Han

http://soundcloud.com/sujeong-han/linking-string-sample||http://soundcloud.com/sujeong-han/linking-string By SuJeong Han The project reinterpreted the manufacturing process and metaphor of GAYAGEUM (Korean string instrument) in a space. The circular space with 12 strings provides the opportunity that people could play music face to face. People can communicate with their own rhythmical gesture.

"Solution"
by KEIKO SHIGA 志娥慶香

http://soundcloud.com/keikoshiga/siaf2014soundlogo||http://soundcloud.com/keikoshiga/siaf2014music Licensed under a CC-BY-NC-ND by KEIKO SHIGA 志娥慶香「束縛からの解放。ノイズからの開放。自己の外面から内面への気づき。雪解け。」をイメージしてつくりました。
都市の騒音も、自然の雑音も、美しい楽器の音も、「聴こう」と思わなければ意味をなされず、人間は無意識のうちに騒然とした音環境に身を置かされていることすら気づかないものです。それに気づいてゆくプロセスを表現してみました。自然に耳に入り、そして消えてゆき、繰り返しに耐え、それでいて耳に残らない、ということを念頭におきつくりました。

"方法の交点"
by AcidSugarCublic

http://soundcloud.com/acidsugarcublic/kousa2||http://soundcloud.com/acidsugarcublic/kousa Licensed under a CC-BY-NC-ND by AcidSugarCublic 都市空間のネットワークが実際の物理的なストラクチャーを超えて作られていくというコンセプトで制作を始めました。国際芸術祭というのはその度合いが増幅される場になると思います。タイトルの「方法の交点」とはネットワークやコミュニケーションの方法を巡り交り合う場という意味です。

"編集する惑星"
by AcidSugarCublic

http://soundcloud.com/acidsugarcublic/hennsyuu2||http://soundcloud.com/acidsugarcublic/hennsyuu-suru-wakusei Licensed under a CC-BY-NC-ND by AcidSugarCublic 惑星の中を移動していくというコンセプトで制作を始めました。同じリフが水のリズムと森のリズムと風のリズムと都市のリズムの中をくぐりぬけていくというイメージです。都市の人々は日々の中で周りの都市空間のリズムに合わせて自分のリズムを調整しながら生活をしています。都市空間自体も大きく見れば世界や惑星自体のリズムに合わせて常に自己を編集しながら成り立っているのだと思います。

"自己組織化"
by AcidSugarCublic

http://soundcloud.com/acidsugarcublic/mm44||http://soundcloud.com/acidsugarcublic/m Licensed under a CC-BY-NC-ND by AcidSugarCublic 一つのリフが自律的な秩序を持つというイメージで制作を始めました。同じリフを様々な音色で繋げ重ねています。都市空間では音楽は意識的に聴かれるものではなく無意識に聞かれるものだと思います。そのような状況に働きかける方法として続きを連想させるというものがあると思います。映画で言えば本編よりも予告編の方が想像力を掻き立てられます。続きを連想させるようなリフを意図して制作しました。

"古都"
by Kokichi Akiyama

http://soundcloud.com/kokichi-akiyama/ancient-city-1||http://soundcloud.com/kokichi-akiyama/ancient-city By Kokichi Akiyama 人々は全体としての人間性を疑い、資本主義の形を変えた戦場のような空間の中に巻き込まれている。本作品は、非合理と合理に区分されえないような、体感的な合理を創造したものである。合理の先に非合理があるのであれば、いかに洗練された生活を送ろうとも、挫折せざるをえない宿命の中、そこからまた起き上がるのが本質的な強さだと言える。ドイツ観念論は、肉と魂の分裂を極限に押し進め、カントの啓蒙思想は、ヘーゲルの相互承認という契約の思想に至った。この”契約”を万人に強いるのは酷であり、愛ではない。人生の意味は、言葉で語るものではないし、合理と非合理のバランス、調和は過去から学ぶものだ。時勢は判断しなければいけないが、思想が場当たり的になってはいけない。そのような想いを託した作品である。

"Before The Dance"
by Wenang

http://soundcloud.com/wenang-1/shortly-before-the-dance||http://soundcloud.com/wenang-1/before-the-dance Licensed under a CC-BY-NC-ND by Wenang From night to dawn... When many little things come back to life...

"Jumbolino"
by Wenang

http://soundcloud.com/wenang-1/short-jumbolino||http://soundcloud.com/wenang-1/jumbolino Licensed under a CC-BY-NC-ND by Wenang This is reflecting our lives, eternal movement, we're always on motion... Our lives are surrounded by the doppler effect...

"Soundscapes from Chiapas Mexico"
by archivosonoro

http://soundcloud.com/archivosonoro/archivosonoro-sound-logo||http://soundcloud.com/archivosonoro/soundscape-for-urban Licensed under a CC-BY-SA by archivosonoro A soundscapes composition with voices and music from Chiapas Mexico. Project www.archivosonoro.org

"GLASS PYRAMID"
by Keisuke Uemura

http://soundcloud.com/keisukeuemura/glasspyramid-soundlogo-short||http://soundcloud.com/keisukeuemura/glasspyramid-soundlogo-long Licensed under a CC-BY by Keisuke Uemura Live recording track, playing sitar and synthesizer inside a "pyramid of glass" at moere park sapporo 2012.
札幌モエレ沼公園のガラスのピラミッドアトリウム内で行われたシタールとシンセサイザーのライブ音源。

"Concert from a crevice (Concierto desde una grieta)"
by La sonidista errante

http://soundcloud.com/martha-r/logoconcertfromcrevice||http://soundcloud.com/martha-r/concert-from-a-crevice Licensed under a CC-BY-NC-ND by La sonidista errante Duration: 6’14”

Spirits are like crickets
that hidden in a crevice,
sing a song
that makes them shine.

In The Poetics of Space, Bachelard says that we tend to naturalize urban sounds. But maybe, it also works the other way and natural sounds in the city are mechanized too. In my neighborhood, crickets are actually a ghostly presence that merges with the roar of the planes arriving to the airport. We don’t notice them anymore because they have become part of our urban soundscape. In this project, I reflect upon how natural sounds –in this case crickets- fill in every gap in the city struggling to survive. This soundscape is built from three moments:

Prelude with a cricket, in which I merge the chirping of a cricket in my apartment with the digital mix of several cricket recordings in different frequencies.

Singing among planes, crickets chirping 97% slower vocalize with a recording made during a plane flight. In the middle, the echo of steps and chants ascending to the top of Il Duomo in Firenze joins in.

Finally in Meeting with the lover, I explore with the digital synthesis of cricket recordings in several frequencies, the aural possibilities of those sounds that emerge from crevices all around the city accompanying the night’s transit into the day. I compose from my bed in which, as in Sei Shônagon’s, sometimes two listen instead of one.

"Elevators"
by stefanekstromcomposer

http://soundcloud.com/stefanekstromcomposer/02-logo-urban-soundscape||http://soundcloud.com/stefanekstromcomposer/01-elevators-urban-soundscape By stefanekstromcomposer I wanted to create a sound enviroment that gives you the feeling of walking thru an empty city in the very early morning. A walk thru secret gardens, touching the green grass, wet from morning dew. A walk thru empty streets. You see people only on screens.
The speaking voice is your inner voice, confirming what you see and the melody from the piano is your consciousness and your wish to be enclosed.

"The New Life"
by Bart Amand

http://soundcloud.com/bart-amand/the-new-life-intro||http://soundcloud.com/bart-amand/the-new-life By Bart Amand 'The New Life' was created during a week of recordings for a new future project.
It describes a feeling of hope and relief in a world that struggles with the fastness
of development.

"Tsunami"
by Baabis Blazoudakis

http://soundcloud.com/baabis-blazoudakis/tsunami-logo-by-baabis||http://soundcloud.com/baabis-blazoudakis/tsunami-by-baabis-blazoudakis Licensed under a CC-BY-NC-ND by Baabis Blazoudakis The sea and its tsunami through the eyes of a child!!

"Water Music"
by Danatoni

http://soundcloud.com/danatoni-1/waterlogo||http://soundcloud.com/danatoni-1/watermusic By Danatoni Music inspired by the different water sounds. Beginning with lake to sea and finally rain and thunder. Dripping as decoration.

"LE TOUR"
by Willem Davids

http://soundcloud.com/willemdavids/le-tour-logo||http://soundcloud.com/willemdavids/le-tour Licensed under a CC-BY-NC-ND by Willem Davids Every world city would like to have the Tour de France 'LE TOUR'.

From France (since 1903) via Sataima, Japan (since 2013), now -the sound experience- in Sapporo (2014).

Please!

This sounds are recorded live in Paris (2011 and 2013).
Mixed 2014 with ProTools.

____________________________________
NEWS: 23.03.2014

“The 1st edition of the Saitama Criterium by Le Tour de France in 2013 was a massive and superb popular success, but also a celebration of the friendship that unites France and Japan via sport. […]"

Invited to participate in French Sports Minister Valérie Fourneyron's trip to Japan, Jean-Etienne Amaury, Chairman of A.S.O., and Christian Prudhomme, Director of the Tour de France, took advantage to announce, in the company of Mr Hayato Shimizu, Mayor of Saitama, the second edition of the Saitama Criterium by Le Tour de France.

The main riders on the Tour de France will be expected to light up the city's avenues and enthuse the crowds next autumn (2014)

read full article:
http://www.letour.fr/saitama-criterium/2013/us/post-race/news/ahc/saitama-criterium-by-le-tour-de-france-act-ii.html

"Industrial"
by Wenang

http://soundcloud.com/wenang-1/jingle-industrial||http://soundcloud.com/wenang-1/industrial Licensed under a CC-BY-NC-ND by Wenang This is the sound of the underground city... Mechanical ostinato... Melting with chorus voices of the inhabitants...

"WeatherShift"
by flynnhumphrey

http://soundcloud.com/flynnhumphrey/weathershiftsoundlogo||http://soundcloud.com/flynnhumphrey/weathershift By flynnhumphrey WeatherShift

Field recording, water piano, piano, weather data.

This piece uses two site recordings as source materials. The first was made within a tent of an early-morning shower of rain at Asahidake, Hokkaido. The second is a ‘water piano’, where the piano strings are played by a series of falling water droplets, the instrument itself a hybrid of nature and urban symbol.
The climate data of a long-term 12 month average in Sapporo ( including precipitation, humidity and daylight hours) is mapped to these materials, creating a compressed, yet spacious sense of the passage of the local weather. The sound of a live piano, together with the ambient sound of the weather of the installation site completes the texture.
WeatherShift addresses the hybridity of the nature/city theme. The iconic piano will literally be destroyed through the water that plays the strings; the sound of the live piano decays in reverberance and sustain. We consider the transformation of the threshold spaces of the Shiryokan and the Sapporo Art Museum, and the shifts of people who have passed through this space as framed by the weather from which they were sheltering. WeatherShift asks us to pay attention to the intersections of human and natural activity “‘shifts’, through consideration of their sonic impacts upon each other.
The WeatherShift short ‘sound logo’ use the same materials, much like a weather report.

"SIAF2014 Urban Soundscape Competition.Arctic Desert"
by Anton Silaev

http://soundcloud.com/anton-silaev/siaf2014-urban-soundscape||http://soundcloud.com/anton-silaev/arctic-desert By Anton Silaev I played this tracks on prepared trumpet.

"Come Through"
by TelettetteDan

http://soundcloud.com/telettettedan/going-through||http://soundcloud.com/telettettedan/come-through Licensed under a CC-BY-NC-ND by TelettetteDan 我々は大阪にて活動する音楽制作チーム「テレッテッテ団」(2014年結成)と申します。
我々の制作活動の一つとして今回の企画にチャレンジしたく、応募させて頂きました。
今回のテーマ「都市と自然」から、我々はゴミ箱にあった段ボールやコーヒーの空き缶、椅子を使ってレコーディングする事にしました。
サウンドロゴとして制作したメロディは空き缶の音、リズムは段ボールを擦る音や叩いた音でリズムトラックをつくりました。
近代的なリズムと有機的な音の融合をイメージした作品です。

"The dream of the Persian cat"
by Innocenzo Genna

http://soundcloud.com/innocenzo-genna/the-dream-of-the-persian-cat-1||http://soundcloud.com/innocenzo-genna/the-dream-of-the-persian-cat Licensed under a CC-BY by Innocenzo Genna This is one of my first piano compositions, and for sure the oldest of my previous repertoire which was not forgotten (for years I was not used to write down or record my creations, therefore most of them disappeared from my mind and memory).
The let-motiv came in Genova, in 1985, at a family's wedding, then it was further elaborated in 1987 during a summer stay at the University of Marburg (Germany), where I was lazily attending German courses and discovering that there was an entire world out of Macerata and Recanati.
It is a very simple melody, a bit Kleidermann-style. The composition remained uncompleted for years; then, in Summer 2011, I added the secondary refrain and some decorative complexities.
This music reminds me a story about a Persian cat in Germany, and only the Persian cat knows what I am talking about.
This music is subject to a Creative Commons BY-NC-ND (Attribution-Non-Commercial-No Derivative Works) license.

"The evolution of things"
by Innocenzo Genna

http://soundcloud.com/innocenzo-genna/the-evolution-of-things-1||http://soundcloud.com/innocenzo-genna/the-evolution-of-things Licensed under a CC-BY by Innocenzo Genna This music was composed between March and June 2013. The inspiration started during a snowing night in Brussels, after returning from a jazz concert in Leuven (that I liked a lot). In fact, I was inspired by some notes I heard during the performance. The, I took some months to complete the entire piece. In the meanwhile, while trying to finalize the music, I was impressed by the news coming from Istanbul, namely because of the people protesting against the destruction of the Gezi Park, with the following brutal repression by the State security. The entire event let me think about how things evolve in life, and how everything is unpredictable at the end.
This music is subject to a Creative Commons BY-NC-ND (Attribution-Non-Commercial-No Derivative Works) license.

"Shared space"
by Stephen Illius

http://soundcloud.com/stephen-illius/share||http://soundcloud.com/stephen-illius/print Licensed under a CC-BY-NC-ND by Stephen Illius Sharing small moments of peace

"Against the ropes."
by fernando molina

http://soundcloud.com/fernando-molina-12/against-the-ropes-sound-logo||http://soundcloud.com/fernando-molina-12/against-the-ropes By fernando molina Against the ropes in life like in Box it's a moment, an minimum quantum of time to take a way.
Trying to take distance from that present time.
To find a path between personal crisis and inner silence.
Staying or leaving.

Creative Commons BY-NC-ND

"Sea Winter Nocturne"
by Innocenzo Genna

http://soundcloud.com/innocenzo-genna/winter-sea-nocturne-soundlogo||http://soundcloud.com/innocenzo-genna/nocturne-winter-sea Licensed under a CC-BY by Innocenzo Genna This music came ex abrupto at beginning of 2012. The inspiration came out during one of last winter Sundays of the year and it took just a few days to complete it. It consists of two distinct parts (the main part classic romantic, while the so-called coda is rather more modern) which however are strictly connected with each other. It is not unusual for me to merge different styles into the same music when when I see a sort of creative link between them. This composition brings to my mind images of winter sea (the first part) and waves (the second one), this is the reason for the title.
This music is subject to a Creative Commons BY-NC-ND (Attribution-Non-Commercial-No Derivative Works) license.

"Bruges memories"
by Innocenzo Genna

http://soundcloud.com/innocenzo-genna/bruges-memories-soundlogo||http://soundcloud.com/innocenzo-genna/bruges-memories Licensed under a CC-BY by Innocenzo Genna The leit motiv was created probably in the late '80s in Recanati, the Italian village where I was living, however the final completion happened only in 1992, during my stay at the College of Europe in Bruges (Belgium). There was an old piano at one of the students residences and I finalized the music there.
This music is subject to a Creative Commons BY-NC-ND (Attribution-Non-Commercial-No Derivative Works) license.

"Sapporo and rain"
by andreataroppi

http://soundcloud.com/andreataroppi/logo||http://soundcloud.com/andreataroppi/sapporo Licensed under a CC-BY-NC-ND by andreataroppi The sound samples of rain and a washing machine are used for generate a virtual soundscape, inhabited by strange insects and others unidentified life forms

"Luna di Sapporo"
by The-White-Whisper

http://soundcloud.com/massimo-barberi/luna-di-sapporo-logo||http://soundcloud.com/massimo-barberi/luna-di-sapporo Licensed under a CC-BY-NC-ND by The-White-Whisper This is a guitar soundscape, played under a full moon.
More White Whisper music, ambient, experimental and pop, following these links:
http://amazingtunes.com/u/thewhitewhisper/
http://thewhitewhisper.bandcamp.com/
https://soundcloud.com/massimo-barberi

"yc r 4"
by monade

http://soundcloud.com/monadeuser/yc-r-4||http://soundcloud.com/monadeuser/yc-r-4 By monade Monade is focused on contemporary digital music. His project is based on a glitch sound research with melodic additions, typical of organic ambient noise and IDM.
I am honored to participate in this contest.

"hiroshimabend - "oir""
by puppy38

http://soundcloud.com/puppy38/hiroshimabend_oir-excerpt||http://soundcloud.com/puppy38/hiroshimabend_oir Licensed under a CC-BY-NC-ND by puppy38 this is an experimental/ambient/avant-noise work by hiroshimabend...recorded, mixed, produced and engineered by myself (a.k.a. puppy38/a.k.a. Michael Everett)...thank you in advance for your consideration...

"hiroshimabend - "trpwtnay""
by puppy38

http://soundcloud.com/puppy38/excerptfromodp004point1hiroshi||http://soundcloud.com/puppy38/hiroshimabend_trpwtnay Licensed under a CC-BY-NC-ND by puppy38 this is an experimental/ambient/avant-noise work by hiroshimabend...recorded, mixed, produced and engineered by myself (a.k.a. puppy38/a.k.a. Michael Everett)...thank you in advance for your consideration...

"hiroshimabend _"jcd" (version)"
by puppy38

http://soundcloud.com/puppy38/excerptfromodp004point3hiros||http://soundcloud.com/puppy38/hiroshimabend_jcd-version Licensed under a CC-BY-NC-ND by puppy38 this is an experimental/ambient/avant-noise work by hiroshimabend...recorded, mixed, produced and engineered by myself (a.k.a. puppy38/a.k.a. Michael Everett)...thank you in advance for your consideration...

"hiroshimabend - "jcd" (original mix)"
by puppy38

http://soundcloud.com/puppy38/excerptfromodp004point3hiroshi||http://soundcloud.com/puppy38/hiroshimabend_jcd-original-mix Licensed under a CC-BY-NC-ND by puppy38 this is an experimental/ambient/avant-noise work by hiroshimabend...recorded, mixed, produced and engineered by myself (a.k.a. puppy38/a.k.a. Michael Everett)...thank you in advance for your consideration...

"hiroshimabend - "efacdiwo""
by puppy38

http://soundcloud.com/puppy38/excerptfromodp034hiroshimabend||http://soundcloud.com/puppy38/hiroshimabend_efacdiwo Licensed under a CC-BY-NC-ND by puppy38 this is an experimental/ambient/avant-noise work by hiroshimabend...recorded, mixed, produced and engineered by myself (a.k.a. puppy38/a.k.a. Michael Everett)...thank you in advance for your consideration...

"hiroshimabend - "clicha""
by puppy38

http://soundcloud.com/puppy38/excerptfromodp013hiroshimabend||http://soundcloud.com/puppy38/hiroshimabend_clicha Licensed under a CC-BY-NC-ND by puppy38 this is an experimental/ambient/avant-noise work by hiroshimabend...recorded, mixed, produced and engineered by myself (a.k.a. puppy38/a.k.a. Michael Everett)...thank you in advance for your consideration...

"Alluvial Equinox"
by audioHoffman

http://soundcloud.com/audiohoffman/siaf2014soundlogo||http://soundcloud.com/audiohoffman/siaf2014soundscape Licensed under a CC-BY-NC-ND by audioHoffman Ethereal swells of organic and synthetic sediments, representing the harmonic resonance of Sapporo.

"CityDrops"
by yellowsmusic

http://soundcloud.com/yellowsmusic/citydrops-soundlogo||http://soundcloud.com/yellowsmusic/citydrops Licensed under a CC-BY-NC-ND by yellowsmusic CityDrops is a composition that describes the link between the city and nature through the suggestion of a soundscape. All the work is based on field recordings made in a city park on a rainy day.
The natural element merges with the urban fabric in an immersive environment that evolves like a rainstorm on solid material like concrete. CityDrops describes an imaginary place but closely tied to reality, is the essence of wildlife in the city, condensed in a 8 minute sound walk into a urban park.

All recordings were made in the neighborhood of Turin (Italy), in the ex psychiatric hospital park with recorders and contact microphones, subsequently processed through audio software.

Sound logo is an excerpt, a kind of condensed version of the whole piece.

"Wave Crest"
by zooid

http://soundcloud.com/zooid/early-summer||http://soundcloud.com/zooid/wave-crest Licensed under a CC-BY-NC-ND by zooid 北海道の春から短い夏を経て秋に至る風景を音で表してみました。

"Coming up like a flower"
by zooid

http://soundcloud.com/zooid/sprout||http://soundcloud.com/zooid/coming-up-like-a-flower Licensed under a CC-BY-NC-ND by zooid 花が成長していく過程
つぼみから実を結ぶまで
花が枯れ、果実ができて、種子ができる
美しくも儚い、花の成長過程を音に表してみました

"BENEATH THE UNDERGROUND"
by Willem Davids

http://soundcloud.com/willemdavids/beneath-the-underground-logo||http://soundcloud.com/willemdavids/beneath_the_underground Licensed under a CC-BY-NC-ND by Willem Davids BENEATH THE UNDERGROUND

(composition with original sounds)

1. Anyone who has been in London knows certainly the ‘London Underground'.

2. Walking the normal street level, you can hear a ‘subterranean world' beneath you, flurries sound consisting squeaky passing trains and hurried travelers, with here-and-there a single musician.

What if you ‘change’ (in sound) this subterranean world to the ceiling, so it is going over your head …?

Feel and find yourself deeper in the underground … BENEATH THE UNDERGROUND and at the same time, under a different city.

An experience!

tags:
◀connect ▍ ◀cities ▍ ◀sapporo ▍ ◀london ▍ ◀underground ▍
◀imaginable ▍ ◀ceiling ▍ ◀subterranean ▍ ◀sound ▍ ◀urban ▍

OUTLINE: http://rioolfest.wordpress.com/siaf-2014-outline/

"Reborn"
by HISAYA NAKAMURA

http://soundcloud.com/hisaya-nakamura-2/sound-logo-from-sapporo-for||http://soundcloud.com/hisaya-nakamura-2/reborn Licensed under a CC-BY-NC-ND by HISAYA NAKAMURA 創造都市さっぽろ。

創造性に富む人間を育み、自由な創造活動と、それらを支える多数の創造の場を資本としてまちを造り上げる。

キーワードはいかに創造的で、いかにセンシティブでいられるか。

忙しい毎日の中で、感動する気持ちを素通りしてしまってはいないだろうか。押さえつけてしまってはいないだろうか。
押さえつけるのではなく、気付かないふりをするのではなく、勇気と信念を持って保ち、試行錯誤し、表現していけば、その行為は心に潤いを与え、やがてかけがえのない財産となっていく。

サウンドロゴには、「自由な発想」・「アートの誕生」とストリートは密接に繋がっているという意味を込めて、札幌の中心部を走る国道36号線の音を用いました。

このまちで生まれた人・モノ・音・空気・自然…様々な要素を用いて、世界に誇れる作品を。

この国際芸術祭を通じ、自分の生まれ育ったこのまちが、また一歩創造都市へと生まれ変わっていくこと(=reborn)を願っています。

Vocal & Lyrics by mahya
Beat by HISAYA NAKAMURA

"current"
by Anos_

http://soundcloud.com/anos-ro/current-sound-logo||http://soundcloud.com/anos-ro/current Licensed under a CC-BY-NC-ND by Anos_ 北海道の時代の流れをイメージして作成しました。
狩猟時代が長かった北海道が、急激に近代化していった。
ピアノのフレーズが１クール（時代）を表し、文明（機械音）が入り、葛藤（機械音が崩れる）し、戦後、安定した社会（子供の声）で生活してきた。現代になり、デジタルな世の中で流れが急激になる。
自然と調和することが、それぞれの幸福（子供の声）につながるはずだという作者の主張と、最後に、聞いた人がどうしたらよいか考えてほしいという思いで、ピアノのみとした。

"merge"
by 藤田陽介｜Fujita Yosuke

http://soundcloud.com/fujita-yosuke/sound-logo-siaf2014||http://soundcloud.com/fujita-yosuke/merge Licensed under a CC-BY-NC-ND by 藤田陽介｜Fujita Yosuke SIAFのテーマ「都市と自然」から相反する要素の合流をイメージし、
自然的な響きを持つ自作のパイプオルガンと、都市の騒音を想起させるイントナルモーリ（自作の復元機）の音を中心に制作しました。

曲中に出てくる歌は、アイヌのレクッカラ（喉交換遊び）からヒントを得て、あみ出した独自の歌唱法であり、時折聴こえる高周波はAMラジオのノイズを使用しました。

"雨あがる"

http://soundcloud.com/nsdtky||http://soundcloud.com/nsdtky 雨あがりに頭に流れてきた曲。

"遥かなる跫音２０１４ver.2"
by Naoki Nishimura

http://soundcloud.com/naoki-nishimura-3/14-a||http://soundcloud.com/naoki-nishimura-3/2014ver-2 By Naoki Nishimura 未来への道を表現。

"雪のノイズのためのサウンド"
by NAo

http://soundcloud.com/otsukanao/gu||http://soundcloud.com/otsukanao/sound-for-snow-noise Licensed under a CC-BY-NC-ND by NAo 東京育ちなのですが大きい音で作曲するために山梨の山奥の廃校に引っ越し３年になります。ここの冬は北海道と同じくらいに厳しく氷点下20度近くになることもあります。トイレは倉庫になり、肩まで積もった雪を１００m以上かいたりと、とても大変ですが山の冬の静けさは代え難いものがあり今はとても冬が好きになりました。丁度雪の降ってない季節ですが３回ほど札幌に行ったことがあり土地の空気に合うんではないかと思っています。雪の降っている時にうるさいテクノを作ろうとしていてたまたま出来た曲です。方向を見失い、いろんなトラックをミュートしていたらこの音が雪のサーっとゆうノイズにすごく合っていたので自分でも驚きました。トラックごとにエフェクターをかけています。微妙な変化などをつけ演奏も可能です。３分で切りましたが実際は１時間以上あります、ずっと微妙に変化していきます。

"Lexicon"
by Gaynor Cook 1

http://soundcloud.com/gaynor-cook-1/lexicon-logo-siaf-urban||http://soundcloud.com/gaynor-cook-1/lexicon-siaf-soundscape Licensed under a CC-BY-NC-SA by Gaynor Cook 1 I named this Soundscape Lexicon (Latin for language) as it incorporates both natural and synthetic sounds, which both, I believe have a language, and rhythm pattern of their own.

The idea for my Soundscape came from sitting at my desk, with the window open listening to the hum of distant traffic. I thought that travel, is something the majority of us do every day of our lives, by whatever form of transportation most convenient to us.

I started my project by using my iPhone to record myself taking a short journey in my car. It was late evening and heavy rain was belting down, which I thought was good, because I could capture that sound too. But I also thought that although, Japan and the UK are an ocean apart they are both islands with beautiful green landscapes and world-renowned architectural cities. I wanted to celebrate this by somehow linking the two together, so I made a recording of the Shinkansen. I then brought both these recordings together and added some upbeat catchy music that I produced via my synth & piano. Additionally, I added some sounds to give the impression that I was listening to the radio and switching between stations to find something I liked listening to.

Once completed, I wanted to get the mix right and so enhanced the sound of my car journey whilst still being able to hear the quiet hiss of the Shinkansen in the background.

"Kiite Kudasai Sennin"
by MusicByCato

http://soundcloud.com/musicbycato/kiite-kudasai-sennin-short||http://soundcloud.com/musicbycato/kiite-kudasai-sennin-long Licensed under a CC-BY-NC-ND by MusicByCato Artist Statement:

When I sound designed and composed my submission for the 2014 SIAF Urban Soundscape Competition, entitled "Kiite Kudasai Sennin", I was imagining ancient, Japanese spirits or immortals. As they manifest through sound, they 'comment' on the activities of modern Japanese society as it relates to nature and to the past. Their reactions consist of different elements like surprise, scorn, bewilderment, approval and curiosity, both positive and negative. As they observe the ways in which humanity has evolved (or in some areas, perhaps devolved) since the ancient times, they voice both praise and concern.

Cato
Los Angeles, March 24, 2014

"Earth>Human>City>Nature"
by Petur Jonsson

http://soundcloud.com/petur-jonsson/earth-human-city-nature-siaf||http://soundcloud.com/petur-jonsson/earth-human-city-nature Licensed under a CC-BY-NC-ND by Petur Jonsson We zoom in from the vastness of space to find an uninhibited blue planet. One of the species has developed the ability to construct more complicated structures than the others. They are called humans, and the structures are called cities.

These animals are cunning. They find ways to outsmart elements. The conquer dangerous animals. Now the face the delicate and difficult task of finding a balance, a balance between the cities they live in and the planet they are built on. Finding harmony.

"Luminatious (SIAF2014 Entry JacquesHabo )"
by JacquesHabo

http://soundcloud.com/jacqueshabo/siaf2014-entry-jacqueshabo||http://soundcloud.com/jacqueshabo/siaf2014-entry-jacqueshabo-1 Licensed under a CC-BY-NC-ND by JacquesHabo The track I have made is intended to be calm and full of hope but not necessarily overly cheerful. I hope that this piece will bring someone the same amount of warmth and pleasure as it gave me to make.

I am also very happy to know that Mr Ryuichi Sakamoto will be hearing this collection of arranged noises I made in my old bedroom.

"Der Schöne Klang"
by Ubertech_s

http://soundcloud.com/ubertech_s/sets/der-sch-ne-klang-siaf-2014||http://soundcloud.com/ubertech_s/sets/der-sch-ne-klang By Ubertech_s I have included six different works for consideration from my latest constructions. I am very pleased with them. I am interested in the connecting points between music and sound, and hope my work explores this.

"Terminus"
by Bruce D. Cummings

http://soundcloud.com/bruce-d-cummings/walmartians-audio-logo||http://soundcloud.com/bruce-d-cummings/terminus By Bruce D. Cummings Thank you for your time and consideration.

I create instrumental music under the name Walmartians. The track "Terminus" was inspired by the abandoned railways and buildings around Chicago.

"Media Festival"
by Gaynor Cook 1

http://soundcloud.com/gaynor-cook-1/media-festival-logo-siaf-urban||http://soundcloud.com/gaynor-cook-1/media-festival-siaf-urban Licensed under a CC-BY-NC-SA by Gaynor Cook 1 The inspiration for this piece came from thinking about our carbon footprint and the impact it has on our environment. As individuals I thought about how much reliance we all have on the Earths power supplies. We often hear in the media the term “WHEN THE LIGHTS GO OUT “ when referring to nuclear power generation and the research/exploration being put into alternative, more environmentally friendly methods, of power production..

With this in mind I decided that my Soundscape would be a representation of my own carbon footprint, which would reflect the energy I used over the course of one day. To achieve this I recorded the field sounds via audio into my laptop. They included an electric toothbrush, hair dryer, kettle boiling, ring tone, TV, photocopy/printer and other forms of media.

Once I was satisfied that I had the right sounds I added some loops to simulate radio frequencies and searched for a particular noise that would represent plugging into/switching on a power supply. This can be heard at intervals throughout the Soundscape. I then added a synthesized drone type sound in the background to evoke a sense a drama. Towards the end I created a crescendo of different sounds to replicate an overloaded power system, the piece then ends, petering off exhausted.

The point/message I wanted to convey in my Soundscape is system overload, due to our huge electronic consumption.

"The Tree Beside Your House"
by Ichiro Ice Owa

http://soundcloud.com/ichiro-ice-owa/the-tree-beside-your-house||http://soundcloud.com/ichiro-ice-owa/the-tree-beside-your-house-1 Licensed under a CC-BY-NC-ND by Ichiro Ice Owa The meaning I tried to put on this song is simply the importance of “ Trees”. Urban areas also need to have gigantic trees which gather young and old people together. In this song, joined by nearly 200 children of Uganda and some of the students from Hokkaido Japan, too. Love and respect of nature, and peace, from Uganda.

"Stampede Behaviour"
by Ingeun Kim

http://soundcloud.com/ingeun-kim/stampede-behaviour-excerpt||http://soundcloud.com/ingeun-kim/stampede-behaviour By Ingeun Kim Recordings in Hackney, London (2012-2014)
Urban soundscape: Using contact microphones attached onto a satellite dish + Boiling water + London underground (Highbury&Islington) + Gibson Les Paul guitar

"Matahari"
by carlosvivanco

http://soundcloud.com/carlosvivanco-1/carlos-vivanco-salim||http://soundcloud.com/carlosvivanco-1/cuaternario By carlosvivanco Composed , arranged , performed and produced by Carlos Vivanco

"Little Rice"
by Crystal Huen

http://soundcloud.com/crystal-huen/little-rice||http://soundcloud.com/crystal-huen/little-rice By Crystal Huen Treasure our food.
Little things such as drops of rice,
plain as white,
are our simple source of happiness.

"Reconcile"
by Crystal Huen

http://soundcloud.com/crystal-huen/reconcile||http://soundcloud.com/crystal-huen/reconcile By Crystal Huen People reconcile with people,
and nature.

"Rest - White Tiger of the West"
by SIENNÁ

http://soundcloud.com/siennaweb/rest||http://soundcloud.com/siennaweb/rest By SIENNÁ Electronic and original sound image from my hometown Kyoto´s "Rakusai"-area - a part of the 4 compositions (Kyoto´s four gods).

"Before moving"
by Crystal Huen

http://soundcloud.com/crystal-huen/before-moving||http://soundcloud.com/crystal-huen/before-moving By Crystal Huen We are all urban movers, like normads.
This music is composed in an afternoon when I was struggling,
the summer before i was about to study abroad in Denmark.

Its like travelling through spaces,
travelling through wang Shu's architecture,
peculiar spaces,
awesome memories.

"Rain and Thunder"
by Crystal Huen

http://soundcloud.com/crystal-huen/rain-and-thunder||http://soundcloud.com/crystal-huen/rain-and-thunder By Crystal Huen Let's Watlz through the unexpected trials in life ; )

Music Composition by Crystal Huen
Graphic Illustration by Crystal Huen

"Trialnote 2"
by Crystal Huen

http://soundcloud.com/crystal-huen/trialnote-2||http://soundcloud.com/crystal-huen/trialnote-2 By Crystal Huen Photo taken in a place I can never go back again,
a morning that is magical.
The world is entirely in that shade of blue.

"Silverlining"
by Crystal Huen

http://soundcloud.com/crystal-huen/silverlining||http://soundcloud.com/crystal-huen/silverlining By Crystal Huen Dazzling lights that represents speed , and beauty of vibrant city that transcends light speed.

"Trialnote3"
by Crystal Huen

http://soundcloud.com/crystal-huen/trialnote-3||http://soundcloud.com/crystal-huen/trialnote-3 By Crystal Huen It is about my imagining witnessing the beauty of sakura petals falling around me.
In our life, there are many sceneries in our brain and fantasies which we may not
have witnessed before.
But the pictures stay, and music appears.
Beautiful flowers create the best public space that can sooth people's heart.

"Quiet Times - Dtf & Nulix"
by Nulix

http://soundcloud.com/nulix/quiet-times-dtf-nulix||http://soundcloud.com/nulix/quiet-times-dtf-nulix Licensed under a CC-BY-NC-ND by Nulix Collaboration track with my label mate Makoto Katagiri.

"Voicing (part III)"
by Karolis Biveinis

http://soundcloud.com/karolisbiveinis/voicing3-11||http://soundcloud.com/karolisbiveinis/voicing3 Licensed under a CC-BY-NC-ND by Karolis Biveinis The voice is, possibly, the oldest instrument used by humans. This minimalist composition called "Voicing" consists of three parts in which I explore the three basic possibilities of the, in this case, female voice - whisper, speaking and singing. Canons, floating overlays and melodic patterns are the compositional techniques used in this piece. Special thanks to Mónica Nut for her participation.

"The Gardener in the City"
by Neotropic

http://soundcloud.com/neotropic/the-gardener-in-the-city-short||http://soundcloud.com/neotropic/the-gardener-in-the-city By Neotropic Gardener in the City
Take a sonic journey, from your concrete landscape to the wondrous world of a secret garden, an oasis away from the hustle and bustle of life.
Gardener in the City is a sound sculpture based on my own personal journey from the sprawling city to find my own little place of peace. Using field recordings from the journey, along with instrumentation to represent how two worlds collide, intertwined and somehow connected, each world adapting to the other. Space is precious in our 21st century metropolises and green space even more so, we often forget or even take for granted the world of sounds around us as we are often so immersed in our own insular worlds of technology. Take time to cultivate your own personal Garden in the City!

"Life intersect"
by pokeon

http://soundcloud.com/pokeon/life-intersect-15sec||http://soundcloud.com/pokeon/life-intersect-3min Licensed under a CC-BY-NC-ND by pokeon 人は様々な時間や場所で交差し続ける。
慌ただしい日々の中でそれぞれの人生を送り、様々な事に気付いては忘れて行く。
音もまた様々な時間や場所で交差し続ける。
ランダムな音の列の中からひとつの「かたち」が現れ、様々な音が絡みながら消えて行く。
この作品は聴く人それぞれの角度によって様々にかたちを変える音の造形である。

"UNIFY"
by pokeon

http://soundcloud.com/pokeon/unify-15sec||http://soundcloud.com/pokeon/unify-3min Licensed under a CC-BY-NC-ND by pokeon アイヌの楽器トンコリがモチーフ。
テクノロジーやアート、あるいは様々なエゴがズレながらも噛み合い融合する様をイメージしました。

"The colors of the earth"
by pokeon

http://soundcloud.com/pokeon/the-colors-of-the-earth-15sec||http://soundcloud.com/pokeon/the-colors-of-the-earth-3min Licensed under a CC-BY-NC-ND by pokeon 札幌の自然は季節がはっきりしているのが特徴で、大地の色も四季折々の表情を見せ、季節の移り変わりを感じさせてくれます。
「The colors of the earth」はそんな札幌の自然をイメージました。
沢山の音が溢れる都市空間で芸術祭の開催を感じさせる「大地の音色」となることを願っております。

"2014Sapporo"
by Lantan Music(label)

http://soundcloud.com/lantan-music-label/2014siaf-short||http://soundcloud.com/lantan-music-label/2014siaf Licensed under a CC-BY-NC-ND by Lantan Music(label) 北海道出身で実家がある関係で札幌には毎年帰っている、ということで思い入れたっぷりに曲を制作しました。以下、音のイメージです。
札幌の四季を象徴する自然現象と大都市ならではの活気を音の組み合わせで表現しようと試みました。
●百様な表情を見せる冬（降雪）。
●春の雪解け。
●涼しくて短い夏。
●日に日に寒くなる秋。
●都市生活のリズム。
●生活を楽しむ人々の喜び。

"Cartello Fiorentino Theory"
by Simone Caronno

http://soundcloud.com/simone-caronno/logo3||http://soundcloud.com/simone-caronno/the-cartello-fiorentino-theory Licensed under a CC-BY-NC-ND by Simone Caronno This track is shorter than 3 minutes.
Originally, I wanted to use this logo for my "Still" entry, but as I did not understand what Mr.Sakamoto and the Sapporo International Art Festival were meaning with "Acoustically Connected", i preferred separating them.

"a kiss (berlin - sapporo 7:30 a.m.)"
by zimmermitaussicht music

http://soundcloud.com/zimmermitaussicht-gary-daniel/a-kiss-short-treated-copy||http://soundcloud.com/zimmermitaussicht-gary-daniel/a-kiss-berlin-0730-am Licensed under a CC-BY-NC-ND by zimmermitaussicht music a kiss (berlin - sapporo 7:30 a.m.)

installation for subway trains, guitars and fm synthesis
by zimmermitaussicht
gary marlowe daniel hoffknecht nico berthold

7:30 a.m. berlin
mayumi leaving
summer waits
as she lingers
train coming in
man on platform
earth stands still
for an instant
talking and talking
seconds to minutes
and he knows
she is the one
spring in hokkaido
a kiss
changes everything
red light
alarm sound
sliding doors
gone
the train is gone

"letter to gorecki"
by garymarlowe

http://soundcloud.com/garymarlowe/letter-to-gorecki-short||http://soundcloud.com/garymarlowe/letter-to-gorecki-siaf-0337 Licensed under a CC-BY-NC-ND by garymarlowe letter to gorecki

installation for distorted steinway piano

by gary marlowe

an unforseen dialogue about urbanity and soundscapes. the voice of the piano becomes a universal language. rising layers of heavily distorted piano turn into an urban vocabulary everybody understands. a letter which goes beyond boundaries of culture or borders.

"ふわり"
by no11room

http://soundcloud.com/no11room/cqp0cszceic0||http://soundcloud.com/no11room/ro5zsehkccmb By no11room 変わりゆくもの、変わらないもの。
訪れるたびにある街。
遠い空の向こう、
想うだけでは遠くて、行ってしまえばすぐそこに、
点を線で繋げば辿り着く。
大好きな街札幌のことを想って作る。

丁度昨年末、三年ぶりに札幌を訪れたのですが、
いつの間にか大通りまで地下歩行空間ができていた。
住んでいる場所は遠くても、小さい頃から馴染みのある街です。

ふわりと音が重なりあって、
呼び寄せあって出会ったような音たち。
あの空間に届くように。
音が出会ったように、
人が出会い新しい何かが産まれる、
すぐそばに、変わらない大きなものに包まれて。
巡り巡ってまた音になる。
鳴り止まない響きをここに送ります。

"Morning Song of the City"
by Patrick Lydon

http://soundcloud.com/pmlydon/morning-song-of-city-logo||http://soundcloud.com/pmlydon/morning-song-of-city By Patrick Lydon From the bird song to street traffic, sounds of the urban landscape from 6-9am are arranged into a short, 3 minute composition.

"GIG"
by Yuta Yokoyama tp

http://soundcloud.com/yuta-yokoyama-tp/gig-2-oct-13/s-CkBzs||http://soundcloud.com/yuta-yokoyama-tp/gig-2-oct-13/s-CkBzs By Yuta Yokoyama tp Improvisation

"TEAR A GLOVE A WAY FROM A DOG"
by Atsushi Kasai

http://soundcloud.com/atsushi-kasai/tear-a-grove-sound-logo||http://soundcloud.com/atsushi-kasai/tear-a-glove-a-way-from-a-dog By Atsushi Kasai チャップマンと鉄琴が交錯、その上にボイスやおもちゃや打撃音が折り重なる、都市空間の迷宮

"Reflections on Brushes"
by traceywong

http://soundcloud.com/traceywong/reflections-on-brushes-sound-logo||http://soundcloud.com/traceywong/reflections-on-brushes Licensed under a CC-BY-NC-ND by traceywong "Reflections on Brushes" is a sound file that represent my deepest appreciation towards the artistry of artists, by translating their passion into an amplified sound piece.

Based on the observation of how painters paint a picture on canvas I've divided the sound file into 4 parts:
1. Palette
2. Water
3. Stroke
4. Dry

At work, the paint brush transforms into life from the hands of a master. The gentle laying of the tip, at precise timing and angle, force and density, all comes together in a small second of time. Here, I've prolonged each duration to create a much more realistic and in-depth sound.

The track for Shiryokan is a piece I've created with the same synthesizer and using up to 50 layers of tracks. It's a belief that art is simple enough to be represented in any kind of form, as long as there is the imagination to create.

It's a hope that people will hear sound differently, as this is my goal as well as style, that is creating the 'micro-ness' of sounds that forms part of our daily lives.

Thank you!

"空"
by Kenji Kojima 1

http://soundcloud.com/kenji-kojima-2/skysndlogo2||http://soundcloud.com/kenji-kojima-2/skyhall2 Licensed under a CC-BY-NC-ND by Kenji Kojima 1 作品は空（そら）の画像データをバイナリ・レベルで２分割し、そのデータから作られた2曲の「Sky1」と「Sky2」から成り立っています。従って2曲のデータを融合させる事で、再び元のイメージが構成されます（補足資料 https://vimeo.com/89658557 をご覧下さい）。

空の画像は、0と1を扱うビットワイズXORを用いた暗号技術で、ランダムな数字から作られる鍵と、暗号化された色彩画面の2つに分けられます。画面は左上から右下に向かって色彩のRGB値（赤、緑、青）が読み取られ、それぞれRGB値120を中央のドとする音階に変換して楽譜にされます。楽器のMIDI音源とテンポは作者が選んだものです。「Sky1」に「フルート、テンポ140」、「Sky2」には「尺八、テンポ70」を割当て、青空と風に流れる雲をイメージしています。以上のデータから２つのMIDIファイルが作られます。作品は2曲が同時に演奏されることで、聴覚だけでない視覚の連想をも、実験的に扱った作品です。

"A seamless noise to rain ratio loop"
by panokok

http://soundcloud.com/panokok/morning-dancing||http://soundcloud.com/panokok/a-seamless-noise-to-rain-ratio Licensed under a CC-BY-NC-ND by panokok The piece is a seamless loop of 7:40 minutes of continuous juxtaposition between pink noise to rain sounds. Is a dialogue between the real and the non-real, between the conscious and non-conscious. As the pink noise level increases the rain sound disappears masked by itself.

"City Symbiosis"
by REYNOE

http://soundcloud.com/reynoe/sonal-7||http://soundcloud.com/reynoe/city-symbiosis Licensed under a CC-BY-NC-ND by REYNOE I've studied ecology science (ecosystem's biology). I live in a very dense city (Paris) with dramatic pollution, and I'm composing music. I was pretty traumatized by Fukushima disaster in 2011. It is still catching my attention, as a human technology fail and civilization development issue. So, I'm particularly concerned by Sapporo 2014 subject.

My soundscape proposal is a sound Haiku where i'm trying to represent concept of sound ecosystem as a reflexion of likeness between natural and artificial ecosystems : noises, apparent disorder, instinctive and random behavior. I am especially very interesting in noises, that some human cultures classified as 'not musical' (although for Edgard Varese, all sounds are organized, musical or not musical, deserved the same attention. And I feel close to that definition). However noises are an essential city signature. That is not only noises, but the spectral representation of a particular human ecosystem. In that soundscape, i'm trying to unify this artificial sound ecosystem and a wish for a city that'd give more space to nature within it. As human, we are facing multiple environmental issues, and I assume that's looking for symbiosis in our cities would be a wise way to imagine a sustainable development.

That sounds has been designed to be played in loop for ongoing playback. The orginial piece has been produced in 5.1.

Written & produced by @fraction-1

"Soundgazing"
by Nulix

http://soundcloud.com/nulix/smashed-marbles||http://soundcloud.com/nulix/timespout Licensed under a CC-BY-NC-ND by Nulix Robert Selimović aka. Nulix
08.06.1970 (Croatia, Croat)
exfloppy@gmail.com

Style: Abstract, Drone, Experimental, Ambient
Album was previously released under CC licence on Moldavian netlabel "SilentFlow" 16.02.2012
Credit for cover photography goes to Kirill Kirillov

"Tristesse d'une Étoile"
by electric souvenir

http://soundcloud.com/electric-souvenir/logo-tristesse||http://soundcloud.com/electric-souvenir/tristesse-dun-toile-i By electric souvenir Appolinaire's war poem as inspiration for an electro acoustic improvisation to commemorate WW1

"Lost Postcard"
by jensojenso

http://soundcloud.com/jensojenso/siaf-2014-urban-soundscape-soundlogo||http://soundcloud.com/jensojenso/siaf-2014-urban-soundscape-soundpiece Licensed under a CC-BY-NC-ND by jensojenso One day in the early 80s, there was a group of Japanese school teachers visiting my public school in a suburb of Copenhagen. They came from Sapporo. Back then, the whole scenery was very abstract to me. But one female teacher sat down and talked to me. I didn’t understand much. But she handed over a beautiful postcard to me - on the back she wrote “Sapporo” in both Japanese letters and western letters. I kept the postcard very dear for many years. Now the postcard is lost, but the memory as vivid as ever.

This childhood memory was the offset of my work with this sound piece and what initially ignited me to create and submit my work. The sound piece evolves into a musical and soundscape metaphor of the contrasts and unpredictability of the urban landscape. I have created a recurring lead motive (w/ variations) that weaves in and out of an industrial-like and uncontrolled sound stream. There are momentary occurrences of organic ancient sounds/instruments - a reminder of the historical foundation. Through it all, a discrete pulse keeps everything together and secure the perpetual drive.

I have created the piece so that it has no apparent beginning or end, hence the context in which the audience will experience the piece.

The sound logo is a condensed version of the entire sound piece - a postcard, if you wish...

"蜂・鳥"
by Kenji Kojima 1

http://soundcloud.com/kenji-kojima-2/beesndlogo||http://soundcloud.com/kenji-kojima-2/beehall Licensed under a CC-BY-NC-ND by Kenji Kojima 1 作品は蜂の画像データをバイナリ・レベルで２分割し、そのデータから作られた2曲の「Bee1」と「Bee2」から成り立っています。従って2曲のデータを融合させる事で、再び元のイメージが構成されます（補足資料 https://vimeo.com/89101333 をご覧下さい）。

蜂の画像は、0と1を扱うビットワイズXORを用いた暗号技術で、255までのランダムな数字から作られる鍵と、暗号化された色彩画面の2つに分けられます。画面は左上から右下に向かって色彩のRGB値（赤、緑、青）が読み取られ、それぞれRGB値120を中央のドとする音階に変換して楽譜にされます。楽器のMIDI音源とテンポは作者が選んだものです。「Bee1」に飛び交う蜂や鳥の音源「バードツイート、テンポ30」を、「Bee2」には晴れた山野をイメージさせる「オカリナ、テンポ210」を割当てています。以上のデータから２つのMIDIファイルが作られます。作品は2曲が同時に演奏されることで、聴覚だけでない視覚の連想をも、実験的に扱った作品です。

"聴覚・視覚「Sapporo」"
by Kenji Kojima 1

http://soundcloud.com/kenji-kojima-2/sapporosndlogo-1||http://soundcloud.com/kenji-kojima-2/sapporohallaiff Licensed under a CC-BY-NC-ND by Kenji Kojima 1 作品はGoogleマップの札幌を見たビジュアルを、バイナリ・レベルで２つに分割し、そのデータから作られた2曲「Sapporo1」「Sapporo2」から成り立っています。従ってその2曲を融合させる事で、再び元のマップ画像が構成されます（補足資料ビデオ https://vimeo.com/88885173 をご覧下さい）。

マップ画像はビットワイズXORと言う暗号技術で、ランダムな数字から作られる鍵と暗号化された画像との２つの色彩画面に分けらます。曲はその色彩のRGB値（Red, Green, Blue）の120を中央のドとして音階が決定され、画像左上から右下に向かって置き換えらます。テンポ及び楽器は作者が選んだものです。「Sapporo1」は楽曲のメリハリと現代性を強調するため「ティンパニー、テンポ60」とし、「Sapporo2」は日本の伝統的なリズムを感じさせる「和太鼓、テンポ180」を割り当てて、最後にMIDIファイルに作られます。作品は2曲が同時に演奏されることで、聴覚だけでない視覚の連想をも、実験的に扱った作品です。

"A flower is not a flower"
by user728243288

http://soundcloud.com/user728243288/earth-love-1||http://soundcloud.com/user728243288/a-flower-is-not-a-flower-2 Licensed under a CC-BY-NC-ND by user728243288 教授の同名の曲に、歌詞を作って自分で歌いました。
この曲を聴いた時、都会の暮らしの中に垣間見る、大自然の幻想的なイメージが浮かんだので、それを
テーマに詩を書きました。
歌っている時、ふと、この芸術祭の会場の、高い天井から女性の１０人くらいの合唱でこの歌を重厚なハーモニーにして流したら・・・というイメージが湧いて、天使の歌声のように聞こえるかも、と思っていた矢先にこのコンペの募集があったのでびっくりしました。
サウンドロゴの方は、この芸術祭の趣旨に合わせて、
earth, air, sea, house, love
と歌っています。

"serenity"
by alessioballerini

http://soundcloud.com/alessioballerini/outro||http://soundcloud.com/alessioballerini/serenity-part-ii Licensed under a CC-BY-NC-ND by alessioballerini an exploration of landscapes real and imagined. installations and soundscapes around the themes of nature, transformation, mutations. a state of serenity

"サカナの子（Small Fry)"
by officeyy

http://soundcloud.com/officeyy/small-fry-sound-logo||http://soundcloud.com/officeyy/small-fry Licensed under a CC-BY-NC-ND by officeyy ピアノの音色を多重録音して作成。

「どんなイメージ？」と六歳の娘に音を聞かせた時,
最初に返ってきた言葉をタイトルとして付けました。

"ラブリュー(Lovelyu)"
by officeyy

http://soundcloud.com/officeyy/lovelyu||http://soundcloud.com/officeyy/lovelyu-1 Licensed under a CC-BY-NC-ND by officeyy エレクトリックピアノの音色を２種類と、ピアノの逆再生音を使って作成。

タイトルは、六歳の娘にこれを聞かせた時に返ってきた言葉から付けました。
ちなみに娘によると、愛がいっぱいと云う意味らしく、造語です。

"Introspect"
by LeventeToth

http://soundcloud.com/levente-toth-2/echoes||http://soundcloud.com/levente-toth-2/introspect Licensed under a CC-BY-NC-ND by LeventeToth Looking inward, whilst in the proximity of expressive instruments, always seems to make one actually (paradoxically) capture resonances of distant realms...
These pieces were born during such quieter times on my tiny urban island.
The photos that accompany the tracks were taken during my wanderings with a camera, rather than keyboards.

"2xyA3xyZ"
by MadamMA

http://soundcloud.com/madam-ma/2xya3xyz-sound-logo||http://soundcloud.com/madam-ma/2xya3xyz Licensed under a CC-BY-NC-ND by MadamMA 音ではないものを音へ、狂気という凶器を美学へ。

0と1で構成された"Sapporo"を、音にしました。
Sapporoを0と1のみで構成すると1010011011000010111000001110000011011110111001001110000。これをモチーフとした曲です。

タイトルは関数の数式のように見えるかもしれませんが関数の数式ではなく、モチーフを数字とアルファベットでアレンジして表現したものです。

理解不能なものを、理解不能ではないと騙し続けたい。

"Dualities"
by LeventeToth

http://soundcloud.com/levente-toth-2/sparkles||http://soundcloud.com/levente-toth-2/contemplations Licensed under a CC-BY-NC-ND by LeventeToth Serenity and dynamism, motion and stillness, ancient and ultra-modern rituals, homogeneity and astonishing diversity - the unexpected and constant duality of a metropolis...
The accompanying photos are from my urban abstracts album shot over the years.

"Hokkaido"
by L:E:R

http://soundcloud.com/gr-goire-bideau/sapporo-short-1-voices||http://soundcloud.com/gr-goire-bideau/siaf-urban-soundscape Licensed under a CC-BY-NC-ND by L:E:R The aim of this proposal is to submit a sound file that compliments its surroundings. Through the use of cut-up, indiscernible speech, the human is portrayed as the common denominator between city and nature.

The sounds used here are purposefully distant from conventional sounds in contemporary music so as to arouse the visitor’s curiosity.
Furthermore, no particular language can be perceived, highlighting the international aspect of the festival.

These sound files are not meant to be carefully listened to; rather they provide a unique soundscape that is instantly recognisable to festival-goers.

The voices are generated with granular synthesis, the rest with FM synthesis.

"Madrid underground"
by Desiderio 1012

http://soundcloud.com/fishingseason/metro-madrid-15-segundos||http://soundcloud.com/fishingseason/metro-madrid Licensed under a CC-BY by Desiderio 1012 Recorded inside the Madrid underground and processed with synthesizers. After this some pianos and vocals sounds were added.

"6 Donceles Llorando II"
by Jose Iglesias Gª-Arenal

http://soundcloud.com/jose-iglesias-g-arenal/donceles-llorando-ii||http://soundcloud.com/jose-iglesias-g-arenal/donceles-llorando-ii By Jose Iglesias Gª-Arenal 6 Donceles Llorando II is a soundscape's registration for the rural space of in Doña Mencia (Córdoba, Spain) in DMencia XV Art Festival, a sound installation made with the recording of 6 men's crying. The context relate the history of a place where the womans use to washing with the marian symbol of the crying and pain (like in the Bergman's film The Virgin Spring, "El Manantial de la Doncella" in spanish) with the present time showing men's crying. This hidden sound create a surrealistic context that force the spectator to rethink the space and his uses.

"6 Donceles Llorando I"
by Jose Iglesias Gª-Arenal

http://soundcloud.com/jose-iglesias-g-arenal/6-donceles-llorando-i||http://soundcloud.com/jose-iglesias-g-arenal/6-donceles-llorando-i By Jose Iglesias Gª-Arenal 6 Donceles Llorando I is a soundscape's registration for the rural space of in Doña Mencia (Córdoba, Spain) in DMencia XV Art Festival, a sound installation made with the recording of 6 men's crying. The context relate the history of a place where the womans use to washing with the marian symbol of the crying and pain (like in the Bergman's film The Virgin Spring, "El Manantial de la Doncella" in spanish) with the present time showing men's crying. This hidden sound create a surrealistic context that force the spectator to rethink the space and his uses.

"Nature city Sapporo"
by takada-kazuhide

http://soundcloud.com/takada-kazuhide/nature-city-sapporo||http://soundcloud.com/takada-kazuhide/kazuhide Licensed under a CC-BY-NC-ND by takada-kazuhide 新鮮な札幌の風を表現

"People City"
by Snow Panda

http://soundcloud.com/snow-panda/people-city-logo-2014-siaf||http://soundcloud.com/snow-panda/people-city-2014-siaf-urban Licensed under a CC-BY-NC-ND by Snow Panda This is a literal city soundscape using the most natural thing I know how to use.....my voice.

Inspired greatly by Hayao Miyazaki's "The Wind Rises"......Every sound was created from my voice into a microphone.....the wind, cars, people, construction, radios, birds....everything.

No samples are used.

"Catalpa"
by KeiArabuna

http://soundcloud.com/keiarabuna/sapporo-2||http://soundcloud.com/keiarabuna/catalpa Licensed under a CC-BY-NC-ND by KeiArabuna シンプルの中にこそ多様な要素が含まれている。

ピアノとギターのみで構成されたひとつの物語には、様々な感情が込められている。

"Overcoming"
by Rúben Páscoa

http://soundcloud.com/ruben-pascoa/sapporo-overcoming||http://soundcloud.com/ruben-pascoa/overcoming-2 Licensed under a CC-BY-NC by Rúben Páscoa Soundscapes have three ways to affect us, The fiscal way,with temperature, vibration,etc generating the fiscal reactions, like to be cold or make a smile this gives us rhythm like the heart beat or walking, there is also the spiritual way, that usually translates into emotions and feelings, and the intellectual way that makes us register in the memory what we saw, what we felt and what we make from it, this song starts for sending a message of getting far deeper on the fusion between three perfectly balanced ways of get into the landscape the voices give the first notion of organized thoughts and rides us into the rhythm ,this is the reaction to the urban electric pulse the piano came in an organic way and gets on a different mood letting the water cool it to the reflection

"circular reference"
by timothy johnson

http://soundcloud.com/timothyjohnson/circular-reference-logo||http://soundcloud.com/timothyjohnson/circular-reference By timothy johnson circular reference is for solo piano and is built around an ever changing pattern of quickly arpeggiated dyads. it is reflective and playful and - i think - mirrors the natural and city landscape.

"At the sea"
by ElektricHead

http://soundcloud.com/elektrichead-klang-electrichead899/atthesea4-sl||http://soundcloud.com/elektrichead-klang-electrichead899/atthesea4 Licensed under a CC-BY-NC-ND by ElektricHead Amateur work.
Electronic eery intro that at the end is present again, blending with more sounds.
Contrasting with the synths introduction, next appear some piano chords that make this possibly the most melodic part of the entire track.
Throughout are some nice sea sounds, such as waves and also percusion from wood instruments.
The most part of the track consist of a light keyboard instrumentation with improvised notes.

"TomSawyer"
by kentaro Ito

http://soundcloud.com/kentarou-ito/tomsawyer-short-ver||http://soundcloud.com/kentarou-ito/tomsawyer Licensed under a CC-BY by kentaro Ito どこか楽しくなるような、なにかが待っているような期待感をイメージしました。

"雪光 - Snowlights"
by haco.temp

http://soundcloud.com/haco-temp/snowlights-soundlogo||http://soundcloud.com/haco-temp/snowlights Licensed under a CC-BY by haco.temp 雪どけの光と喜び。森の木々や草原、建物の屋根、いたるところに降り積もった白雪に陽光があたって、輝きとけていくようなイメージを音にしてみました。
夏季に開催される札幌の国際芸術祭においては、各設置場所でこれらの音の響きを耳にした人々が涼やかな印象をもって、各展示会場へと足を運んでくださることを願って制作しました。
地下歩道や大通り、美術館の玄関エリアなど公共の空間のなかで流される短いサウンドのロゴは、天井スピーカーから抑えた音量で鳴っていても気づくことのできるように、どこか素朴でありながら特徴的なものを目指しました。そして音作品だけを切り離すのではなく、札幌の都市環境の音風景(サウンドスケープ)と共存することを念頭において、耳を澄ますきっかけにもなるような静けさの要素を作品のなかに取り入れました。
札幌市資料館内に設置される音の作品については、比較的小さい音量で繰りかえし(ループ)再生することを想定しています。現地の機材設置プランによっては、複数のスピーカーに音源を振り分け、石造りの建物内の反射を生かせるような鳴らし方やサウンドの調整も可能です。

"Train journey"
by adriangunn

http://soundcloud.com/adriangunn/sound-logo||http://soundcloud.com/adriangunn/train-journey Licensed under a CC-BY-NC-ND by adriangunn The predominant sounds i have used are my own recordings taken from a train journey i took into central london, where i live. i wanted to achieve a similar atmosphere to one which i frequently experience travelling by tube. a particular haze or confusion at times, with constant drones and industrial sounds cluttering the mind at times. other sounds were taken from an old steam engine. i wanted to form a piece merging different forms of industrial machinery with elements of humanity, within that mechanistic environment. for this human element i was influenced by a short documentary on djembe drumming and rhythms of life. i decided to use the principal of 3 core tones from djembe as a key, but not defining, restriction to form this piece. the way more variations develop as the sounds progress was another feature i hope is successful in symbolising the increased involvement of a more human nature. i hope you enjoy this piece.

"Cosmic Ritornello"
by Mauricio Rivera Henao

http://soundcloud.com/mauricio-rivera/cosmic-ritornello-15seg||http://soundcloud.com/mauricio-rivera/mauricio-rivera-ritornelo By Mauricio Rivera Henao COSMIC RITORNELLO is a soundscape that, through recordings of the natural landscape, reflects on its symbolic presentations. The diverse planes in the composition describe the transformation of the topographic space from the sound translation. This happens in a landscape with time and space content in the interpretative and multidimensional expression of the sound. Cosmic Ritornello allows us to inhabit new territories simultaneously with the purpose of expanding the physical notions of our concept of landscape

"Mantra for Joseph Beuys, Interlude."
by Umberto Petrin

http://soundcloud.com/umberto-petrin/interlude||http://soundcloud.com/umberto-petrin/mantra-for-joseph-beuys Licensed under a CC-BY-NC-ND by Umberto Petrin Mantra for Joseph Beuys, Interlude.
Mantra for Joseph Beuys:
Inspired by the figure of Joseph Beuys, the song “Mantra for Joseph Beuys” has been performed several times in Italy and Europe, during a concert-performance entitled "Beuys Voice", in which Umberto Petrin communicates with a video that plays the last performance of the German artist. Then, Beuys Voice also became a book and a CD, officially presented in 2012 at the Kunsthaus in Zurich (Switzerland).
Interlude
Interlude theme is part of a larger composition entitled "Field of purple forever", inspired by a novel of the American writer Thom Jones, and included in the album Particles (2003). After the CD release, Interlude became an independent theme, considered by Umberto Petrin, as one of its most recurring and peculiar cells.

"ぽろっさ / サッポロペッ"
by yasuakiishikawa

http://soundcloud.com/yasuakiishikawa/3ht2o5zplh3o||http://soundcloud.com/yasuakiishikawa/at03cjue95iq Licensed under a CC-BY-NC-ND by yasuakiishikawa 二作品は、「さっぽろ」の４文字から擬音語を幾つか造語し、それらの言葉の発声音のみを素材として制作した。解体された「札幌」という言葉の響きが、作品中に散りばめられる事で、札幌を感じさせる音作品の構築を試みた。
・ぽろっさ
　札幌という響きが感じられるサウンドロゴ。
・サッポロペッ
　札幌の地名は、アイヌ語で「サッ（乾く）・ポロ（大きい）・ペッ（川）」からきていると言われている。札幌川（豊平川）が峡谷を出て札幌扇状地（今の市街地）で急に広がり乱流し、乾期には乾いた広い砂利河原ができる姿を呼んだのではないかと考えられている。
　この作品は、アイヌの人々が住んでいた当時の札幌の自然の様子を想像し、そこで聞こえていたであろう音風景を、造語した擬音のみを用いて表現している。擬音語は、現実の音を模倣した言葉であるが、私は、「さっぽろ」という言葉から造語し、擬音語の成り立ち（現実の音→言葉）とは逆の変換を行っている。声（擬音）を用い、音風景を模倣するという、従来と異なるアプローチのサウンドスケープである本作品は、個人の声、自然の音、言葉が持つ意味世界の3つを行き来するように知覚される。

"fleeting tones"
by nosomoso

http://soundcloud.com/nosomoso/fleeting-tones-sound-logo||http://soundcloud.com/nosomoso/fleeting-tones Licensed under a CC-BY-NC-ND by nosomoso まずはじめに考えたのは、本芸術祭のテーマが「都市と自然」ということで、
いささか凡庸な発想かもしれませんが、電子音（都市）とアコースティクな音（自然）
を融合させようということでした。
それから、作品が公共の場でも流されるということで、普段あまり芸術というものに
関心のない人達にも少しでも興味を持ってもらえるようなポップなものを作ろうと
考えました。（自分なりにではありますが）
しかし、ただポップで耳あたりがいいだけではなく何か引っかかる、気になるような
ものにもしたいと思い作成しました。
そして、札幌という北国の夏に開催されるということで実際に北海道の夏を体験した
ことはないのですが、どこかに厳しい冬の気配を湛える夏というものをイメージしました。

"バロン"
by user958462434

http://soundcloud.com/user958462434/baron1||http://soundcloud.com/user958462434/baron2 Licensed under a CC-BY-NC-ND by user958462434 タイトルは、災害を防ぐ力をもつといわれる、インドネシアのバリ島に伝わる獅子の姿の聖獣。普通はガムラン音楽がぴったりくるイメージですが、ガムランの響きに特徴的なレゾナンスの振動をアイデアの源泉としたものの、曲のスタイルとしてはガムランに関係ありません。

都市空間のサウンドをテーマとするにあたって、自然の力が都市の内側で発現していく様相をイメージしました。また、サティやイーノの作品にみられる「背景としての音楽」の考え方は基準にしています。

"festivarts"
by ead1992

http://soundcloud.com/ead1992/61-siaf-soundlogo||http://soundcloud.com/ead1992/61-siaf Licensed under a CC-BY-NC-ND by ead1992 SIAF2014のテーマ「都市と自然」（サブテーマ「自然」「都市」「経済・地域・ライフ」）を考えて、「自然」の象徴として北海道の鳥タンチョウな鳴き声、「都市」の象徴として電子音、「経済・地域・ライフ」の象徴として子供の笑い声を作品に盛り込みました。音作品の方ではそれに加え「国際芸術祭」ということで、時代を経て様々名場所で生まれたいろいろな音が集まってきて相互作用を起こし、それらが'いま''ここ'に一つの形（サウンドロゴ）として共鳴する、といった流れを表現しています。

"消音鐘"
by Hiro_ure

http://soundcloud.com/delorean1987/sound-logo||http://soundcloud.com/delorean1987/a-muted-bell Licensed under a CC-BY-NC-ND by Hiro_ure 骨董品屋で見つけた鐘を響かせないように鳴らすと、とても良い音になりました。そこから発想を得て、ギターのループを重ねていきました。「聴かなくても良い音楽」として、「聴かない音楽」として、より多くの方にお届けできたら幸いです。

"interweave"
by takaakisuzuki

http://soundcloud.com/takaakisuzuki/interweave-15sec||http://soundcloud.com/takaakisuzuki/interweave-3min Licensed under a CC-BY-NC-ND by takaakisuzuki 札幌で採取した音を主に使用しました。街中やカフェで聞こえる声や食器の音は、短く切ってドラムのような音にしたり、地下鉄や工事現場で聞こえる機械音やノイズは、少し加工して効果音のようにし、そこにさらに山や川で拾った音、自ら奏でた楽器の音、シンセサイザーの音を加えて、都市空間に都市空間による有機的な彩りと本来そこに対峙するモノトーンを、うまくバランスをとって与える事で、人々に、身近にあるモノの「見方」の大切さを伝える事が出来たらと思い制作しました。

"Teresinha"
by Innocenzo Genna

http://soundcloud.com/innocenzo-genna/teresinha-soundlogo||http://soundcloud.com/innocenzo-genna/teresinha Licensed under a CC-BY by Innocenzo Genna This music was created in early 2012 and dedicated to the honor of Teresinha, a little Italian-Portuguese girl, and to all her friends. It really reminds me the images of a child walking and playing.
This music is subject to Creative Commons BY-NC-ND (Attribution-Non-Commercial-No Derivative Works) license.

"White Blossom"
by Mauro Arrighi

http://soundcloud.com/mauro-arrighi/white-blossom-logo||http://soundcloud.com/mauro-arrighi/white-blossom-interlude Licensed under a CC-BY-NC-ND by Mauro Arrighi What I would like to convey with this composition is:
1- to give the feeling of Nature through a winter Japanese soundscape, which includes animals, birds, the wind through the brunches, a small river, walking on ice and stepping on a snow field
2- to give a quick pick on human dwellings via background voices chatting, the “sound of a Japanese city”
3- to express human artistry through “loose piano phrases”, very casual… as if the player is composing now in front of us and got distracted by something happening out of his window, or in… his mind.
4- to give a sense of the power of the technical knowledge, which might be scary and amusing at a time; a dark bitter-sweet tone is humbling in the background.

The white blossom is flourishing, unfettered by the "hard times"; but not independent from its surrounding and not untouched by human mistakes.

"Secret of Urban Chaos"
by Domas Morkūnas

http://soundcloud.com/domasmo/secrets-of-urban-chaos-short||http://soundcloud.com/domasmo/secret-of-urban-chaos By Domas Morkūnas In the “Secret of urban chaos”, I try to imitate, reveal and emphasize these consonances of sounds of the city, by recording and mixing together the noises of traffic, sirens, bells, supported harmonically by the sound of supermarket fridges, inflators and other continuous steady-pitched sounds, which you would find in various urban places. As well as harmony, rhythm is another factor, which complements to city's soundscape. Being in the city’s noise all the time, it is hard to leave those unwitting harmonies and rhythms unnoticed. It is also definitely hard to recreate those consonances, as they normally appear really quickly and you are not able to identify their primary source.

"Lilas"
by Yoshimitsu Tsunaki

http://soundcloud.com/yoshimitsutsunaki/siaf-2014-sound-logo||http://soundcloud.com/yoshimitsutsunaki/yoshimitsu-tsunaki-lilas By Yoshimitsu Tsunaki 札幌市資料館内で再生されるということを想定した結果、フィールドノイズを「録音し」活かすのではなく、「今鳴っている」フィールドノイズそのものを活かす、そんな音楽作品にしたいなと思い、そのことを意識しながら制作しました。よって、ヘッドフォンよりはスピーカーで聴かれることが好ましい作品です。

サウンドロゴについては喧騒の中でも届きやすい音としてサイン波のクリック音と、印象付けるための音としてパーカッションをデジタル加工した音を、メインの作品から一部抜粋したコード進行に合わせて鳴らしています。

"Never Ending Night"
by Antonello Ghezzi

http://soundcloud.com/antonello-ghezzi/never-ending-night-short||http://soundcloud.com/antonello-ghezzi/never-ending-night By Antonello Ghezzi The radio waves sent from a radar located in a small town Eastern France are reflected by objects passing through our atmosphere and captured by an aerial at the Radioastronomical Observatory of Medicina, (Bologna, Italy).
What we feel is the transposition audio signal, which allows us to "feel" the passage of these objects such as meteors, which we call "shooting stars."
In a minute 40-50 "shooting stars" is passing by, and we can make many and many wishes...

"Bustling City of Singapore"
by Alicia Lai

http://soundcloud.com/alicia-lai/sound-logo||http://soundcloud.com/alicia-lai/urban-ambience By Alicia Lai Urban ambience is not a piece of sound or music which I can listen o before I sleep or when I need to sit down and relax. Technology is taking over everyone. The way that we rely on technology in our daily life is scary, because we do not even know it. From the moment we wake up, the first thing that we reach for is normally our phones, be it to check the time or to snooze of an alarm. Then we proceed onto freshening ourselves up, and then to making breakfast. We then move out of our houses and into the bustling city where everything is happening all at once. There are constructions just outside of your house, there are MRT trains and buses passing by you, tapping of EZ-link cards on buses, going up and down in the lift, coming home to your room, switching on the air-con and using all your electronic gadgets. This, is what life in Singapore is almost like for everyone.

"Sapporo_2014_City/Nature"
by Vsoundesign

http://soundcloud.com/vsoundesign/sapporo_2014_logo||http://soundcloud.com/vsoundesign/sapporo_2014_city-nature By Vsoundesign This sound piece is a light, minimalistic composition which is intended to be layered onto the existing soundscape of each site it is played in. The indeterministic nature of this work, where each sonic object was randomly and repeatedly allocated in the time line, mirrors the indeterminacy of everyday life events, granting the composition with an organic, yet artificial quality. The majority of sounds were personally collected from city and nature soundscapes, then processed in order to match my own aesthetics.
The juxtaposition of this work, along with the existing soundscape, reflects my personal views of a harmonious relationship between Man/Nature, City/Natural Environment. A healthy and pleasant merge.

"Glasses In Rhythm"
by alextheoutlaw

http://soundcloud.com/alextheoutlaw/glass-logo||http://soundcloud.com/alextheoutlaw/glass-3-minutes By alextheoutlaw The sound of beer bottles and cans ruffling side by side of each other. The reminiscent of early adulthood, the life of cheap beers and silly gags. Where all was to be observed and explored but none was as significant as the sound of it all.

"infinity"
by Wasabro Fkunaga

http://soundcloud.com/wasabro-fkunaga/infinity-logo||http://soundcloud.com/wasabro-fkunaga/infinity-1 Licensed under a CC-BY-NC-ND by Wasabro Fkunaga 以前作ったミニマルサウンドスケープの曲でありますが、今回のコンペの趣向に合っているのではないかと思い、応募しました。

"Celestial Spaces / Celestial Gateway"
by ArtMuzak

http://soundcloud.com/juan-pablo-medina-works/celestial-gateway-1/s-UZrNw||http://soundcloud.com/juan-pablo-medina-works/celestial-spaces Licensed under a CC-BY-NC-ND by ArtMuzak By manipulating a microtonal matrix of sine waves, an array of rhythmic drones and residual harmonic colors is created in sequetial manner.
These complex hemiolas simultaneusly trigger percussive sampled sounds, thus forming an evolving multi layered texture.
Although this fabrication is very dense and vertiginous, it can produce a sensation of static ellegance.

"The Walk"
by Pawel Grudzien

http://soundcloud.com/pawelgrudzien/the-walk-sound-logo||http://soundcloud.com/pawelgrudzien/the-walk Licensed under a CC-BY-NC-ND by Pawel Grudzien The walk – ambient music

The layers of chords, fading in and out throughout the piece, were recorded on a zither (a string instrument, a distant relative of the Japanese koto), which was tuned in the traditional Japanese In Sen scale (D, Eb, G, A, C). It was recorded with 2 contact microphones and then further processed.

The repetitive piano motifs are also loosely based on the scales derived from the In Sen scale.

The background sound was created using long radio waves static noise between the stations (cosmic radiation) and the sound of sea waves, blended together with the vocoder. Reminiscent of a noise generated by a Geiger counter, it is a tribute to people of all nations who lost their lives due to the abuse of nuclear power, and to all life forms forced to live in the contaminated zones.

The layers of chords fading in and out (not unlike the sea tides), the sound waves themselves, the sea waves and radio waves are all examples of the same perpetual wave motion, continually permeating our lives. They symbolise the cycle of life and death, searching and discovery, engagement and withdrawal.

The morse code message, repeated twice in the main piece, says “Sapporo International Art Festival 2014”

The main climax and the loudest point (ca 5'15'') is exactly in the golden middle of the piece. The golden proportion was also used to shape various other elements of the composition.

The title is a reference to a poem by Rainer Maria Rilke.

"「体温」"
by Facundo Lain Contest 2014

http://soundcloud.com/facundolaincontest2014/taion20145sec||http://soundcloud.com/facundolaincontest2014/taion2014 Licensed under a CC-BY-NC-ND by Facundo Lain Contest 2014 I guess we are not always the same, we're surrounded by noise & stress all the time.
We're constantly changing.
We are not the same when we woke up in the morning or when we go to sleep at night each day, even our weight, our mood, our energy, our body temperature...

Everyday sounds seem infected by a kind of sadness, at least that's what I notice sometimes.

We don't have a minute to stop, enjoy, feel and appreciate this we won't be able to listen to anymore someday... The rain, the drizzle, a cat playing around sounding its sleighbell, the keys, the pillows...

I don't wanna take that feeling. I want to change it.

Some hope, that's all.

"「体温」" was my day ~

"the definition of urban"
by khai_111327

http://soundcloud.com/khai_111327/sound-logo-1||http://soundcloud.com/khai_111327/soundscape-khai By khai_111327 what is the meaning of urban? Bullet trains, state of the art transportation and fast cars? that may be so for the 21st century but during the 1900s their urban was the steam trains and vehicles that produced a unique honking sound like the 1942 Honda. what happens when the urban of the 1900 meets the urban of the 21st century? that is what my soundscape as closely as possible would try to achieve. we should always remeber and be grateful to the technologies of the past as they are a springboard to our continous rapid evolution in technology.

"Summons"
by Mark Small 1

http://soundcloud.com/markasmall/summons-sound-motif||http://soundcloud.com/markasmall/summons Licensed under a CC-BY by Mark Small 1 I am a 43 year old sound production student from Fife, Scotland.
I decided to enter your competition after reading about it online. After researching the venues and city it would be played in, I decided to go with the theme of metal sounds to signify the scales of justice. I thought this would be relevant with the piece being played in a former court house. I also wanted to use bells and chimes which I thought would be indigenous to the area. I have the bird calls at the beginning of the piece to signify an awakening of sorts, this also ties in with the festivals theme of nature.
My thoughts also on the piece are, it is a summons to face whatever problems we may encounter in life, on a daily basis. The bells summon up our deepest feelings and also help to banish any negativity which is prevalent in our daily lives.
I have taken a 10 second sample of the piece to use as a sound motif.
I hope this meets the entry requirements and I look forward to hearing from you in due course.

"Branch"
by Tsuko

http://soundcloud.com/tsuko-music/branch-sound-logo||http://soundcloud.com/tsuko-music/branch-soundscape By Tsuko My sound logo is based on a tree growing in the midst of the city. The synthesizers and passing traffic represent design, modernization and the daily life of Sapporo's citizens. The acoustic instruments and the sounds of the tree splintering up from the ground represent Sapporo’s natural environment and the city’s hope for harmonious and sustainable development. To contrast with the historic buildings the Festival will be held in, my sound logo’s melody looks towards the future: it is uncertain, a little mysterious, but deeply optimistic.

My soundscape for the Sapporo Shiryokan expands on my sound logo and turns it into a gentle, floating ambience to fill the exhibition spaces. Both my soundscape and my sound logo are composed of recordings I have made during my travels: falling autumn leaves in Indiana; a train journey out of Copenhagen; daily life in a Provencal village; a late-night chorus of frogs in my home city of Canberra, Australia. I have brought these diverse spaces together in the soundscape to highlight how interconnected the Earth’s environment is, and to show that the SIAF’s aspirations are shared by people living in cities across the world.

"Camel Dance"
by free-fungo

http://soundcloud.com/free-fungo/camel-dance-intro||http://soundcloud.com/free-fungo/camel-dance Licensed under a CC-BY-NC-ND by free-fungo recorded using: Arp Odyssey, Obergeim MX6, G&L fretless bass, DDD1 Roland drum machine, The Touch (Oncor Sound), Cubase.

"E-R-H"
by Orca-Ankh

http://soundcloud.com/orca-ankh/e-r-h-logo-4-siaf-2014||http://soundcloud.com/orca-ankh/e-r-h-4-siaf2014-soundscape Licensed under a CC-BY-NC-SA by Orca-Ankh "E-R-H"について（演奏時間4：11）
　地球の生命線を表現しました。途中不協和音になったりしますが、地球の気持ちになってみた結果です。札幌のイメージが白なので、白っぽい音にしました。都市空間音は存在してるのでそれと混ぜるための音です。

　生録音を多用しました。カリンバ、ぶら下げた小型音叉をカリンバに転ばせた音、レインスティック、ウィンドチャイム、アンクルビーズ、つるつるしたビニール、AMラジオ・FMラジオの音、フィンガーシンバルなどです。ベースとなる音楽的和音はソフトシンセを使用しています。
　中盤で雰囲気が無意識に変わるように和音にも変化をつけました。
　最後音が途切れるのは核技術のせいです。
設置場所を考慮して癒し系にしました。
※タイトル"E-R-H"はEARTHのAとTが抜けたもの。

"E-R-H Sound Logo"について（演奏時間0：08）
　かわいい感じにしました。ピッチカート、セレスタ、生で録音した打楽器を逆再生で混ぜ、不自然な音にして気を惹く作戦です。シンセで未来っぽく装飾しました。

"ARRIVAL TO BANGKOK"
by Sara Sangchai

http://soundcloud.com/sara-sangchai/arrival-to-bangkok-sound-logo||http://soundcloud.com/sara-sangchai/arrival-to-bangkok By Sara Sangchai Introducing urban soundscape of Bangkok with real, synthesised and imagination sounds. As I've lived in Bangkok for 6 years, in this piece I brought up my first imagination of how Bangkok would be and combined with real sounds and activities that actually happens in everyday life.

"Bangkok Noise"
by rhodemaninov

http://soundcloud.com/rhodemaninov/bangkok-noise-short-15sec||http://soundcloud.com/rhodemaninov/welcome-to-bkk By rhodemaninov Bangkok is the capital city of Thailand. It has many culture, many nationality and it mix together. The sound of the city are become like that. Noisy, Busy, and can't expect them. Everybody afraid our sound. May be we just take the sound pass though our ears. That sound called "Noise" it is the bad meaning in our social.

So, I just get the sound of the city and represent social and culture thought the sound of Bangkok and make sure that I making the meaning of "Noise" out of the way that it means before.

"A Strange Awareness (Johan Troch)"
by Johan Troch

http://soundcloud.com/johantrochmusic/a-strange-awareness-remix||http://soundcloud.com/johantrochmusic/a-strange-awareness-remix Licensed under a CC-BY by Johan Troch Music written and produced by Johan Troch.
Johan Troch is a Belgian composer, songwriter who makes mainly ambient, experimental and avant-garde music.
As this far he produced four instrumental albums and two song albums on iTunes and Bandcamp.
He is unsigned and thereby independent as an artist.

"Flavor of Japan"
by The Sound Barr

http://soundcloud.com/the-sound-barr/flavor-of-japan-logo-sound||http://soundcloud.com/the-sound-barr/flavor-of-japan-soundscape By The Sound Barr Sound scape - The sound scape starts at the beach. Nice and relaxing hearing the waves and seagulls. Slowly you start to hear a Japanese horn and village people chanting and playing some sort of game. It then fades into the forest where you can hear birds and other types of animals. When the jet passes by it changes the whole mood and before you know it you are in the city with people talking, walking and the hustle and bustle has set in. The sound then goes into a train which takes us to a place where some type of Japanese music plays and finishes. This is the very first sound scape I have ever done. The idea is going through different environments from starting nice and calm to the busy city life.

"Yesterdays Tomorrows"
by Pilkinton

http://soundcloud.com/pilkinton/yesterdays-tomorrows||http://soundcloud.com/pilkinton/yesterdays-tomorrows Licensed under a CC-BY-NC-ND by Pilkinton Created as side project and all was done on Ableton Live

"MinimalisM"
by TopMusic

http://soundcloud.com/topmusic/b-pietrobelli-minimalism||http://soundcloud.com/topmusic/b-pietrobelli-minimalism Licensed under a CC-BY-NC by TopMusic A vocal sample from Tehillim del M.tro Steve Reich looppato, with downtempo groove from vinile , arrangiament and sonic atmosphere from keyboards, jx3p roland, Wavestation korg, juno 2 roland, prophecy korg.
Recorded in '95 in midi home studio recordin with atari stacy 2 2mega ram.

"Afrika suite"
by elisabetta serio

http://soundcloud.com/elisabetta-serio/afrika-suite||http://soundcloud.com/elisabetta-serio/afrika-suite By elisabetta serio This song is about afrika. it's a mix of feeling, tenderness, inner calm. I imagine the way tat african people live, and the way of the rest of the world, where there's always a clock, marking ever minutes of our life. So, where's the truth?

"ドリームピアノ"
by Tak_Ongaku

http://soundcloud.com/tak_ongaku/dream-piano-sl||http://soundcloud.com/tak_ongaku/dream-piano By Tak_Ongaku ピアノ音源の音が面白くて曲にしました

"H2O"
by Paola Santillan Alcocer

http://soundcloud.com/paola-santillan-alcocer/tocsin-2014-1||http://soundcloud.com/paola-santillan-alcocer/h20 Licensed under a CC-BY by Paola Santillan Alcocer Through sonic representations the piece represents the 3 states of the water...

"Parade707 - Prédateurs"
by PARADE707

http://soundcloud.com/parade707/pre-dateurs||http://soundcloud.com/parade707/pre-dateurs Licensed under a CC-BY-NC-ND by PARADE707 PARADE707 was formed in late December 2012, starting around the work of Nolhann Conan (beatmaker, Chill, synths) and Grégoire Lucas (mixing, synths & guitars).
After a few months spent in studio, arranging and mixing their very own musical mood, they finally brought along one new member: Delf (vocals).
Lyrics and Chill by Loic Vinet.
Prédateurs is the second tape on our first EP.

"Parade707 - Opaline"
by PARADE707

http://soundcloud.com/parade707/opaline||http://soundcloud.com/parade707/opaline Licensed under a CC-BY-NC-ND by PARADE707 PARADE707 was formed in late December 2012, starting around the work of Nolhann Conan (beatmaker, Chill, synths) and Grégoire Lucas (mixing, synths & guitars).
After a few months spent in studio, arranging and mixing their very own musical mood, they finally brought along one new member: Delf (vocals).
Lyrics and Chill by Loic Vinet.
Opaline clip : http://www.youtube.com/watch?v=meSSwjJQ4y0

"Anima"
by kentaro Ito

http://soundcloud.com/kentarou-ito/anima-short-ver||http://soundcloud.com/kentarou-ito/anima Licensed under a CC-BY-NC-SA by kentaro Ito タイトルの通り、まず息吹や大地をイメージした音楽です。

"SAPPORO"
by rony k

http://soundcloud.com/rony-k/sapporo-15||http://soundcloud.com/rony-k/sapporo By rony k The soundscape was composed with with my charango (Argentine strings instrument ) playing arpeggios, the same reverse charango, siku (pan flute) and a synthesized drone.
here comes

"チカミチ (インテリゲンシィア )"
by intelligentsia-japan

http://soundcloud.com/intelligentsia-japan/chikamichi-chime||http://soundcloud.com/intelligentsia-japan/chikamichi Licensed under a CC-BY-NC-ND by intelligentsia-japan “CHIKAMICHI” was especially composed for the Sapporo Urban Soundscape competition over a period of two days in London, using various percussion instruments and iPad synthesis. Australian Opera Singer Bronwen Stephens provides the angelic vocals. This piece grew from its original 3 second motif - which is based on hearing various Japanese rail station melodies and distant chimes of school yards while travelling across Japan.

"Rhian"
by Brakemouth

http://soundcloud.com/brakemouth/rhian||http://soundcloud.com/brakemouth/rhian By Brakemouth Brakemouth tends more toward the anthemic alt-pop of the mid-'80s to early '90s. Injecting elements of The Cure, Stereolab and The Smiths, Brakemouth's music hits that certain sweet spot for those of us that like to cry and drive. The music is fist-pumping and heart-rending in equal measure, which creates an effect that suggests a full band in stadium mode.

"Digital Harbor"
by Snow Panda

http://soundcloud.com/snow-panda/digital-harbor-logo||http://soundcloud.com/snow-panda/digital-harbor-2014-siaf Licensed under a CC-BY-NC-ND by Snow Panda A walk on the crunchy 8-bit sand of a digital beach near a city harbor.

This piece contains no actual ocean/beach/harbor sounds.

Every sound is fabricated from samples recorded onto an iPhone.

The sound is meant to make the bystander aware they are in a special place without interrupting their natural daily agenda.

"Static Crickets"
by Snow Panda

http://soundcloud.com/snow-panda/static-crickets-logo-siaf-2014||http://soundcloud.com/snow-panda/static-crickets-2014-siaf Licensed under a CC-BY-NC-ND by Snow Panda A technological forest at night.

The idea is to create a modern space that doesn't encroach upon the bystander, but will still let the listener know they are in a very special place.

"Heiwa"
by Pascal Lengagne

http://soundcloud.com/pascal-lengagne/siaf-jingle||http://soundcloud.com/pascal-lengagne/heiwa Licensed under a CC-BY-NC-ND by Pascal Lengagne I've tried to make a peaceful abstract music that makes people stay longer, and provides a reassuring and positive feeling.

"うわずみ"
by Tak_Ongaku

http://soundcloud.com/tak_ongaku/sps-v||http://soundcloud.com/tak_ongaku/uwazumi By Tak_Ongaku どんな場面でも落ち着けるようにしあげました

"RIGHT NOW (A MATTER OF NOW)"
by Jasmin Even

http://soundcloud.com/jasmin-even/a-matter-of-now-short||http://soundcloud.com/jasmin-even/a-matter-of-now By Jasmin Even A BITTER-SWEET ELECTRO-POP SONG, TALKS ABOUT OUR RELATIONSHIP WITH TIME .
BECAUSE WE ARE NOT A MATTER OF TIME. WE ARE A MATTER OF NOW. RIGHT NOW.

"Inside/Outside"
by julieherndon

http://soundcloud.com/juliedoodle/inside-nugget||http://soundcloud.com/juliedoodle/inside-outside By julieherndon Comprovisation of sounds made inside and outside the piano

"UNKNOWN AMBIANCE"
by Jasmin Even

http://soundcloud.com/jasmin-even/unknown-ambiance-short||http://soundcloud.com/jasmin-even/unknown-ambiance By Jasmin Even TAKE A TRIP INTO A SECRET CITY AT THE BACK OF YOUR MIND..........

"Vivid"
by Tecimerico

http://soundcloud.com/eugenia0131/vivid-soundlogo||http://soundcloud.com/eugenia0131/vivid By Tecimerico 風景

どこにでもある風景

音は

風景を

光の早さにする

音は

風景を

鮮やかに彩っていく

高揚する心

"CITY NEO DISCO"
by Jasmin Even

http://soundcloud.com/jasmin-even/urban-disco-short||http://soundcloud.com/jasmin-even/urban-disco-long By Jasmin Even OPTIMIC-ROBOTIC URBAN DISCO-GROOVE!

"FUTURIST"
by Jasmin Even

http://soundcloud.com/jasmin-even/futurist-short||http://soundcloud.com/jasmin-even/futurist-long By Jasmin Even SPACY POP TUNE FOR THE OUT OF SPACE FUTURE TURIST

"Thistles"
by Jase Warner

http://soundcloud.com/jasewarner/thistles-sound-logo||http://soundcloud.com/jasewarner/thistles Licensed under a CC-BY-NC-ND by Jase Warner The thistle is a resolute flower, often surviving in harsh and unforgiving environments, its growth and beauty disregarding its wild and chaotic surroundings. The commuter does the same. With her family waiting for her back in their peaceful suburban home, she ignores the coarse language of the drunken train passenger, the squeal of the discontented child on the bus, the attack of umbrellas on the puddled streets of a city that lives, breathes and expresses itself in a myriad of ways, all day and all night, seven days a week.

As the piccolo breathes life into the audible space, I am reminded of my rural childhood, of waking to the sound of morning birds outside my window. Then, as the shimmering strings arrive, so does the adolescent sense of restlessness and intrigue. The bass drum brings the heartbeat of urbanisation, the distorted synth is chaos and construction: railroads, bridges, skyscrapers, cathedrals, houses and factories.

There is a brief lull as the architects of this urban environment marvel at what they have created. And then the rhythm kicks in: the city is established; it is living, breathing. Its inhabitants go about their daily lives, pacing the pavement, sharing paths with thousands of strangers as they aspire beyond mere survival in this merciless city. And dispersed between the madness of street preachers, taxi horns and the whirr of exotic languages, moments of respite present themselves.

“Thistles spike the summer air And crackle open under a blue-black pressure.” - Ted Hughes, Thistles

"Meridian (Movements 1 and 2)"
by debsinha

http://soundcloud.com/debsinha/meridian-soundlogo||http://soundcloud.com/debsinha/meridian-movements-1-and-2 Licensed under a CC-BY-NC-ND by debsinha As with much of Sinha’s work, Meridian re-imagines the world of Hindu myth, in this case the musings of Ganesh, the elephant headed Hindu god. Against a backdrop of processed field recordings of gamelan collected by the author on cassette in Indonesia, Ganesh ponders his role in creation and the tasks facing him in order to keep balance in the universe.

The author wishes to thank Jörg Laue, artistic director of Lose Combo, for the invitation to compose the first long form version of Meridian in 2012 for a performance celebrating John Cage’s 100th birthday at Akademie der Künste, Berlin. The text element of the work was added after a significant re-edit and mix in 2013, and this version is dated accordingly.

"australia - mounch"
by 1605munro

http://soundcloud.com/1605munro/mounch-for-siaf-2014-sites||http://soundcloud.com/1605munro/australia-for-the-former Licensed under a CC-BY-NC-SA by 1605munro Australia and Mounch were created using the same technique as in my performance project (along with fellow musician Hernán Diego Nunez): 1605munro vs. BGE.
A large ensemble of guitars + electronics passing usually one note to the next player, creating random melodies and phrases. Created by Robert Fripp´s Leage Of Crafty Guitarists, some of the original members kindly performed both tracks

"Rushing Off to School"
by ThatBlackBox

http://soundcloud.com/thatblackbox/sound-design-sapporo||http://soundcloud.com/thatblackbox/sound-design-sapporo Licensed under a CC-BY-NC-ND by ThatBlackBox In the midst of rushing off to school

"The Breaking Water"
by Machinefabriek

http://soundcloud.com/machinefabriek/the-breaking-water-promo/s-VxMmq||http://soundcloud.com/machinefabriek/the-breaking-water/s-XR3K5 Licensed under a CC-BY-NC-SA by Machinefabriek A track that can be heard as a sonic portrait of Rotterdam's iconic Erasmus Bridge, going straight through the busy heart of the city. It combines the stateliness of the freighters cruising the wide river with the hectic, unstoppable city traffic going back and forth. All sounds are recorded on and under the bridge, the water that it crosses as well as the cars and trams it carries. Recorded, edited and processed by Rutger Zuydervelt.

"The Breathing Bridge"
by Machinefabriek

http://soundcloud.com/machinefabriek/the-breathing-bridge-promo/s-j980f||http://soundcloud.com/machinefabriek/the-breathing-bridge/s-84ixI Licensed under a CC-BY-NC-SA by Machinefabriek A track that can be heard as a sonic portrait of Rotterdam's iconic Erasmus Bridge, going straight through the busy heart of the city. It combines the stateliness of the freighters cruising the wide river with the hectic, unstoppable city traffic going back and forth. All sounds are recorded on and under the bridge, the water that it crosses as well as the cars and trams it carries. Recorded, edited and processed by Rutger Zuydervelt.

"NoHo"
by Eliane Delage

http://soundcloud.com/edelage/noho-15sec||http://soundcloud.com/edelage/noho By Eliane Delage The composition "NoHo" urges to express the feeling of freedom in an urban area, the comfort of being surrounded by millions of people and still hold on to unique individuality, this tune was written while in Los Angeles and feeling trapped in the midst of a spacious area; the acronym NoHo means North Hollywood in the Los Angeles area, the longing for life in New York City used this acronym as a mental bridge to cross the country musically and land in "NoHo", North of Houston in New York City. Eliane Delage used this theme as a way to tele-transport herself mentally through music back to New York City as a dreamscape. Eliane is native of São Paulo, Brazil and currently lives in NY.

"1. Escalation 2. Ball Controls"
by Gilmore Choi

http://soundcloud.com/gilmore-choi/ball-controls||http://soundcloud.com/gilmore-choi/escalation Licensed under a CC-BY-NC-ND by Gilmore Choi 1. 'Escalation' is a solo piano piece. In the theme part, although the chord progression tends to descend, the melody rises up gradually, which makes the feeling of "Escalation". I believe that the acoustic solo piano music can create an extremely well-designed soundscape.

2. 'Ball Controls' is played by solo clarinet, and the sound effect is added later.
It is describing an image of ball bouncing backwards.

"ascension"
by Chancey Nakazawa

http://soundcloud.com/chancey-nakazawa/siaf2014-3-1||http://soundcloud.com/chancey-nakazawa/sifa-ascension Licensed under a CC-BY-NC-SA by Chancey Nakazawa 札幌は、大自然がビルのすぐ近くに共存する理想的な都市空間です。そこで行われる国際芸術祭…。そこに鳴り響くものは、単なる人間の喧騒であってはならないと思います。静かに深く鳴り響くもの、それでいながら創造性に満ちた開放された音。鳥の声にも地下道にも心の底から馴染み寄る、今までに無いやさしい響き。そんなナチュラルで一体感のあるものとのイメージを持ちました。

使用楽器はアフリカの木琴です。当然ながら作品はミックスした音響では無く、一台の楽器を奏したものです。この木琴は、サバンナの風と星辰に何百年と立ち尽くしたニウラと云う巨樹が一度死んで生き返った、自然そのものの響き、言わば太古よりめんめんと鳴る自然の精霊の音です。

遠い別の世界から微かに感知されるような音、歪みながらも聞こえてくる遠い国のラジオ放送にも似て、此方から周波数を合わす事で響いてくる様な感じの音こそが、心を揺さぶる大いなる説得力を持つように思います。
一言で語りつくせないものでも、音響そのものが自然と融合しその場を切り開いてくる…、そんな響きを作品のテーマとしました。

"Urban Tuning"
by Jean-Paul Garnier

http://soundcloud.com/jean-paul-garnier/loopool-siaf-sound-logo||http://soundcloud.com/jean-paul-garnier/loopool-urban-tuning-siaf Licensed under a CC-BY-NC-ND by Jean-Paul Garnier Urban Tuning is a soundscape work created using various field recordings, hydrophone recordings, digital synthesis and tuning forks. The work is designed to play with the spacial dynamics of any given environment and to transform usually mundane or unpleasant sounds into blissful and subtle beauty, changing traffic into instrumentation for instance. While the piece is transformative to the listeners relationship with the space occupied it can also blend into a variety of environments adding an unobtrusive layer that is meant to share the sonic landscape rather than overpower it. Through the use of object sounds given out of context "Urban Tuning" exemplifies that the sonic character of disembodied frequencies can alter drastically their emotional response and hopefully teach the listener that all sounds are beautiful if given the opportunity to be truly heard.

"Little flashes of sun on the surface of a cold, dark sea."
by Helenflanagan

http://soundcloud.com/helenflanagan/little-flashes-of-sun-sound||http://soundcloud.com/helenflanagan/little-flashes-of-sun-on-the By Helenflanagan The soundscape involves looped field recordings from shaman ceremonies, full moon rituals and sound healing sessions. This progressive drone like music is looped to create an infinite and atmospheric soundscape that builds up unexpectedly. These old and authentic shamanic sounds are used with modern looping technologies to create a meditative and trance like back-drop for the city. The work aims to alleviate the tension that can build in a busy working environment, encouraging listeners to reach a transcendental state. By reminding people of the natural and organic elements of sound, it allows for a temporary escape from the city by recapturing the old shamanic values and influences of nature.

"Elegy For A City Expired"
by budhaditya

http://soundcloud.com/budhaditya/elegy-for-a-city||http://soundcloud.com/budhaditya/elegy-for-a-city-1 Licensed under a CC-BY-NC-ND by budhaditya The poetics of elegiac form is explored in this work toward the expression of sorrow over the passing of time, affecting detachment, decay and departures in memory within the transfiguring landscape of a city. The passing of time forces the disappearance of the previously known landscapes from the panopticon into pervasive emergence of a megalopolis that is under rapid growth and development. Stemming out of intense phenomenological experience in an emerging Indian city and its complex sound world, the work represents a sonic construct that frames these dispositions by investigating the processes of contemplative and unadulterated listening to the city under dynamic transformation. Working on the assumption that passage of time over an once-inhabited but currently-emergent city can be captured employing a detached, contemplative or poetic mood of elegiac pace as a methodology in expanded listening, this work of sound composition uses indolence in order to facilitate meditative and in-depth observation of the city involving a keen sense of temporality and spatial history that reshapes memory associations disconnected and erased in the pervasive passing of time.

"Caelus (I)"
by Viento~

http://soundcloud.com/vientoo/caelus-15sec||http://soundcloud.com/vientoo/caelus-i Licensed under a CC-BY-NC-ND by Viento~ The image of this song evoques for me the image of a society moving forward peacefully, like the movements of the clouds, changing shapes with the wind.

"Finding Peace.."
by audioeng-1

http://soundcloud.com/audioeng-1/justin-van-houts-sapporo||http://soundcloud.com/audioeng-1/justin-van-hout_sounscape Licensed under a CC-BY-NC-ND by audioeng-1 *3-15 seconds_ I love sound designing. I just thought of what I would not mind hearing repeated for a few days, and what would relax me, yet keep me awake at the same time. The blowing out of the candle at the end just signifies the end of stress. (See also the description on my SoundCloud page.)

*3 minute+_ I didn't know I had to do both, so this is just a submission to get my other submission in. I'll save this one for a composer of sorts.

Thank you & ENJOY!

"linens"
by talk midway

http://soundcloud.com/talkmidway/linens-stopgap-edit||http://soundcloud.com/talkmidway/linens Licensed under a CC-BY-NC-ND by talk midway This is a meta-track - it's the sound of myself listening to music while commuting to and from work on NYC's 4/5 subway line.

A field recording of the subway is layered over 3 guitar loops. These loops were recorded in time, but their pitches were altered during the mix; this causes them to move gradually in and out of time with each other.

"The Metropolitan Cigales of Arles"
by Chris Dooks

http://soundcloud.com/bovinelife/sound-logo||http://soundcloud.com/bovinelife/the-metropolitan-cigales-of Licensed under a CC-BY-NC-ND by Chris Dooks A recent soundscape composition of several thousand French cicadas, merged with other environmental sonic phenomena heard in the town of Arles, in the South of France. This work will be released on a vinyl record by The University of The West of Scotland as part of a doctoral research project (in my case, a PhD) about sonic art and health. This entry was a special edit for SIAF 2014 - I decided that a length of around five minutes was appropriate, however, if you wish to hear a longer version, I have it as a 19 minute recording also. The sound file to be played at SIAF 2014 sites is also from the same source material. All work by Chris Dooks. Mastered by Taylor Deupree from the label 12k.

"ゆき"
by makino_chu

http://soundcloud.com/nanomaxxim/9b809nkaxtqq||http://soundcloud.com/nanomaxxim/tkrnimvmp9xv Licensed under a CC-BY-NC-SA by makino_chu 札幌という私の見知らぬ土地（私は九州の鹿児島生まれです）
での芸術祭ということで、氷のようにはりつめた感じと、でっかい大地を声だけで表現しました。
サウンドロゴの方は大人も子供もくすっと笑える要素があるように、資料館に設置される作品はサウンドロゴ作成の時に使用したものと同じフレーズを使用しています。
耳障りが良いけれども不可思議なものに仕上げました。
使用機材はrolandのAC-33、使用したソフトウエアはガレージバンドです。

"a news program"
by talk midway

http://soundcloud.com/talkmidway/a-news-program-exits-edit||http://soundcloud.com/talkmidway/columns Licensed under a CC-BY-NC-ND by talk midway It's tacky to say that music heals, but this was exactly my intent with 'a news program.'

I live in New York City – that is: I live in screeching subway brakes, aggressive traffic, and fast, incorrigible movement. This piece is my effort to escape and repair.

What did I want? It had to be patient, gentle, repetitive, and - above all - physical in nature. I wanted to provide a soft focus that kept interest but did not demand it.

'a news program' consists of several guitar layers and a simple Casio organ drone. There are 4 movements, but they fade together so subtly that they are hard to identify. A louder, heavy chord repeats throughout like a persistent church bell.

"Celebration"
by Ichiro Ice Owa

http://soundcloud.com/ichiro-ice-owa/celebration-soundlogo||http://soundcloud.com/ichiro-ice-owa/celebration Licensed under a CC-BY-NC-ND by Ichiro Ice Owa ウガンダの首都で元旦に行われた花火の音をつなげてリズムにしています。以前に作ったバロック調の曲を分解して別のものにしました。後半で子供の歓声を入れていますが、これもウガンダのある学区で、鳥の鳴き声あてクイズで正解したときの歓声を録音したものです。

"MONTJÜIC DÈRIVE"
by Atilio Doreste

http://soundcloud.com/atiliodoreste/montjui-c-de-rive-teaser||http://soundcloud.com/atiliodoreste/montjui-c Licensed under a CC-BY by Atilio Doreste This track is the result of a drift in linear time to promotion to Montjuïc from immigration neighborhoods in Barcelona until the sights corresponding to the high zone of the city, where there are the best views. It starts in the neighborhood of Poble Sec to the viewpoint of Miramar, through the Montjuïc cable car terminal, ending in the Parallel metro exit after riding the funicular down to the Raval Montjuïc, in Barcelona (Catalonia / Spain).

"La simplicité d'une goutte"
by Sol Rezza

http://soundcloud.com/solrezza/siaf-sound-logo||http://soundcloud.com/solrezza/siaf-sound-file Licensed under a CC-BY-NC-ND by Sol Rezza title: La simplicité d'une goutte.
"Gout and sun model of brevity:
The whole universe
enclosed in a water point.

The drop represents the flood and thirst.
Amazon is vast and the great Ocean.

Gout was there in the beginning of the world.
It is the mirror, the abyss,
the house of life and the fluidity of death."
José Emilio Pacheco fragment poem" The Drop ".

Piece made for SIAF 2014. In this work, the recorded sounds of the following elements were used:
Rice, rubber foam, lettuce, onion, sugar, various plastic bottles, aluminum foil, clay whistle.
These elements were recorded and subsequently processed by computer processes and virtual instruments.Also the following with various soundscapes were used:
-Waterfall Velo de Novia, Mexico (reorded by Sol Rezza)
-Street downtown Guatemala City, Guatemala (recorded by Sol Rezza)
-Street downtown Buenos Aires, Argentina. (recorded by sol Rezza)
-First night of summer 2013 song of crickets (recorded by Sol Rezza)
Recording, sound production and editing: Sol Rezza
Year 2014.

"det finns bättre"
by chowyik

http://soundcloud.com/chowyik/det-finns-b-ttre||http://soundcloud.com/chowyik/det-finns-inget-b-ttre Licensed under a CC-BY-NC-SA by chowyik restless night in the restless city
what could be better to loose the tighten strings.
reconstructed the cycle of rhythm
looping the basic boredom
parallel parallel
continuing the restless note
fuuuu fuuuu

"Le temps et l'espace"
by AngeloAF

http://soundcloud.com/angeloaf/letempsetlespace||http://soundcloud.com/angeloaf/letempsetlespace Licensed under a CC-BY-NC-ND by AngeloAF Le temps et l’espace is a simply piano composition, based on two dates: 1868, the year of foundation of Sapporo and date of the starting of Japan modernization and 2014, today, the year of the Art Festival.
The digits of this dates offer to me the outline of two musical themes in the correspondence with the relative notes in the "in" and "yo" scales: in example, I translated the 1868 into first, octave and sixth grade of the scale, as C, C8° and A flat.
As the logo-piece is only made by the translation of the two dates, in the extend-piece I built a chord-melody in the intersection between the above dates and the traditional japanese tetrachords (minyō, miyako, ritsu, ryūkyu). So the piece is a kind of coding the birth and the story of the city, articulated in a easy regularity of 2/4 half-notes structure that ideally reminds to the regularity of the map of Sapporo.
I try to evoke an atmosphere, reaching the maximum musical effect with the minimum material, trying to unite the japanese essential spirit with the western practice of composers as Bach, Beethoven and Webern.

"Inland Sea #3"
by Reese Williams

http://soundcloud.com/reese-williams/inland-sea-15-seconds||http://soundcloud.com/reese-williams/inland-sea-3 By Reese Williams "Inland Sea" is one of a group of works which orient to the movement of the water and to the water cycle of our planet. In deep time, it orients to the rising and falling of the ocean and to the receding and expanding of the glaciers.

Other works in this group, including "Long Tide" and "Moon's Bright Path" are available for listening at: reesewilliams.bandcamp.com

"HANA"
by papcam

http://soundcloud.com/papcam/cantangonuevo-soundlogo5||http://soundcloud.com/papcam/hana By papcam Hana, Rentaro Taki, arr. by Jho Kaufmann
performed by Cantango Nuevo (Quartett)

"Aka Tombo"
by papcam

http://soundcloud.com/papcam/cantangonuevo-logosound-4||http://soundcloud.com/papcam/sets/cantango-nuevo-1 By papcam Aka Tombo (Miki/Yamada)
New arrangement by Jho Kaufmann
performed by Cantango Nuevo (Trio)

"Evocation"
by RuudRoelofsen

http://soundcloud.com/ruudroelofsen/evocation-soundlogo||http://soundcloud.com/ruudroelofsen/evocationaudio By RuudRoelofsen Evocation is a portrait of a situation. The moment just before you start daydreaming, remembering the future and visualizing the past. Meanwhile getting fulfilled with an ancestral emotion, balancing you in time like getting trapped in the eye of a storm.

"Chikatetsu II"
by Tim Gerwing LASCAUX21

http://soundcloud.com/lascaux21/chikatetsu-ii-audio-logo||http://soundcloud.com/lascaux21/chikatetsu-ii Licensed under a CC-BY-NC-ND by Tim Gerwing LASCAUX21 CHIKATETSU, the "underground iron", the subway system that is the heart of public transportation in the large cities of Japan. But this music is about those hyper-cultural and psycho-emotional spaces common to all aspects of modern life: isolation, solitude within crowds, private moments of sentiment, thought, feeling, memory, place, and the relationship of this highly individual experience to society and an ever-changing 21st century world.

"Chikatetsu III"
by Tim Gerwing LASCAUX21

http://soundcloud.com/lascaux21/chikatetsu-iii-audio-logo||http://soundcloud.com/lascaux21/chikatetsu-iii Licensed under a CC-BY-NC-ND by Tim Gerwing LASCAUX21 Train track sounds begin to enter the field of attention, soon to be joined by a glitchy percussion beat. Bittersweet synth lines paint broad strokes across an imaginary sky glimpsed between buildings. There is a sense of calm solitude, not quite lonely, but not quite content either. A sense of searching gives way to an opening of the track sounds as they morph into beautiful ride cymbals glistening in the light. A sensual duet of acoustic bass and electric piano explore tertiary harmonies and melodies of a zen like simplicity before stating their final notes. The cymbals crunch down once again to become the long train tracks.

"Thinking of You"
by Tim Gerwing LASCAUX21

http://soundcloud.com/lascaux21/thinking-of-you-audio-logo||http://soundcloud.com/lascaux21/thinking-of-you Licensed under a CC-BY-NC-ND by Tim Gerwing LASCAUX21 This music explores hyper-cultural and psycho-emotional spaces common to all aspects of modern life: isolation, solitude within crowds, private moments of sentiment, thought, feeling, memory, place, and the relationship of this highly individual experience to the whole. The music of CHIKATETSU is the soundtrack of these experiences: music for the inner listener. Music is a language that does not "quantize" feeling the way verbal language does. This piece, "Thinking of You", is a highly personal exploration of inner feelings expressed through highly emotional washes of sound contrasted with a mechanistic and abstract drum beat. The "You" in "Thinking of You" is not entirely a specific person: it is rather an archetypal character in the movie of your life, where the listener is invited to project onto the screen of their inner experience, with this music as the soundtrack.

"ぬるちれを"
by Erico Wakamatsu

http://soundcloud.com/erico-wakamatsu/hommage-for-wong-kar-wai||http://soundcloud.com/erico-wakamatsu/lkgrquym3jql By Erico Wakamatsu ポップなエレメンツも散りばめられたドローンです。
たくさんの色彩を混ぜてどどめ色になる手前のぬるい感じをイメージしてつくりました。

"The Gate"
by Ichiro Ice Owa

http://soundcloud.com/ichiro-ice-owa/the-gate-sound-logo||http://soundcloud.com/ichiro-ice-owa/the-gate Licensed under a CC-BY-NC-ND by Ichiro Ice Owa 作品は東アフリカで作成したもの。アフリカの鳥の声（ハタオリドリ）や現地の子供の歌声（加工している）、現地の民族楽器を用いて、札幌の都市空間にはない暖かさを意図的に盛り込んだ。

"time tunnel"
by meetingbychance

http://soundcloud.com/365breaks/sound-logo||http://soundcloud.com/365breaks/time-tunnel Licensed under a CC-BY by meetingbychance 7 sound logos + time tunnel track .

enjoy the sounds .

"The Silent City"
by kittobon

http://soundcloud.com/kittobon/daijobu||http://soundcloud.com/kittobon/the-silent-city By kittobon New York, Tokyo, Chicago, Beijing. The city can be a mysterious place full of alleys and hidden places. It can be a smoky, bricked in place, but also a place of hope. My work paints pictures of places I have been or seen, especially in the impoverished regions of inner Saint Louis. What was once glorious is now forgotten, but still retains a beauty all its own, reflected in the first piece for Former Sapporo Court of Appeals. But, where there is life, there is sound and joy. This can be found at every street corner, even matsuri, as found in my second piece, intended for the SIAF sites.

"Xerni Oh Luminia"
by Tommy Cyaen

http://soundcloud.com/tommycyaen/t-c-sound-logo-b||http://soundcloud.com/tommycyaen/1-xerni-oh-luminia-mp3 Licensed under a CC-BY-NC-ND by Tommy Cyaen Track taken from my album:

"Everything is Born Free",
すべての生き物は自由生まれている
2005-2012

An experimental personal work of multi genre electronic music never released.

"Xerni Oh Luminia" is a kaleidoscopic symphony.
A tribute to the music in its chromatic and polyphonic form.
It makes me imagine the naive attempt to befriend an alien entity through the musical language.

The sound Logo is an extract of "From A to B" from the same album; the song is about paths and changes, this fragment is placed at the end where there are no more changes and movements related to the physical objects but reverberate legacies and memories.

Hope you enjoy.

Sincerely yours,

Alessandro Tomarchio

"Populus Tremula"
by Sjøli

http://soundcloud.com/sjoli/sj-li-sample||http://soundcloud.com/sjoli/populus-tremula Licensed under a CC-BY-NC by Sjøli The sound of two realities colliding.

"Hello 2014 !"
by bprem

http://soundcloud.com/bprem/for-soporo-international-art||http://soundcloud.com/bprem/hello-2014-by-bprem By bprem Hello People !

I'm Prem from France, started composing since 2010...& composition became a big passion since the past 4 years. My grand father was a pianist in churches in India (Pondichery) i probably have herited his hands :) I share with you my work hope you'll like it !

Peace,

Prem.

"Urban-bossa"
by jaseven

http://soundcloud.com/jaseven/urban-bossa-short-jasmin-even||http://soundcloud.com/jaseven/urban-bossa-jasmin-even By jaseven This is a bossa-electrolounge track, based on synths and my vocals.. .
listen and enjoy:)

"木陰"
by YujiTakezawa

http://soundcloud.com/yujitakezawa/the-shade-of-a-tree-14||http://soundcloud.com/yujitakezawa/the-shade-of-a-tree-3-17 Licensed under a CC-BY-NC-ND by YujiTakezawa まず近所の森に行って、風の音と小鳥のさえずりを録音してきました。それらの音を編集したり、エフェクトを何種類かかけたりして、楽しそうなリズムの様なノイズをつくり、それをベースにして都市の公共空間にふさわしいと思われるサウンドを自分なりに考えました。心がけたのは、わかりやすくて楽しそうな雰囲気のあるサウンドにすること。テンポはゆっくりめを基本とし、チェロの響きが印象的でシンプルな１４秒の作品を最初に完成させました。次に３分以上の作品の方は、ピアノの音でメロディーを足して、ゆっくりだったテンポが少し早くなるような感じがある部分を作ったりして、１４秒の作品とは少し違いがあるようにしました。都市空間にある緑豊かな公園で、天気のいい休日に子供が木陰で楽しそうに遊んでいる。そんなイメージが聴く人に伝われば幸いです。

"The Way Of The Wind"
by Daycolour

http://soundcloud.com/daycolouraudio/sapporo-soundscape-competition-logo||http://soundcloud.com/daycolouraudio/sapporo-sound-scape Licensed under a CC-BY-NC-ND by Daycolour Lewis Gorham/Melbourne Australia/DOB 1988

This sound scape I have produced is a 15 second piece containing gentle swells of sine waves accompanied by the sound of wind chimes that gently ring together at random above a bed of lush reverberated sine waves my aim was to represent the constant hum of civilization and machinery/ technology with the naturally occurring movement of the wind and other forces of nature.

"Circulation"
by Tetsuji Matsuo

http://soundcloud.com/tetsuji-matsuo/sound-logo||http://soundcloud.com/tetsuji-matsuo/circulation Licensed under a CC-BY-NC-SA by Tetsuji Matsuo 作品のコンセプトは、都市と自然の融合です。
そして水が流れている、循環しているようなイメージです。

作品を作るにあたり、まず都会の街の音をレコーダーを持って録りに行きました。
そして、家に持ち帰った都会の音を聴きながら、ピアノでインプロヴィゼーションをしました。
そうすることで、都会の街並に溶け込むような音が録れると思いました。
まずその都会の街並の音と、ピアノが曲を作るベースとなりました。

それにリズムや背景音を少しずつ足していきました。
背景音を足した時に、街並の音をそのまま入れるか、省くか悩みましが、
歴史ある西洋建築の札幌市資料館で再生されるということなので、省くことにしました。

リズムはパルスを感じるbeatsと、break beatsをミックスさせて作りました。インプロヴィゼーションのピアノとは対照的ですが、何か新しい空気感が出せたのではないかと思っています。聴いていて落ち着いて安らぐけれど、推進力も感じるものにしたいと思いました。

人、もの、お金、そしてこころや自然が循環している様子を表現できればと思いました。

IDEAS